Anglo-Saxon Poetry

Old English literature refers to poetry (alliterative verse) and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work '' Cædmon's Hymn'' is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the ''Ecclesiastical History of the English People''. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature.

In descending order of quantity, Old English literature consists of: sermons and saints' lives; biblical translations; translated Latin works of the early Church Fathers; chronicles and narrative history works; laws, wills and other legal works; practical works on grammar, medicine, and geography; and poetry. In all, there are over 400 surviving manuscripts from the period, of which about 189 are considered major. In addition, some Old English text survives on stone structures and ornate objects.

The poem ''Beowulf'', which often begins the traditional canon of English literature, is the most famous work of Old English literature. The ''Anglo-Saxon Chronicle'' has also proven significant for historical study, preserving a chronology of early English history.

In addition to Old English literature, Anglo-Latin works comprise the largest volume of literature from the Early Middle Ages in England.

Extant manuscripts

Over 400 manuscripts remain from the Anglo-Saxon period, with most written during the 9th to 11th centuries. There were considerable losses of manuscripts as a result of the Dissolution of the Monasteries in the 16th century.

Old English manuscripts have been highly prized by collectors since the 16th century, both for their historic value and for their aesthetic beauty with their uniformly spaced letters and decorative elements.

Paleography and codicology

Manuscripts written in both Latin and the vernacular remain. It is believed that Irish missionaries are responsible for the scripts used in early Anglo-Saxon texts, which include the Insular half-uncial (important Latin texts) and Insular minuscule (both Latin and the vernacular). In the 10th century, the Caroline minuscule was adopted for Latin, however the Insular minuscule continued to be used for Old English texts. Thereafter, it was increasingly influenced by Caroline minuscule, while retaining certain distinctively Insular letter-forms.

Early English manuscripts often contain later annotations in the margins of the texts; it is a rarity to find a completely unannotated manuscript. These include corrections, alterations and expansions of the main text, as well as commentary upon it, and even unrelated texts. The majority of these annotations appear to date to the 13th century and later.

Scriptoria

Seven major scriptoria produced a good deal of Old English manuscripts: Winchester; Exeter; Worcester; Abingdon; Durham; and two Canterbury houses, Christ Church and St. Augustine's Abbey.

Dialects

Regional dialects include Northumbrian, Mercian, Kentish, and West Saxon, leading to the speculation that much of the poetry may have been translated into West Saxon at a later date. An example of the dominance of the West Saxon dialect is a pair of charters, from the Stowe and British Museum collections, which outline grants of land in Kent and Mercia, but are nonetheless written in the West Saxon dialect of the period.

Poetic codices

There are four major poetic manuscripts:
* The Junius manuscript, also known as the Cædmon manuscript, is an illustrated collection of poems on biblical narratives. It is held at the Bodleian Library, with the shelfmark MS. Junius 11.
* The Exeter Book is an anthology which brings together riddles and longer texts. It has been held at the Exeter Cathedral library since it was donated there in the 11th century by Bishop Leofric, and has the shelfmark Exeter Dean and Chapter Manuscript 3501.
* The Vercelli Book contains both poetry and prose; it is not known how it came to be in Vercelli.
* The Beowulf Manuscript (British Library Cotton Vitellius A. xv), sometimes called the Nowell Codex, contains prose and poetry, typically dealing with monstrous themes, including ''Beowulf''.

Poetry

Form and style

The most distinguishing feature of Old English poetry is its alliterative verse style.

The Anglo-Latin verse tradition in early medieval England was accompanied by discourses on Latin prosody, which were 'rules' or guidance for writers. The rules of Old English verse are understood only through modern analysis of the extant texts.

The first widely accepted theory was constructed by Eduard Sievers (1893), who distinguished five distinct alliterative patterns. His system of alliterative verse is based on accent, alliteration, the quantity of vowels, and patterns of syllabic accentuation. It consists of five permutations on a base verse scheme; any one of the five types can be used in any verse. The system was inherited from and exists in one form or another in all of the older Germanic languages.

Alternative theories have been proposed, such as the theory of John C. Pope (1942), which uses musical notation to track the verse patterns. J. R. R. Tolkien describes and illustrates many of the features of Old English poetry in his 1940 essay " On Translating ''Beowulf''.

Alliteration and assonance

Old English poetry alliterates, meaning that a sound is repeated throughout a line, generally taken from the first syllable of the first stressed word in a line. Alliteration is based on sound rather than letter. For instance, in the first line of The Wanderer, "Oft him anhaga are gebideð", "Often the loner finds grace for himself", the 'o' of 'oft', and 'a' in 'anhaga' and 'are' all alliterate. Prefixes, such as 'ge-' are always unstressed and therefore are not part of alliterative patterns, while consonant clusters, for example 'st' or 'sp' may only alliterate with themselves, not any word beginning with 's'.

Caesura

Old English poetry, like other Old Germanic alliterative verse, is also commonly marked by the caesura or pause. In addition to setting pace for the line, the caesura also grouped each line into two hemistichs.

Metaphor

Kennings are a key feature of Old English poetry. A kenning is an often formulaic metaphorical phrase that describes one thing in terms of another: for instance, in ''Beowulf'', the sea is called the ''whale road''. Another example of a kenning in '' The Wanderer'' is a reference to battle as a "storm of spears".

Old English poetry is marked by the comparative rarity of similes. ''Beowulf'' contains at best five similes, and these are of the short variety.

Variation

The Old English poet was particularly fond of describing the same person or object with varied phrases (often appositives) that indicated different qualities of that person or object. For instance, the ''Beowulf'' poet refers in three and a half lines to a Danish king as "lord of the Danes" (referring to the people in general), "king of the Scyldings" (the name of the specific Danish tribe), "giver of rings" (one of the king's functions is to distribute treasure), and "famous chief". Such variation, which the modern reader (who likes verbal precision) is not used to, is frequently a difficulty in producing a readable translation.

Litotes

Litotes is a form of dramatic understatement employed by the author for ironic effect.

Oral tradition

Even though all extant Old English poetry is written and literate, many scholars propose that Old English poetry was an oral craft that was performed by a ''scop'' and accompanied by a harp.

The hypotheses of Milman Parry and Albert Lord on the Homeric Question came to be applied (by Parry and Lord, but also by Francis Magoun) to verse written in Old English. That is, the theory proposes that certain features of at least some of the poetry may be explained by positing oral-formulaic composition. While Old English epic poetry may bear some resemblance to Ancient Greek epics such as the ''Iliad'' and ''Odyssey'', the question of if and how Anglo-Saxon poetry was passed down through an oral tradition remains a subject of debate, and the question for any particular poem unlikely to be answered with perfect certainty.

Parry and Lord had already demonstrated the density of metrical formulas in Ancient Greek, and observed the same feature in the Old English alliterative line:

''Hroþgar maþelode helm Scildinga'' ("Hrothgar spoke, protector of the Scildings")
''Beoƿulf maþelode bearn Ecgþeoƿes'' ("Beowulf spoke, son of Ecgtheow")

In addition to verbal formulas, many themes have been shown to appear among the various works of Anglo-Saxon literature. The theory suggests a reason for this: the poetry was composed of formulae and themes from a stock common to the poetic profession, as well as literary passages composed by individual artists in a more modern sense. Larry Benson introduced the concept of "written-formulaic" to describe the status of some Anglo-Saxon poetry which, while demonstrably written, contains evidence of oral influences, including heavy reliance on formulas and themes. Frequent oral-formulaic themes in Old English poetry include "Beasts of Battle" and the "Cliff of Death". The former, for example, is characterised by the mention of ravens, eagles, and wolves preceding particularly violent depictions of battle. Among the most thoroughly documented themes is "The Hero on the Beach". D. K. Crowne first proposed this theme, defined by four characteristics:
* A Hero on the Beach.
* Accompanying "Retainers".
* A Flashing Light.
* The Completion or Initiation of a Journey.

One example Crowne cites in his article is that which concludes Beowulf's fight with the monsters during his swimming match with Breca:

Crowne drew on examples of the theme's appearance in twelve Old English texts, including one occurrence in Beowulf. It was also observed in other works of Germanic origin, Middle English poetry, and even an Icelandic prose saga. John Richardson held that the schema was so general as to apply to virtually any character at some point in the narrative, and thought it an instance of the "threshold" feature of Joseph Campbell's Hero's Journey monomyth. J.A. Dane, in an article (characterised by Foley as "polemics without rigour") claimed that the appearance of the theme in Ancient Greek poetry, a tradition without known connection to the Germanic, invalidated the notion of "an autonomous theme in the baggage of an oral poet." Foley's response was that Dane misunderstood the nature of oral tradition, and that in fact the appearance of the theme in other cultures showed that it was a traditional form.

Poets

Most Old English poems are recorded without authors, and very few names are known with any certainty; the primary three are Cædmon, Aldhelm, and Cynewulf.

Bede

Bede is often thought to be the poet of a five-line poem entitled ''Bede's Death Song'', on account of its appearance in a letter on his death by Cuthbert. This poem exists in a Northumbrian and later version.

Cædmon

Cædmon is considered the first Old English poet whose work still survives. He is a legendary figure, as described in Bede's Ecclesiastical History of the English People. According to Bede, Cædmon was first an illiterate herdsman. Following a vision of a messenger from God, Cædmon received the gift of poetry, and then lived as a monk under Abbess Hild at the abbey of Whitby in Northumbria in the 7th century. Bede's ''History'' claims to reproduce Cædmon's first poem, comprising nine lines. Referred to as '' Cædmon's Hymn'', the poem is extant in Northumbrian, West-Saxon and Latin versions that appear in 19 surviving manuscripts:

Cynewulf

Cynewulf has proven to be a difficult figure to identify, but recent research suggests he was an Anglian poet from the early part of the 9th century. Four poems are attributed to him, signed with a runic acrostic at the end of each poem; these are ''The Fates of the Apostles'' and ''Elene'' (both found in the Vercelli Book), and ''Christ II'' and ''Juliana'' (both found in the Exeter Book).

Although William of Malmesbury claims that Aldhelm, bishop of Sherborne (d. 709), performed secular songs while accompanied by a harp, none of these Old English poems survives. Paul G. Remely has recently proposed that the Old English '' Exodus'' may have been the work of Aldhelm, or someone closely associated with him.

Alfred

Alfred is said to be the author of some of the metrical prefaces to the Old English translations of Gregory's ''Pastoral Care'' and Boethius's ''Consolation of Philosophy''. Alfred is also thought to be the author of 50 metrical psalms, but whether the poems were written by him, under his direction or patronage, or as a general part in his reform efforts is unknown.

Poetic genres and themes

Heroic poetry

The Old English poetry which has received the most attention deals with what has been termed the Germanic heroic past. Scholars suggest that Old English heroic poetry was handed down orally from generation to generation. As Christianity began to appear, re-tellers often recast the tales of Christianity into the older heroic stories.

The longest at 3,182 lines, and the most important, is ''Beowulf'', which appears in the damaged Nowell Codex. Beowulf relates the exploits of the hero Beowulf, King of the Weder-Geats or Angles, around the middle of the 5th century. The author is unknown, and no mention of Britain occurs. Scholars are divided over the date of the present text, with hypotheses ranging from the 8th to the 11th centuries. It has achieved much acclaim as well as sustained academic and artistic interest.

Other heroic poems besides ''Beowulf'' exist. Two have survived in fragments: '' The Fight at Finnsburh'', controversially interpreted by many to be a retelling of one of the battle scenes in ''Beowulf'', and ''Waldere'', a version of the events of the life of Walter of Aquitaine. Two other poems mention heroic figures: ''Widsith'' is believed to be very old in parts, dating back to events in the 4th century concerning Eormanric and the Goths, and contains a catalogue of names and places associated with valiant deeds. ''Deor'' is a lyric, in the style of ''Consolation of Philosophy'', applying examples of famous heroes, including Weland and Eormanric, to the narrator's own case.

The ''Anglo-Saxon Chronicle'' contains various heroic poems inserted throughout. The earliest from 937 is called '' The Battle of Brunanburh'', which celebrates the victory of King Athelstan over the Scots and Norse. There are five shorter poems: capture of the Five Boroughs (942); coronation of King Edgar (973); death of King Edgar (975); death of Alfred the son of King Æthelred (1036); and death of King Edward the Confessor (1065).

The 325 line poem ''The Battle of Maldon'' celebrates Earl Byrhtnoth and his men who fell in battle against the Vikings in 991. It is considered one of the finest, but both the beginning and end are missing and the only manuscript was destroyed in a fire in 1731. A well-known speech is near the end of the poem:

Elegiac poetry

Related to the heroic tales are a number of short poems from the Exeter Book which have come to be described as "elegies" or "wisdom poetry". They are lyrical and Boethian in their description of the up and down fortunes of life. Gloomy in mood is ''The Ruin'', which tells of the decay of a once glorious city of Roman Britain (cities in Britain fell into decline after the Romans departed in the early 5th century, as the early Celtic Britons continued to live their rural life), and '' The Wanderer'', in which an older man talks about an attack that happened in his youth, when his close friends and kin were all killed; memories of the slaughter have remained with him all his life. He questions the wisdom of the impetuous decision to engage a possibly superior fighting force: the wise man engages in warfare to ''preserve'' civil society, and must not rush into battle but should seek out allies when the odds may be against him. This poet finds little glory in bravery for bravery's sake. '' The Seafarer'' is the story of a sombre exile from home on the sea, from which the only hope of redemption is the joy of heaven. Other wisdom poems include '' Wulf and Eadwacer'', ''The Wife's Lament'', and '' The Husband's Message''. Alfred the Great wrote a wisdom poem over the course of his reign based loosely on the neoplatonic philosophy of Boethius called the '' Lays of Boethius''.

Translations of classical and Latin poetry

Several Old English poems are adaptations of late classical philosophical texts. The longest is a 10th-century translation of Boethius' ''Consolation of Philosophy'' contained in the Cotton manuscript Otho A.vi. Another is '' The Phoenix'' in the Exeter Book, an allegorisation of the ''De ave phoenice'' by Lactantius.

Other short poems derive from the Latin bestiary tradition. These include ''The Panther'', '' The Whale'' and '' The Partridge''.

Riddles

The most famous Old English riddles are found in the Exeter Book. They are part of a wider Anglo-Saxon literary tradition of riddling, which includes riddles written in Latin. Riddles are both comical and obscene.

The riddles of the Exeter Book are unnumbered and without titles in the manuscript. For this reason, scholars propose different interpretations of how many riddles there are, with some agreeing 94 riddles, and others proposing closer to 100 riddles in the book. Most scholars believe that the Exeter Book was compiled by a single scribe; however, the works were almost certainly originally composed by poets.

A riddle in Old English, written using runic script, features on the Franks Casket. One possible solution for the riddle is 'whale', evoking the whale-bone from which the casket made.

Saints' lives in verse

The Vercelli Book and Exeter Book contain four long narrative poems of saints' lives, or hagiographies. In Vercelli are ''Andreas'' and '' Elene'' and in Exeter are '' Guthlac'' and ''Juliana''.

''Andreas'' is 1,722 lines long and is the closest of the surviving Old English poems to ''Beowulf'' in style and tone. It is the story of Saint Andrew and his journey to rescue Saint Matthew from the Mermedonians. ''Elene'' is the story of Saint Helena (mother of Constantine) and her discovery of the True Cross. The cult of the True Cross was popular in Anglo-Saxon England and this poem was instrumental in promoting it.

''Guthlac'' consists of two poems about the English 7th century Saint Guthlac. ''Juliana'' describes the life of Saint Juliana, including a discussion with the devil during her imprisonment.

Poetic Biblical paraphrases

There are a number of partial Old English Bible translations and paraphrases surviving. The Junius manuscript contains three paraphrases of Old Testament texts. These were re-wordings of Biblical passages in Old English, not exact translations, but paraphrasing, sometimes into beautiful poetry in its own right. The first and longest is of ''Genesis'' (originally presented as one work in the Junius manuscript but now thought to consist of two separate poems, A and B), the second is of '' Exodus'' and the third is '' Daniel''. Contained in Daniel are two lyrics, ''Song of the Three Children'' and ''Song of Azarias'', the latter also appearing in the Exeter Book after ''Guthlac''. The fourth and last poem, '' Christ and Satan'', which is contained in the second part of the Junius manuscript, does not paraphrase any particular biblical book, but retells a number of episodes from both the Old and New Testament.

The Nowell Codex contains a Biblical poetic paraphrase, which appears right after ''Beowulf'', called ''Judith'', a retelling of the story of Judith. This is not to be confused with Ælfric's homily ''Judith'', which retells the same Biblical story in alliterative prose.

Old English translations of Psalms 51–150 have been preserved, following a prose version of the first 50 Psalms. There are verse translations of the Gloria in Excelsis, the Lord's Prayer, and the Apostles' Creed, as well as some hymns and proverbs.

Original Christian poems

In addition to Biblical paraphrases are a number of original religious poems, mostly lyrical (non-narrative).

The Exeter Book contains a series of poems entitled ''Christ'', sectioned into '' Christ I'', '' Christ II'' and '' Christ III''.

Considered one of the most beautiful of all Old English poems is ''Dream of the Rood'', contained in the Vercelli Book. The presence of a portion of the poem (in Northumbrian dialect) carved in runes on an 8th century stone cross found in Ruthwell, Dumfriesshire, verifies the age of at least this portion of the poem. The Dream of the Rood is a dream vision in which the personified cross tells the story of the crucifixion. Christ appears as a young hero-king, confident of victory, while the cross itself feels all the physical pain of the crucifixion, as well as the pain of being forced to kill the young lord.

The dreamer resolves to trust in the cross, and the dream ends with a vision of heaven.

There are a number of religious debate poems. The longest is '' Christ and Satan'' in the Junius manuscript, which deals with the conflict between Christ and Satan during the forty days in the desert. Another debate poem is '' Solomon and Saturn'', surviving in a number of textual fragments, Saturn is portrayed as a magician debating with the wise king Solomon.

Other poems

Other poetic forms exist in Old English including short verses, gnomes, and mnemonic poems for remembering long lists of names.

There are short verses found in the margins of manuscripts which offer practical advice, such as remedies against the loss of cattle or how to deal with a delayed birth, often grouped as charms. The longest is called ''Nine Herbs Charm'' and is probably of pagan origin. Other similar short verses, or charms, include '' For a Swarm of Bees'', '' Against a Dwarf'', '' Against a Stabbing Pain'', and ''Against a Wen''.

There are a group of mnemonic poems designed to help memorise lists and sequences of names and to keep objects in order. These poems are named ''Menologium'', '' The Fates of the Apostles'', '' The Rune Poem'', '' The Seasons for Fasting'', and the ''Instructions for Christians''.

Prose

The amount of surviving Old English prose is much greater than the amount of poetry. Of the surviving prose, the majority consists of the homilies, saints' lives and biblical translations from Latin. The division of early medieval written prose works into categories of "Christian" and "secular", as below, is for convenience's sake only, for literacy in Anglo-Saxon England was largely the province of monks, nuns, and ecclesiastics (or of those laypeople to whom they had taught the skills of reading and writing Latin and/or Old English). Old English prose first appears in the 9th century, and continues to be recorded through the 12th century as the last generation of scribes, trained as boys in the standardised West Saxon before the Conquest, died as old men.

Christian prose

The most widely known secular author of Old English was King Alfred the Great (849–899), who translated several books, many of them religious, from Latin into Old English. Alfred, wanting to restore English culture, lamented the poor state of Latin education:

Alfred proposed that students be educated in Old English, and those who excelled should go on to learn Latin. Alfred's cultural program aimed to translate "certain books ..necessary for all men to know" from Latin to Old English. These included: Gregory the Great's '' Cura Pastoralis'', a manual for priests on how to conduct their duties, which became the ''Hierdeboc'' ('Shepherd-book') in Old English; Boethius' (the '' Froforboc'' or 'book of consolation'); and the '' Soliloquia'' of Saint Augustine (known in Old English as the ''Blostman'' or 'blooms'). In the process, some original content was interweaved through the translations.

Other important Old English translations include: Orosius' , a companion piece for St. Augustine's ''The City of God''; the ''Dialogues'' of Gregory the Great; and Bede's ''Ecclesiastical History of the English People''.

Ælfric of Eynsham, who wrote in the late 10th and early 11th centuries, is believed to have been a pupil of Æthelwold. He was the greatest and most prolific writer of sermons, which were copied and adapted for use well into the 13th century. In the translation of the first six books of the Bible (''Old English Hexateuch''), portions have been assigned to Ælfric on stylistic grounds. He included some lives of the saints in the ''Catholic Homilies'', as well as a cycle of saints' lives to be used in sermons. Ælfric also wrote an Old English work on time-reckoning, and pastoral letters.

In the same category as Ælfric, and a contemporary, was Wulfstan II, archbishop of York. His sermons were highly stylistic. His best known work is '' Sermo Lupi ad Anglos'' in which he blames the sins of the English for the Viking invasions. He wrote a number of clerical legal texts: ''Institutes of Polity'' and '' Canons of Edgar''.

One of the earliest Old English texts in prose is the ''Martyrology'', information about saints and martyrs according to their anniversaries and feasts in the church calendar. It has survived in six fragments. It is believed to have been written in the 9th century by an anonymous Mercian author.

The oldest collections of church sermons is the '' Blickling homilies'', found in a 10th-century manuscript.

There are a number of saint's lives prose works: beyond those written by Ælfric are the prose life of Saint Guthlac (Vercelli Book), the life of Saint Margaret and the life of Saint Chad. There are four additional lives in the earliest manuscript of the ''Lives of Saints'', the Julius manuscript: Seven Sleepers of Ephesus, Saint Mary of Egypt, Saint Eustace and Saint Euphrosyne.

There are six major manuscripts of the Wessex Gospels, dating from the 11th and 12th centuries. The most popular, ''Old English Gospel of Nicodemus'', is treated in one manuscript as though it were a 5th gospel; other apocryphal gospels in translation include the ''Gospel of Pseudo-Matthew'', ''Vindicta salvatoris'', '' Vision of Saint Paul'' and the '' Apocalypse of Thomas''.

Secular prose

The ''Anglo-Saxon Chronicle'' was probably started in the time of King Alfred the Great and continued for over 300 years as a historical record of Anglo-Saxon history.

A single example of a Classical romance has survived: a fragment of the story of ''Apollonius of Tyre'' was translated in the 11th century from the '' Gesta Romanorum''.

A monk who was writing in Old English at the same time as Ælfric and Wulfstan was Byrhtferth of Ramsey, whose book '' Handboc'' was a study of mathematics and rhetoric. He also produced a work entitled ''Computus'', which outlined the practical application of arithmetic to the calculation of calendar days and movable feasts, as well as tide tables.

Ælfric wrote two proto-scientific works, ''Hexameron'' and ''Interrogationes Sigewulfi'', dealing with the stories of Creation. He also wrote a grammar and glossary of Latin in Old English, later used by students interested in learning Old French

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