Andrés Curruchich
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Andrés Curruchich (1891–1969) was born in San Juan Comalapa, Guatemala on January 19, 1891. He was a Guatemalan
naïve Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A ''naïve'' may ...
painter of the
Kaqchikel people The Kaqchikel (also called Kachiquel) are one of the Indigenous Maya peoples of the midwestern highlands of Guatemala and of southern Mexico. They constitute Guatemala's third largest Maya group. The name was formerly spelled in various other way ...
from the Kaqchikel town of
San Juan Comalapa San Juan Comalapa is a town, with a population of 32,312 (2018 census), and a Municipalities of Guatemala, municipality in the Chimaltenango Department, Chimaltenango department of Guatemala. San Juan Comalapa is sometimes called the "Florence of ...
. Andrés Curruchich is considered the first and most important of the naïve painters of San Juan Comalapa. He is considered one the first Maya painters and the founder of Guatemalan folk art.Fry, Michael F.. Historical Dictionary of Guatemala. United States: Rowman & Littlefield Publishers, 2018. He began to paint in the 1920s as a means to try to earn extra money. In the 1930s and 1940s, he was invited to exhibit his works in various festivals and fairs in Guatemala. By 1950, his work was known in Guatemala City, and at this time he began to paint in oils on canvas. During the 1950s he exhibited in Guatemala City and at various galleries in the United States. Curruchich's works were primarily known for showcasing the lives and rituals of indigenous Guatemalans through a realistic lens.Crown, Carol, and Cheryl Rivers. ''The Narrative Textile.'' 2018. His paintings also documented the customs, lifestyles, and scenes from daily life of the people in San Juan Comalapa and surrounding villages. He showcases the variety of clothing used by the people in events from everyday life to even clothing saved for special occasions, such as festivals. He died in 1969, in San Juan Comalapa, Guatemala. There is a permanent exhibition of his work at the Ixchel Museum of Indigenous Textiles and Clothing in
Guatemala City Guatemala City (, also known colloquially by the nickname Guate), is the Capital city, national capital and largest city of the Guatemala, Republic of Guatemala. It is also the Municipalities of Guatemala, municipal capital of the Guatemala Depa ...
. Andrés Curruchich spawned a colony of Kaqchikel painters in San Juan Comalapa, which has become a centre for
Mayan Mayan most commonly refers to: * Maya peoples, various indigenous peoples of Mesoamerica and northern Central America * Maya civilization, pre-Columbian culture of Mesoamerica and northern Central America * Mayan languages, language family spoken ...
naïve art in Guatemala. Some 500 artists work in the town, many of them trained by Curruchich.


Education

Andres Curruchich would go on to train his granddaughters, María Elena Curruchiche and Rosa Elena, as well as other artists such as
Paula Nicho Cumez Paula Nicho Cumez (born January 15, 1955) is a Mayan-Guatemalan artist. Cumez is inspired by Mayan tradition and culture and focuses on expressing the context of native women’s experience in her artwork; additionally, Cumez was inspired by the ...
and Oscar Peren.


Artworks

''Muchachas Carriando Agua'', 1963, oil on canvas Curruchich depicts woman from San Juan Comalapa getting water from the fountain. This painting shows how Curruchich viewed woman in his community. ''Plaza de Comalapa Venden Camaron'' n.d. oil painting on canvas Features a man sitting under a tree, selling dried shrimp with a scale in hand. Surrounding him are woman, four of them dressed in the same colorful clothing, while another one behind them wears more dull clothing along with a basket or back behind them on their back. Behind the man there is more shrimp. ''Fiesta de San Juan'' n.d. oil on canvas It features three men trying to bullfight a bull, one with a donkey mask on. Behind the bull there a persona falling and a man sitting in defeat on the bull's side. There is a water fountain in the arena, meanwhile the outside/seating area of the arena is filled with people watching the men in the middle fight the bull.


Select exhibitions

In 1958, Curruchich's work was presented in San Francisco, California and in New York, New York in the show ''Village Life in Guatemala.''


Collections

In the 1950s, Curruchich's work was featured in Guatemala City and in galleries in the United States, such as “El Museo del Barrio” in New York. There is a permanent collection of Curruchich's work at the Ixchel Museum of Indigenous Textiles and Clothing in the Guatemala City.


Honors and awards

In 1960, Curruchich was awarded the Order of the Quetzal by the Guatemala government for his contributions to the nation.


References


Arte y Literatura de Guatemala: Andrés CurruchichBook about Andrés Curruchich's workSpanish language blog about naïve art in Guatemala
*Crown, Carol, and Cheryl Rivers. ''The Narrative Textile.'' 2018. *Fry, Michael F.. Historical Dictionary of Guatemala. United States: Rowman & Littlefield Publishers, 2018. *Knoke de Arathoon, Barbara, and Rosario Miralbés de Polanco''. Museo Ixchel del Traje Indígena= The Ixchel Museum of Indigenous Dress''. Datatèxtil 11 (2004): 50-61. *Moura, Rodrigo. ''2. Andrés Curruchich''. EL MUSEO DEL BARRIO. September 10, 2020. https://popularpainters-elmuseo.org/2-7-andres-curruchich/. {{DEFAULTSORT:Curruchich, Andres 20th-century Guatemalan painters Naïve painters 1891 births 1969 deaths Latin American artists of indigenous descent Guatemalan Maya people 20th-century indigenous painters of the Americas Maya painters Order of the Quetzal People from Chimaltenango Department Kaqchikel people 20th-century Guatemalan male artists Male painters