Andreas (typeface)

Andreas is a humanist serif

typeface A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands ...

Adobe Type Adobe ( ; ) is a building material made from earth and organic materials. is Spanish for ''mudbrick''. In some English-speaking regions of Spanish heritage, such as the Southwestern United States, the term is used to refer to any kind of ea ...

library. Harvey drew the lettering in 1988 as part of the book-jacket design for James F. Peck's book ''In the Studios of Paris: William Bouguereau and His American Students,'' a

Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale Univer ...

publication. That lettering became the foundation for the 1986 typeface Andreas. In keeping with the book's subject, Harvey wanted

letterform A letterform, letter-form or letter form, is a term used especially in typography, palaeography, calligraphy and epigraphy to mean a letter (alphabet), letter's shape. A letterform is a type of glyph, which is a specific, concrete way of writing ...

s that reflected the

Art Nouveau Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Moder ...

period. The letterforms also bear comparison with the condensed, calligraphic thirteenth-century Italian monumental capitals. Due to space constraints, the type had to be narrow enough to allow the title to fit on a single line across the top, so as to not intrude on the

Van Gogh Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, inc ...

painting that filled the rest of the jacket. To accomplish this he drew the letterforms freehand, giving them highly animated organic strokes and narrow character set. He also added distinctive junctions of letter strokes to the D, P, and R. The typeface was drawn in outline, intending to reverse to white, so as to not be overly assertive on the cover. Display typefaces Adobe typefaces Typefaces and fonts introduced in 1988 Art Nouveau typefaces Typefaces designed by Michael Harvey (lettering artist) {{Typ-stub