Ancient Music

Ancient music refers to the musical cultures and practices from before 500 CE that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the era of medieval music (the post-classical era).

Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome. Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation, and the dominance of text in musical settings.

Overview

Written musical notation was the first advent of a literate society.

In Prehistoric times, people had a tendency to primarily express their music and ideas through oral means. However, with the rise of social classes, many European and Asian societies regarded literacy as superior to illiteracy, which caused people to begin writing down their musical notations.

The earliest known example of notated music is the Hurrian Hymn No. 6, which dates back to around the 14th century B.C. This made music evolve from simply hearing music and transmitting it orally, to keeping records and personal interpretations of musical themes.

Regions

Egypt

Music has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited the goddess Bat with the invention of music, although she was later syncretized with another goddess, Hathor. Osiris used Hathor's music to civilize the world. The earliest material and representational evidence of Egyptian musical instruments dates to the Predynastic period, but the evidence is more reliably attested in tomb paintings from the Old Kingdom () when harps, end-blown flutes ( held diagonally), and single and double pipes of the clarinet type (with single reeds) were played.

Percussion instruments, and lutes were added to orchestras by the Middle Kingdom. Bronze cymbals dating from the Roman period (30 BCE–641 CE) have been found in a tomb on a site near Naucratis.

Although experiments have been carried out with surviving Egyptian instruments (on the spacing of holes in flutes and reed pipes, and attempts to reconstruct the stringing of lyres, harps, and lutes), only the Tutankhamun trumpets and some percussion instruments yield an idea of how ancient Egyptian instruments actually sounded.

None of the existing theories have any adequate foundation. The sistrum, a highly important rattle used in religious worship, was among the percussion instruments utilized in ancient Egypt.

Mesopotamia

In 1986, Anne Draffkorn Kilmer, professor of ancient history and Mediterranean archaeology at the University of California, Berkeley, published her decipherment of a cuneiform tablet, dating back to 2000 BCE from Nippur, one of the oldest Sumerian cities. She claimed that the tablet contained fragmentary instructions for performing and composing music in harmonies of thirds, and was written using a diatonic scale. The notation in the first tablet was not as developed as the notation in the later cuneiform Hurrian tablets from Ugarit, dated by Kilmer to about 1250 BCE. The interpretation of the notation system is still controversial (at least five rival interpretations have been published), but it is clear that the notation indicates the names of strings on a lyre, and its tuning is described in other tablets. These tablets represent the earliest recorded melodies, though fragmentary, from anywhere in the world.

Harps of Ur

In 1929, Leonard Woolley discovered pieces of four different harps while excavating the ruins of the ancient city Ur, located in what was Ancient Mesopotamia and what is now contemporary Iraq. The fragments have been dated to 2750 BCE and some are now located at the University of Pennsylvania, the British Museum in London, and in Baghdad. Various reconstructions and restorations of the instruments have been attempted, but many concluded that none have been completely satisfactory. Depending on various definitions, they could be classified as lyres rather than harps, the most famous being the bull-headed harp, held in Baghdad. However, the Iraq War in 2003 led to the destruction of the bull-head harp by looters.

=Hurrian music

=

Among the Hurrian texts from Ugarit in Syria are some of the oldest known instances of written music, dating from and including one complete song.

India

The Samaveda consists of a collection (samhita) of hymns, portions of hymns, and detached verses, all but 75 taken from the Rigveda, to be sung, using specifically indicated melodies called '' Samagana''. In ancient India, memorization of the sacred ''Vedas'' included up to eleven forms of recitation of the same text.

The ''Natya Shastra'' is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written at an uncertain date in classical India (200 BCE–200 CE). The ''Natya Shastra'' is based upon the much older ''Natya Veda'' which contained 36,000  slokas (proverb/saying).However, there are no surviving copies of the ''Natya Veda''. There are scholars who believe that it may have been written by various authors at different times. The most authoritative commentary on the ''Natya Shastra'' is '' Abhinavabharati'' by Abhinava Gupta.
While much of the discussion of music in the ''Natya Shastra'' focuses on musical instruments, it also emphasizes several theoretical aspects that remained fundamental to Indian music:
# Establishment of '' Shadja'' as the first, defining note of the scale or grama.
# Two principles of consonance: The first principle states that there exists a fundamental note in the musical scale which is Avinashi (अविनाशी) and Avilopi (अविलोपी) that is, the note is ever-present and unchanging. The second principle, often treated as ''law'', states that there exists a natural consonance between notes; the best between Shadja and Tar Shadja, the next best between Shadja and Pancham.
# The ''Natya Shastra'' also suggests the notion of musical modes or ''jatis'' which are the origin of the notion of the modern melodic structures known as ragas. Their role in invoking emotions are emphasized; thus compositions emphasizing the notes gandhara or rishabha are said to be related to tragedy (''karuna rasa'') whereas rishabha is to be emphasized for evoking heroism (''vIra rasa'').

Jatis are elaborated in greater detail in the text Dattilam, composed around the same time as the ''Natya Shastra''.

China

Most '' guqin'' books and tablature written before the twentieth century confirm that this is the origin of the ''guqin'', although now it is viewed as mythology. In Chinese literature, the ''guqin'' dates back almost 3,000 years, while examples of the instrument have been found in tombs that date back to about 2,000 years ago. Although the ancient literature states its beginnings, the origin of the ''guqin'' has still been a subject of debate over the past few decades.

Persia

Greece

Rome

The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music pervaded many areas of Roman life. including the military, entertainment in the Roman theater, religious ceremonies and practices, and almost all public/civic occasions.

The philosopher-theorist Boethius translated into Latin and anthologized a number of Greek treatises, including some on music. His work ''The Principles of Music'' (better-known under the title '' De institutione musica'') divided music into three types: (music of the universe), (music of human beings), and (instrumental music).

Music was central to religion, society, and entertainment in ancient cultures, each developing unique styles and instruments.

Mesopotamia (3000 BCE): Used lyres, harps, and drums; early musical notation found in cuneiform.
Egypt (2600 BCE): Sistrums, harps, and flutes played in temples and festivals, honoring gods like Hathor.
Greece & Rome (800 BCE): Greeks used lyres and auloi in philosophy and theater; Romans favored military brass.
India (1500 BCE): Vedic chants led to Carnatic and Hindustani music, with instruments like veena and mridangam.
China (3000 BCE): Music followed Yin-Yang balance; guqin and flutes were key instruments.
Mesoamerica: Drums, rattles, and conch shells used in rituals and festivals.
Each civilization shaped music through spirituality, technology, and tradition, influencing modern sounds.

References

Sources

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Further reading

* Hickmann, Hans. "Un Zikr Dans le Mastaba de Debhen, Guîzah (IVème Dynastie)". '' Journal of the International Folk Music Council'' 9 (1957): 59–62.
* Hickmann, Hans. "Rythme, mètre et mesure de la musique instrumentale et vocale des anciens Egyptiens". '' Acta Musicologica'' 32, no. 1 (January–March 1960): 11–22.
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External links

Reconstructed bone flutes, sound sample and playing instructions

International Study Group on Music Archaeology

Musica Romana: Ensemble for ancient music

Ensemble Kérylos
a music group led by scholar Annie Bélis and dedicated to the recreation of ancient Greek and Roman music

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