Amesha Spentas
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Zoroastrianism Zoroastrianism ( ), also called Mazdayasnā () or Beh-dīn (), is an Iranian religions, Iranian religion centred on the Avesta and the teachings of Zoroaster, Zarathushtra Spitama, who is more commonly referred to by the Greek translation, ...
, the Amesha Spenta (—literally "Immortal (which is) holy/bounteous/furthering") are a class of seven divine entities emanating from
Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...
, the highest divinity of the religion. Later
Middle Persian Middle Persian, also known by its endonym Pārsīk or Pārsīg ( Inscriptional Pahlavi script: , Manichaean script: , Avestan script: ) in its later form, is a Western Middle Iranian language which became the literary language of the Sasania ...
variations of the term include the contraction 'Ameshaspand' as well as the specifically Zoroastrian 'Mahraspand' and 'Amahraspand'.


As divine entities

Significantly more common than the non-specific meaning of ''Amesha Spenta'' (see below) is a restrictive use of the term to refer to the great seven divine entities emanating from
Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...
. In Zoroastrian tradition, these are the first seven emanations of the uncreated creator, through whom all subsequent creation was accomplished. This fundamental doctrine is only alluded to in the
Avesta The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Mod ...
, but is systematically described in later Middle Persian language texts, in particular in the ''
Bundahishn The ''Bundahishn'' (Middle Persian: , "Primal Creation") is an encyclopedic collection of beliefs about Zoroastrian cosmology written in the Book Pahlavi script. The original name of the work is not known. It is one of the most important extant ...
'', an 11th or 12th century work that recounts Zoroastrian cosmology. The expression ''Amesha Spenta'' does not occur in the Gathas, but "it was probably coined by
Zoroaster Zarathushtra Spitama, more commonly known as Zoroaster or Zarathustra, was an Iranian peoples, Iranian religious reformer who challenged the tenets of the contemporary Ancient Iranian religion, becoming the spiritual founder of Zoroastrianism ...
himself. ''Spenta'' is a characteristic word of his revelation, meaning ''furthering, strengthening, bounteous, holy''." The oldest attested use of the term is in part of the '' Yasna Haptanghaiti'' and in which the two elements of the name occur in reverse order, that is, as ''Spenta Amesha''. Like all other verses of the ''Yasna Haptanghaiti'', ''
Yasna Yasna (;"Yasna"
''
Gathic Avestan and is approximately as old as the hymns attributed to Zoroaster himself. The attributes ''vohu'' "good", ''vahišta'' "best", ''vairya'' "desirable" and ''spenta'' "holy" are not always present in the oldest texts. If they appear at all, they do not necessarily appear immediately adjacent to the noun. But in later tradition, these adjectives are integral to the names themselves. While ''Vohu Manah'', ''Aša Vahišta'', and ''Xšaθra Vairya'' are consistently of neuter gender in Avestan grammar; in tradition they are considered masculine. ''Armaiti'', ''Haurvatāt'', and ''Amərətāt'' are invariably feminine. In the Gathas, each Amesha Spenta represents a good moral quality that mortals should strive to obtain. Thus, the doctrine of the great seven is that through good thoughts, words, and deeds, each individual should endeavor to assimilate the qualities of an Amesha Spenta into oneself. Each of the seven has an antithetical counterpart, and five of the seven are already assigned one in the Gathas:. ''aša/arta-'' (truth) is opposed to the ''druj-'' (deceit, lies), spəṇta-mainyu to angra-mainyu, ''vohu-manah'' is opposed to ''aka-manah-'', ''xšaθra-'' to ''dušae-xšaθra-'', and ''armaiti-'' to ''taraemaiti-''. Not evident in the Gathas and first appearing in the Younger Avesta are the oppositions of ''haurvatāt-'' (wholeness) to ''taršna-'' (thirst), and ''amərətāt-'' (life) to ''šud-'' (hunger). These latter assignments reflect Haurvatat's identification with water and Ameretat's identification with plants. In the Gathas, ''aša/arta'' is the most evident of the seven, and also the most commonly associated with wisdom (''mazda-''). In the 238 verses of these hymns, ''aša-/arta-'' appears 157 times. Of the other concepts, only '' vohumanah-'' appears nearly as often (136 occurrences). In comparison, the remaining four of the great sextet appear only 121 times altogether: ''xšaθra-'': 56 times; ''armaiti-'': 40; ''amərətāt-'': 14; ''haurvatāt-'': 11 times. In the context of Zoroastrian cosmology, the group of the Amesha Spenta is extended to include
Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...
, represented by (or together with) ''Spenta Mainyu'', who is the instrument or "active principle" of the act of creation. It is also through this "Bounteous Force", "Creative Emanation", or "Holy Spirit" that Ahura Mazda is immanent in humankind, and how the Creator interacts with the world. The doctrine also has a physical dimension, in that each of the heptad is linked to one of the seven creations, which in ancient philosophy were the foundation of the universe. A systematic association is only present in later Middle Persian texts, where each of the seven is listed with its "special domain": In the Gathas, ''Xšaθra'' 'Vairya''does not have an association with a specific creation, and it is only in later texts that this Amesha Spenta is considered the guardian of metals. This anomaly is explained in modern scholarship by the fact that, in
Stone Age The Stone Age was a broad prehistory, prehistoric period during which Rock (geology), stone was widely used to make stone tools with an edge, a point, or a percussion surface. The period lasted for roughly 3.4 million years and ended b ...
cosmogony, the sky was considered to be the first of the creations (and thought to be of stone), but metal has no place among the creations (the
Bronze Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals (such as phosphorus) or metalloid ...
and
Iron Age The Iron Age () is the final epoch of the three historical Metal Ages, after the Chalcolithic and Bronze Age. It has also been considered as the final age of the three-age division starting with prehistory (before recorded history) and progre ...
s were yet to come). This is also reflected in Zoroaster's revelation, where the sky is "of the hardest stone". Later, with the event of bronze and then iron tools, this sky evolved to being of crystal, which was seen as both of stone and of metal. In due course, ''Xšaθra's'' association with a stony firmament was eclipsed by the association with a metallic sky, and thence to metals in general.


In non-specific usage

In non-specific usage, the term ''Amesha Spenta'' denotes all the divinities that furthered or strengthened creation and all that are bounteous and holy. It not only includes the ''Ahura''s (a term that in the Gathas is also used in the plural but only includes
Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...
by name), but also all the other divinities that are alluded to in these texts. In this non-specific sense of the term, ''Amesha Spenta'' is then equivalent to the term '' yazata''. Non-specific usage is significantly less common than the use of the term to specifically denote the great divine entities (see above). The non-specific usage is particularly evident in the 9th-14th century texts of Zoroastrian tradition, but there are also instances in the Avesta proper where it is used this way. In ''Yasna'' 1.2 for instance, the '' yazata'' Atar is declared to be "the most active of the Amesha Spentas." Even in present-day Zoroastrianism, the term is frequently used to refer to the thirty-three divinities that have either a day-name dedication in the
Zoroastrian calendar Adherents of Zoroastrianism use three distinct versions of traditional calendars for Zoroastrian festivals, liturgical purposes. Those all derive from Middle Ages, medieval Iranian calendars and ultimately are based on the Babylonian calendar a ...
or that have a '' Yasht'' dedicated to them (or both). This general, non-specific, meaning of the term ''Amesha Spenta'' also has an equivalent in the
Vedic upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed ...
Sanskrit Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...
''Vishve Amrtas'', which is the collective term for all supernatural beings (lit: 'all immortals').


Doctrine

The doctrine of the Amesha Spenta, through their connection with creation, unites ethereal and spiritual concepts with material and manifest objects in a "uniquely Zoroastrian" way: not only as abstract "aspects" of Ahura Mazda but also worthy of reverence themselves and personified or represented in all material things. The relationship between Ahura Mazda and the Amesha Spenta is an altogether subtle one. In ''Yasna'' 31.11 of the Gathas, Ahura Mazda is said to have created the universe with his "thought". In other passages, such as ''Yasna'' 45.4, he is described as the metaphorical "father" of the individual Amesha Spenta, which, even though it is figurative, suggests a familial closeness. In particular, the relationship between Ahura Mazda and ''Spenta Mainyu'' is multifaceted and complex and "as hard to define as that of
Yahweh Yahweh was an Ancient Semitic religion, ancient Semitic deity of Weather god, weather and List of war deities, war in the History of the ancient Levant, ancient Levant, the national god of the kingdoms of Kingdom of Judah, Judah and Kingdom ...
and the
Holy Spirit The Holy Spirit, otherwise known as the Holy Ghost, is a concept within the Abrahamic religions. In Judaism, the Holy Spirit is understood as the divine quality or force of God manifesting in the world, particularly in acts of prophecy, creati ...
in Judaism and Christianity.". A veneration for the Amesha Spenta through the living world is still present in modern Zoroastrian tradition and is evident in every religious ceremony, when each of the Amesha Spenta is visibly represented by objects of which they are the guardians. In addition, the first seven days of the month of the
Zoroastrian calendar Adherents of Zoroastrianism use three distinct versions of traditional calendars for Zoroastrian festivals, liturgical purposes. Those all derive from Middle Ages, medieval Iranian calendars and ultimately are based on the Babylonian calendar a ...
are dedicated to the great heptad and to creation, acknowledging the preeminence of the Amesha Spenta and so ensuring the inculcation of their doctrine. Ethical and ontological dualism in the same entity "accounts for the difficulty which some aspects of the doctrine have presented for Western scholars". The reverence of the Amesha Spenta and the Yazatas has been frequently attacked by non-Zoroastrian sources for its polytheist nature, not only in modern times but also the Sassanid era. While the "worship of the elements" was a repeated accusation during the 4th and 5th centuries, ⁣ Christian missionaries (such as John Wilson) in 19th-century India specifically targeted the immanence of the Amesha Spenta as indicative of (in their view) a Zoroastrian polytheistic tradition worthy of attack. pp. 182ff. A frequent target for criticism was the Zoroastrian credo in which the adherent declares, "I profess to be a worshiper of Mazda, follower of the teachings of Zoroaster, ... one who praises and reveres the Amesha Spenta" (the ''Fravaraneh'', ''Yasna'' 12.1). Some modern Zoroastrian theologians, especially those identifying with the Reformist school of thought, believe that ethereal spirit and physical manifestation are not separable in any sense and that a reverence of Ahura Mazda's creations is ultimately a worship of the Creator. In the second half of the 19th century, Martin Haug proposed that Zoroaster himself had viewed the Amesha Spenta as merely philosophical abstractions and that a personification of the heptad was really a later corruption. The
Parsi The Parsis or Parsees () are a Zoroastrian ethnic group in the Indian subcontinent. They are descended from Persian refugees who migrated to the Indian subcontinent during and after the Arab-Islamic conquest of Iran in the 7th century, w ...
s of Bombay gratefully accepted Haug's premise as a defense against the Christian missionaries and subsequently disseminated the idea as a Parsi interpretation, which corroborated Haug's theory. The "continuing monotheism" principle eventually became so popular that it is now almost universally accepted as doctrine.


Notes


References


Further reading

* * * * Corbin, Henry (1977).
Spiritual Body and Celestial Earth: From Mazdean Iran to Shi'ite Iran
'. Princeton University Press. * {{Authority control Classes of angels * Ancient Iranian deities