All-Negro Comics

''All-Negro Comics'' is a 1947 American comic book that represents the first known comics magazine written and drawn solely by African-American writers and artists. Edited by Orrin Cromwell Evans, the comic anthology published a single issue with small circulation and sales.

Publication history

African-American journalist Orrin Cromwell Evans was "the first black writer to cover general assignments for a mainstream white newspaper in the United States" when he joined the staff of the '' Philadelphia Record''. Evans was a member of the NAACP and a strong proponent of racial equality. After the ''Record'' closed in 1947, Evans thought he could use the comic-book medium to further highlight "the splendid history of Negro journalism". Reprinted at

Evans partnered with former ''Record'' editor Harry T. Saylor, ''Record'' sports editor Bill Driscoll, and two others to found the Philadelphia publishing company All-Negro Comics, Inc., with himself as president. Reprinted from ''Comics Buyer's Guide'' February 28, 1997, pp. 32, 34, 37-38. Article includes reprinted editorial page "All-Negro Comics: Presenting Another First in Negro History" from ''All-Negro Comics'' #1

In mid-1947, the company published one issue of ''All-Negro Comics'', a 48-page, standard-sized comic book with a typical glossy color cover and newsprint interior. It was copyrighted July 15, 1947, with a June 1947 issue date, and its press run and distribution are unknown. Unlike other comic books of the time, it sold for 15 cents rather than 10 cents.''All-Negro Comics'' #1
at the Grand Comics Database

As writer Tom Christopher described, Evans

As one cultural historian notes of the era, " ile there were a few heroic images of blacks created by blacks, such as the ''Jive Gray'' comic strip and ''All-Negro Comics'', these images did not circulate outside of pre-civil rights segregated black communities."

Evans attempted to publish a second issue but was unable to purchase the newsprint required. One writer believes Evans was blocked from doing so by prejudiced distributors, as well as from competing, white-owned publishers (such as Parents Magazine Press and Fawcett Comics) which began producing their own black-themed titles.

''The Official Overstreet Comic Book Price Guide'', a standard reference, considers the single issue "rare" and notes, "Seldom found in fine or mint condition; many copies have brown pages."

In 2022, comics writer Chris Robinson successfully funded a Kickstarter to remaster and reprint the comic. The reprinted edition won an Eisner Award for Best Archival Collection/Project — Comic Books in 2024.

Contents

''Time'' magazine in 1947 called ''All-Negro Comics'' "the first to be drawn by Negro artists and peopled entirely by Negro characters." In describing lead feature "Ace Harlem", it said, "The villains were a couple of zoot-suited, jive-talking Negro muggers, whose presence in anyone else's comics might have brought up complaints of racial 'distortion.' Since it was all in the family, Evans thought no Negro readers would mind." The protagonist "Ace Harlem" was an African-American police detective; the characters in the "Lion Man and Bubba" feature were meant to inspire black people's pride in their African heritage.

Stories

* One-page introductory editorial, "All-Negro Comics: Presenting Another First in Negro History"
* "Ace Harlem", a detective feature drawn by John Terrell
* "The Little Dew Dillies", a children's feature starring cherub-like creatures only babies can see and talk to, drawn by Cooper
* "Ezekiel's Manhunt", a two-page boy's-adventure text story
* "Lion Man and Bubba", starring a college-educated African American sent by the United Nations on a mission to a uranium deposit on Africa's Gold Coast, where he adopted the mischievous orphan Bubba. Drawn by George J. Evans, Jr. (no relation to Caucasian comic-book and comic-strip artist George Evans). One modern-day writer said Lion Man "wore the obligatory leotard costume of the comic hero", Cripps, Thomas. ''Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era '', (Oxford University Press, 1993), p. 154. though the comic's cover and interior pages depict him in loin cloth.
* "Hep Chicks on Parade", spot-illustration gags with highly stylized women wearing exaggerated fashions, signed "Len"
* "Lil' Eggie", by Terrell, about henpecked husband Egbert and his wife
* "Sugarfoot", a humor feature, drawn by Cravat, starring traveling musicians Sugarfoot and Snake Oil, who try to woo a farmer's daughter. Evans' editorial said the feature's creators hoped "to recapture the almost lost humor of the loveable wandering Negro minstrel of the past."
* "Remember — Crime Doesn't Pay, Kids!", a one-page public service announcement and next-issue promo, with Ace Harlem

See also

* Portrayal of black people in comics
* African characters in comics
* '' Martin Luther King and the Montgomery Story''
*Black Panther (comics)
* Lobo (Dell Comics)
* '' Real Deal''
* Race film
* Blaxploitation

References

External links

*
* {{cite web, authorlink=Scott Shaw , last=Shaw , first=Scott , url=http://www.oddball-comics.com/article.php?story=2007-02-26 , title=''All-Negro Comics'', No. 1 , publisher=Oddball Comics (column) #1148 , date=February 25, 2007 , archiveurl=https://web.archive.org/web/20070520173646/http://www.oddballcomics.com/article.php?story=2007-02-26 , archivedate=May 20, 2007 , url-status=dead , accessdate=July 1, 2011

''All-Negro Comics'' scans

Comics magazines published in the United States
Magazines established in 1947
Magazines disestablished in 1947
African-American characters in comics
African-American magazines
1947 comics debuts
One-shot comic titles
Defunct American comics
Black people in comics
African-American comics
Public domain comics
Golden Age of Comic Books