Alexis Piron (9 July 1689 – 21 January 1773) was a French

epigram An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two mille ...

matist and

dramatist A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English ...

Life

He was born at

Dijon Dijon (, , ) (dated) * it, Digione * la, Diviō or * lmo, Digion is the prefecture of the Côte-d'Or department and of the Bourgogne-Franche-Comté region in northeastern France. the commune had a population of 156,920. The earl ...

, where his father, Aimé Piron, was an apothecary. Piron senior wrote verse in the Burgundian language. Alexis began life as clerk and secretary to a banker, and then studied law. In 1719, when nearly thirty years old, he went to Paris, where an accident brought him money and notoriety. The jealousy of the regular actors produced an edict restricting the Théâtre de la Foire, or licensed booths at fair times, to a single character on the stage. None of the ordinary writers for this theatre would attempt a monologue-drama for the purpose, and Piron made a great success with a piece called ''Arlequin Deucalion'', representing

Deucalion In Greek mythology, Deucalion (; grc-gre, Δευκαλίων) was the son of Prometheus; ancient sources name his mother as Clymene, Hesione, or Pronoia.A scholium to ''Odyssey'' 10.2 (='' Catalogue'' fr. 4) reports that Hesiod called Deucal ...

immediately after the Deluge, amusing himself with recreating in succession the different types of man. In 1728 he produced ''Les Fils ingrats'' (known later as ''L'Ecole des pères'') at the

Comédie-Française The Comédie-Française () or Théâtre-Français () is one of the few state theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real ...

. He attempted tragedy in ''Callisthene'' (1730), ''Gustave Vasa'' (1733) and ''Fernand Cortes'' (1744), but none of these succeeded, and Piron returned to comedy with ''La Metromanie'' (1738), in which the hero, Damis, suffers from the verse mania. His most intimate associates at this time were Mademoiselle Quinault, the actress, and her friend

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