Alexander Cañedo
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Alexander Cañedo (December 26, 1902 – February 1, 1978) was a Mexican-American artist who was part of the
surrealism Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike s ...
and
magic realism Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. ''Magical re ...
art movements of the mid-20th century.


Biography

Cañedo was born in
Mexico City Mexico City is the capital city, capital and List of cities in Mexico, largest city of Mexico, as well as the List of North American cities by population, most populous city in North America. It is one of the most important cultural and finan ...
as Alejandro de Cañedo; his father was a Mexican government official and his mother was from the United States. In 1918, when Cañedo was 15, his parents sent him to
École nationale supérieure des Beaux-Arts École or Ecole may refer to: * an elementary school in the French educational stages normally followed by secondary education establishments (collège and lycée) * École (river), a tributary of the Seine The Seine ( , ) is a river in nor ...
in Paris where he studied under the sculptor Jean Magrou. In 1923, Cañedo traveled to Rome where he continued his art studies. In 1927, Cañedo briefly returned to Mexico. During that trip, the Mexican Government appointed him attaché to the Mexican Embassy in Rome. In 1928, Cañedo held his first art exhibition with the Circolo Artistico in Rome, a collection of pencil drawings. More exhibitions followed in other cities in Europe. That same year, he traveled to the New York City where he exhibited widely. At this point, he began signing his work with just his last name; eventually, he also Anglicized his first name as "Alexander" and dropped the "de". Cañedo was commissioned in 1929 to illustrate the amatory novel ''Orientale: The Adventure of Therese Beauchamps'' by the French author Francis de Miomandre. The highly stylized
Art Deco Art Deco, short for the French (), is a style of visual arts, architecture, and product design that first Art Deco in Paris, appeared in Paris in the 1910s just before World War I and flourished in the United States and Europe during the 1920 ...
results were so successful that he retained Cañedo the following year to illustrate his next novel, ''The Love Life of Venus''. In 1932, Cañedo was invited to have a solo show of his pencil drawings at Walter P. Chrysler, Junior's newly opened Cheshire Gallery, located in the
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. He also had a solo exhibition at the Argent Galleries, and participated in shows of the
Art Students League of New York The Art Students League of New York is an art school in the American Fine Arts Society in Manhattan, New York City. The Arts Students League is known for its broad appeal to both amateurs and professional artists. Although artists may study f ...
, of which he was an active member. By the mid-1930s, Cañedo began exhibiting watercolors. These were shown at solo exhibitions at the Arthur U. Newton Galleries. He expanded to work in oil paint and in the early 1940s, such work was exhibited at the Arthur U. Newton Galleries and the Schneider-Gabriel Galleries of New York. Beginning in 1947 and over the next decade, he produced many illustrations for the covers of
science fiction Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space ...
magazines such as ''
Astounding ''Analog Science Fiction and Fact'' is an American science fiction magazine published under various titles since 1930. Originally titled ''Astounding Stories of Super-Science'', the first issue was dated January 1930, published by William Cl ...
''. Traveling west, Cañedo held a solo show at
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Gallery in San Francisco in 1949, the first of many exhibitions at Gump's. That year, he also exhibited at the first annual Art League of California faculty show. In 1950, Walter Foster published an art instruction book titled ''How Cañedo Draws the Figure''; it remained in print for five years. Cañedo permanently relocated to California, dividing his time between San Francisco and Los Angeles, with frequent painting trips to the
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area. His work tended to be formally similar, with nude figures set in improbable, alien or abstracted landscapes, or featured natural objects such as seashells floating in such settings. During this time, Cañedo also produced many overtly homoerotic artworks for private collectors which were too suggestive to be exhibited in galleries. His work remained in demand throughout the 1960s, with solo exhibitions at the James Pendleton Gallery, Galleria Gianni, Raymond & Raymond Gallery and the Arcade Gallery in the Beverly Hills Hotel. His works are included in the permanent collection of the Leslie Lohman Gay Art Foundation. Cañedo died in
West Hollywood, California West Hollywood is a city in Los Angeles County, California, United States. Incorporated in 1984, it is home to the Sunset Strip. As of the 2020 United States census, 2020 U.S. Census, its population was 35,757. History Most historical writing ...
on February 1, 1978.


References



Artist's biography

Artist's biography {{DEFAULTSORT:Canedo, Alexander 1902 births 1978 deaths Painters from Mexico City Artists from California American artists of Mexican descent 20th-century American painters American male painters Gay painters 20th-century American illustrators Modern painters American gay artists American LGBTQ painters Art Students League of New York alumni École des Beaux-Arts alumni American surrealist artists Mexican surrealist artists Painters from New York City Mexican people of American descent 20th-century American LGBTQ people Mexican emigrants to the United States 20th-century American male artists