African Red Slip
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African red slip ware, also African Red Slip or ARS, is a category of '' terra sigillata'', or "fine"
Ancient Roman pottery Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge mound, waste mound in Rome made almost entirely of broken amphorae u ...
produced from the mid-1st century AD into the 7th century in the province of
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, specifically that part roughly coinciding with the modern country of
Tunisia Tunisia, officially the Republic of Tunisia, is a country in the Maghreb region of North Africa. It is bordered by Algeria to the west and southwest, Libya to the southeast, and the Mediterranean Sea to the north and east. Tunisia also shares m ...
and the
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ic provinces of
Byzacena Byzacena (or Byzacium) (, ''Byzakion'') was a Late Roman province in the central part of Roman North Africa, which is now roughly Tunisia, split off from Africa Proconsularis. History At the end of the 3rd century AD, the Roman emperor Dioclet ...
and Zeugitana. It is distinguished by a thick-orange red slip over a slightly granular fabric. Interior surfaces are completely covered, while the exterior can be only partially slipped, particularly on later examples. By the 3rd century AD, African red slip appears on sites throughout the
Mediterranean The Mediterranean Sea ( ) is a sea connected to the Atlantic Ocean, surrounded by the Mediterranean basin and almost completely enclosed by land: on the east by the Levant in West Asia, on the north by Anatolia in West Asia and Southern ...
and in the major cities of Roman
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. It was the most widely distributed representative of the sigillata tradition in the late-Roman period, and occasional imports have been found as far afield as Britain in the 5th-6th centuries. African red slip ware was still widely distributed in the 5th century but after that time the volume of production and trade may well have declined. While the latest forms continued into the 7th century and are found in such major cities as
Constantinople Constantinople (#Names of Constantinople, see other names) was a historical city located on the Bosporus that served as the capital of the Roman Empire, Roman, Byzantine Empire, Byzantine, Latin Empire, Latin, and Ottoman Empire, Ottoman empire ...
and
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, the breakup of commercial contacts that typified the later 7th century coincides with the final decline of the African red slip industry. The production and success of African red slip is probably closely tied to the agricultural productivity of Rome's North African provinces, as indicated in part by the contemporaneous distribution of Roman-period North African amphoras.


Vessel forms

From about the 4th century, competent copies of the fabric and forms were also made in several other regions, including
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, the eastern Mediterranean and Egypt. Over the long period of production, there was obviously much change and evolution in both forms and fabrics. Both Italian and Gaulish plain forms influenced ARS in the 1st and 2nd centuries AD (for example, Hayes Form 2, the cup or dish with an outcurved rim decorated with barbotine leaves, is a direct copy of the samian forms Dr.35 and 36, made in South and Central Gaul), but over time a distinctive ARS repertoire developed. There was a wide range of dishes and bowls, many with rouletted or stamped decoration, and closed forms such as tall ovoid flagons with appliqué ornament (Hayes Form 171). The ambitious large rectangular dishes with relief decoration in the centre and on the wide rims (Hayes Form 56), were clearly inspired by decorated silver platters of the 4th century, which were made in rectangular and polygonal shapes as well as in the traditional circular form.


Surface decoration

A wide range of bowls, dishes and flagons were made in ARS, but the technique of making entire relief-decorated vessels in moulds was discontinued. Instead, appliqué motifs were frequently used where decoration in relief was required, separately made and applied to the vessel before drying and firing. Stamped motifs were also a favoured form of decoration, and decorative motifs reflected not only the Graeco-Roman traditions of the Mediterranean, but eventually the rise of Christianity as well: there is a great variety of monogram crosses and plain crosses amongst the stamps in the later centuries. Similar forms and fabrics were made for more local distribution in Egypt, which had its own very active and diverse ceramic traditions in the Roman period. Surface decoration of ARS is relatively simple during the first three centuries of production, with occasional rouletting, barbotine motifs and some appliqué being typical. In the 4th century applied decoration becomes common. By the 5th century stamped central motifs such as animals, crosses and humans are common on larger plates. Paralleling developments in other visual media, gladiatorial scenes and references to pagan mythology come to be replaced by
Christian A Christian () is a person who follows or adheres to Christianity, a Monotheism, monotheistic Abrahamic religion based on the life and teachings of Jesus in Christianity, Jesus Christ. Christians form the largest religious community in the wo ...
figures. In the last phase of production, surface treatment consists of light spiral burnishing on some plates and rouletting around the floor of certain bowls.


Main typologies

In 1972 John Hayes published a type series running from form 1 to 200, with forms 112-120 remaining unused. A supplement appeared in 1980. In addition to other previous work, Hayes made use of Waage's work in both
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and the
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, as well as Lamboglia's in
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. Michael Fulford's publication of the British excavations at Avenue du Président Habib Bourguiba, Salammbo in
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expanded on the work of Hayes. Carandini's typology, published in ''Enciclopedia dell'arte antica classica e orientale'', is also important. Michael Mackensen offers an alternate typology for later forms based on his work in northern Tunisia. Michel Bonifay has also collected previous scholarship alongside his own observations.


Centers of production

Some major ARS centres in central Tunisia are Sidi Marzouk Tounsi, Henchir el-Guellal (Djilma), and Henchir es-Srira, all of which have ARS lamp artifacts attributed to them by the microscopic chemical makeup of the clay fabric as well as macroscopic style prevalent in that region.


Notes


References

* Hayes, John. (1972). ''Late Roman Pottery''. London: British School at Rome (hardcover, ) * Hayes, John. (1980). "Supplement to Late Roman Pottery". London: British School at Rome
Worldcat
* Mackensen, Michael (1993). ''Die spätantiken Sigillata- und Lampentöpfereien von el Mahrine (Nordtunesien): Studien zur nordafrikanischen Feinkeramik des 4. bis 7. Jahrhunderts''. Munich : Beck (hardcover, ) * Tyers, Paul (1996). ''Roman Pottery in Britain'', London: B. T. Batsford


Further reading

*Hayes, John W. 1972. ''Late Roman Pottery.'' London: British School at Rome. *Hayes, John W. 1997. ''Handbook of Mediterranean Roman Pottery.'' Norman: University of Oklahoma Press. *Peacock, D. P. S. 1982. ''Pottery In the Roman World: An Ethnoarchaeological Approach.'' London: Longman. *Peña, J. Theodore. 2007. ''Roman Pottery In the Archaeological Record.'' Cambridge (UK): Cambridge University Press. *Robinson, Henry Schroder. 1959. ''Pottery of the Roman Period: Chronology.'' Princeton, NJ: American School of Classical Studies at Athens.


External links



* ttp://potsherd.net/atlas/Ware/NARS 'North African Red-Slipped Ware' from Potsherd: Atlas of Roman Pottery {{DEFAULTSORT:African Red Slip Ancient Roman pottery Africa (Roman province)