Adam Didur

Adam Didur or Adamo Didur (24 December 18747 January 1946) was a famous Polish operatic bass singer. He sang extensively in Europe and had a major career at New York's Metropolitan Opera from 1908 to 1932.

Career

Didur was born on 24 December 1874 in Wola Sękowa near Sanok, Poland.''The Concise Oxford Dictionary of Opera, 2nd edition'' (1980); ''Großes Sängerlexikon'', Vol. 4 (2003). Didur studied in Lwów with and later with Franz Emmerich in Milan. He made his vocal debut as a soloist at a concert performance of Ludwig van Beethoven's Ninth Symphony in Milan, Italy. His operatic stage debut came in 1894 as Méphistophélès in Gounod's ''Faust'' in Rio de Janeiro. Besides South America, he also toured Egypt and Italy in 1894, including the small town of Pierolo near Turin where he met his first wife, a Mexican singer named Angela Aranda Arellano.

After steady years at Warsaw Opera from 1899 to 1903, Didur launched a career at major European opera houses. His guest appearances in Spain and Russia in 1903 were followed by La Scala years 1903-1906, first appearing there as Wotan in ''Das Rheingold''.''Großes Sängerlexikon, Vol. 4'' (2003). His debut at London's Royal Opera House, Covent Garden, was in the role of Colline in ''La bohème'' on the opening night of the 1905 season. He travelled later to Argentina, singing in Buenos Aires in the 1905–1908 operatic seasons. In 1914, he returned to London to sing Baron Archibaldo at the British premiere of Montemezzi's ''L'amore dei tre re'' and a few other roles.

Didur's North American debut was as Alvise in Ponchielli's ''La Gioconda'' at the second season opening of Hammerstein's Manhattan Opera House. It was the night of "Golden Age" stars, also featuring American debuts of Giovanni Zenatello as Enzo and Jeanne Gerville-Réache as La Cieca, while Lillian Nordica sang the title role, Mario Ancona was Barnaba and Eleanora de Cisnero was Laura. A year later, Metropolitan Opera engaged Didur as Méphistophélès in Gounod's ''Faust'' at the inauguration of the new Brooklyn Academy of Music to be followed two days later by his Ramfis in Giuseppe Verdi's ''Aida''. On this all-star opening night of the 1908 season, Arturo Toscanini was in the pit and the rest of the cast included Emmy Destinn in her Met debut as Aida, Enrico Caruso (Radames), Louise Homer (Amneris) and Antonio Scotti (Amonasro). He remained with the company for a quarter of a century and became one of its principal bass singers, counting 933 performances in 55 roles.Metropolitan Opera Archives
accessed on May 3, 2015.

In 1913, Didur appeared at the Met in the title role of ''Boris Godunov'', the American premiere of Mussorgsky's opera. Didur created roles in the world premieres of three operas by Giacomo Puccini at the Met: '' La fanciulla del West'' in 1910 and ''Il tabarro'' and ''Gianni Schicchi'' of the ''Il trittico'' trilogy in 1918. He also appeared at the world premiere of Humperdinck's ''Königskinder''. Didur's other important "firsts" at the Met include the US premieres of Mozart's ''Così fan tutte'', Smetana's ''The Bartered Bride'', Borodin's ''Prince Igor'' (singing both Prince Galitzky and Khan Konchak), and Montemezzi's ''L'amore dei tre re''. He also sang under the baton of Gustav Mahler in Mozart's '' Le nozze de Figaro'', Smetana's ''The Bartered Bride'' and the Met premiere of Tchaikovsky's '' The Queen of Spades''. Didur's last appearance at the Met was in the role of Coppélius in ''Les Contes d'Hoffmann'' on 11 February 1932. His voice had been on the wane for some time and he returned to live in Europe.

Two months before the outbreak of World War II, Didur was appointed director of the Warsaw Opera, but the 1939 bombardment, almost completely destroying the opera house, made work impossible.L. de Noskowski, "Adamo Didur" (''The Record Collector'', vol. 16, 1964, p. 13). He continued his work as a professor in Lwów and then Katowice, where he also started working on founding an opera company. Soon after the war ended in 1945, he was appointed the first director of the Silesian Opera., which opened with the performance of Moniuszko's opera '' Halka'' that Didur produced.

Didur died on 7 January 1946 in Katowice.

Family

Didur was twice married; with his first wife, the Mexican singer Angela Aranda Arellano (1874–1928), he had five children, two of whom later became singers themselves, including Eva Didur and . After her death he married the French dancer Marguerite Vignon in 1928.

Legacy

Didur's large, sonorous and magnificently rich-toned voice was in its prime between the late 1890s and the World War I period. It was particularly suited to the performance of Italian operas. He was a versatile stylist with the unusual agility and his vocal range was astonishingly wide, allowing him to also sing baritone roles such as Tonio in ''Pagliacci'' and Count Almaviva in '' Le nozze de Figaro''. Although chiefly a basso cantante, Didur could effectively deliver deep richness of basso profondo that made him one of the foremost interpreters of Boris Godunov. He was also especially praised for his portrayal of Mefistofele in both Gounod's and Boito's operas, and Rossini's Don Basilio. He made many memorable recordings of operatic arias for several labels including Fonotipia and Pathé which are available on CD transfers.

Selected repertoire

*Méphistophélès in ''Faust'' by Gounod
*Boris in ''Boris Godunov'' by Mussorgskij
*Marcel in ''Les Huguenots'' by Meyerbeer
*Ramfis in ''Aida'' by Verdi
*Colline in ''La Bohème'' by Puccini
*Mefistofele in ''Mefistofele'' by Boito
*Coppélius in ''Les Contes d'Hoffmann'' by Offenbach
*Sparafucile in ''Rigoletto'' by Verdi
*Galitskij in ''Prins Igor'' by Borodin
*Leporello in ''Don Giovanni'' by Mozart
*Archibaldo in ''L'amore dei tre re'' by Montemezzi
*Filippo II in ''Don Carlo'' by Verdi
*Don Basilio in ''Il barbiere di Siviglia'' by Rossini
*Figaro in ''Le nozze di Figaro'' by Mozart
*Count Almaviva in ''Le nozze di Figaro'' by Mozart
*Tomskij in ''Spardame'' he Queen of Spadesby Tchaikovsky
*Kezal in ''Svatební košile'' he Bartered Brideby Smetana
*Tonio in ''I pagliacci'' by Leoncavallo
*Klingsor in ''Parsifal'' by Wagner
*Oberthal in ''Le prophète'' by Meyerbeer
*Don Alfonso in ''Così fan tutte'' by Mozart
*Mustafà in ''L’Italiana in Algeri'' by Rossini
*Alvise Badoero in ''La Gioconda'' by Ponchielli
*Scarpia in ''Tosca'' by Puccini
*Billy Jackrabbit in ''La Fanciulla del West'' by Puccini
*Talpa in ''Il Tabarro'' by Puccini
*Simone in ''Gianni Schicchi'' by Puccini
*Trehogger in ''Königskinder'' by Humperdinck
*Il Cieco in ''Iris'' by Mascagni
*Franz in ''Lodoletta'' by Mascagni
*Gremin in ''Eugene Onegin'' by Tchaikovsky
*Pistol in ''Falstaff'' by Verdi
*Giovanni Filippo Palm in ''Germania'' by Franchetti
*Hu-Tsin in ''L’Oracolo'' by Leoni

Discography

Didur recorded for G & T, Fonotipia, Pathé and Brunswick labels. Selections from his recorded arias and songs were reissued on compact discs:
*Lebendige Vergangenheit, Preiser (89198)
*Club "99" (CD 99-89)
*Hafg (Hamburger Archiv für Gesangskunst ) Vol. 1, 1904-16 (10073)
*Hafg (Hamburger Archiv für Gesangskunst ) Vol. 2, 1900-03 (10074)

References

Further reading

*Michael Scott, ''The Record of Singing. Vol 1: To 1914''. Duckworth: London, 1979, pp. 120–121.
*Karl-Josef Kutsch and Leo Riemens, ''Großes Sängerlexikon'', Vol. 4. Munich: K. G. Saur, 2003, pp. 1163–1164.
*David Ewen, ''Encyclopedia of the Opera: New Enlarged Edition''. New York; Hill and Wang, 1963.

External links

Biography of Adam Didur
Opera Vivrà

{{DEFAULTSORT:Didur, Adamo
1874 births
1946 deaths
Operatic basses
People from Sanok
Fonotipia Records artists
Lviv Conservatory alumni
Polish male singers
20th-century Polish male opera singers