ASC CDL
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American Society of Cinematographers The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cine ...
Color Decision List (ASC CDL) is a format for the exchange of basic primary
color grading Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, ...
information between equipment and software from different manufacturers. The format defines the math for three functions: Slope, Offset and Power. Each function uses a number for the red, green, and blue color channels for a total of nine numbers comprising a single color decision. A tenth number, Saturation, specified in the Version 1.2 release, applies to the R, G, and B color channels in combination. The ASC CDL was developed by the
ASC Technology Committee The American Society of Cinematographers Technology Committee (ASC Technology Committee) is a group of cinematographers and a broad collection of A-list motion picture industry participants working on how to make high quality motion pictures using t ...
, a combined group of cinematographers, post-production engineers, and other motion picture industry professionals. Although the basic controls of most color correction systems are similar, they differ somewhat in specific implementation and detail. The ASC CDL is a common standard that color correctors can translate their proprietary settings to and from. The ASC CDL functions are mathematically orthogonal primitives that can be used to represent vendor-specific corrections. ASC CDL correction functions also in some cases can appear in the user interface and be used directly. The ASC CDL allows color corrections made with one device at one location to be applied or modified by other devices elsewhere. For example, a
cinematographer The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the c ...
filming on location can create a color correction with a small portable device, sending the ASC CDL color correction to a
colorist In comics, a colorist is responsible for adding color to black-and-white line art. For most of the 20th century this was done using brushes and dyes which were then used as guides to produce the printing plates. Since the late 20th century it i ...
in
post-production Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. Th ...
to use as a starting point for final color correction. To communicate "looks" usefully in this fashion, calibrations, viewing environments, devices, and any output transforms (e.g. film look) must be managed very carefully; in general, they should be identical at origination and subsequent viewing. The ASC has defined an
XML schema An XML schema is a description of a type of Extensible Markup Language, XML document, typically expressed in terms of constraints on the structure and content of documents of that type, above and beyond the basic syntactical constraints imposed ...
for exchanging ASC CDL data, along with other metadata about what image(s) the color corrections were applied to, the type of input signal used, and the viewing device and environment. They have also standardized methods for using ASC CDL data within the following file formats: * Avid Log Exchange (ALE) *
Film Log EDL Exchange A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ...
(FLEx) * CMX Edit Decision List


Combined Function

The formula for ASC CDL color correction is: :out = (i \times s+o)^p\, where :out is the color graded pixel code value :i is the input pixel code value (0=black, 1=white) :s is slope (any number 0 or greater, nominal value is 1.0) :o is offset (any number, nominal value is 0) :p is power (any number greater than 0, nominal value is 1.0) The formula is applied to the three color values for each pixel using the corresponding slope, offset, and power numbers for each color channel.


Current Release

Instructions for getting the current release of ASC CDL implementor-oriented documentation can be retrieved by sending an e-mail to asc-cdl at theasc dot com.


See also

*
Academy Color Encoding System The Academy Color Encoding System (ACES) is a color image encoding system created under the auspices of the Academy of Motion Picture Arts and Sciences. ACES allows for a fully encompassing color accurate workflow, with "seamless interchange of ...
*
Color grading Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, ...
*
Color Management In digital imaging systems, color management (or colour management) is the controlled conversion between the color representations of various devices, such as image scanners, digital cameras, monitors, TV screens, film printers, computer printe ...
*
Colour look-up table In computer graphics, a palette is the set of available colors from which an image can be made. In some systems, the palette is fixed by the hardware design, and in others it is dynamic, typically implemented via a color lookup table (CLUT), ...
*
Telecine Telecine ( or ) is the process of transferring film into video and is performed in a color suite. The term is also used to refer to the equipment used in the post-production process. Telecine enables a motion picture, captured originally on ...


References

* Pines, Joshua and Reisner, David (2009). ''ASC Color Decision List (ASC CDL) Transfer Functions and Interchange Syntax, Version 1.2'', American Society of Cinematographers Technology Committee, DI Subcommittee *Bankston, Douglas. "ASC Celebrates 90th Anniversary",
Variety (magazine) ''Variety'' is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added ''Daily Variety'', bas ...
, October 29, 2008 *Benjamin. "An Overview of the ASC CDL",
American Cinematographer ''American Cinematographer'' is a magazine published monthly by the American Society of Cinematographers. It focuses on the art and craft of cinematography, covering domestic and foreign feature productions, television productions, short films, m ...
, October 2008 *Kaufman, Debra. "Using the ASC CDL on State of Play", Studio Daily, July 10, 2008 *
Clark, Curtis Curtis Clark (born 23 April 1950) is a jazz pianist from Chicago, United States. Clark was born in Chicago, Illinois in 1950, but moved to Los Angeles where he spent his student years and started composing and playing the piano. After Clark gra ...
and Reisner, David et al. "Progress Report: ASC Technology Committee",
SMPTE The Society of Motion Picture and Television Engineers (SMPTE) (, rarely ), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the m ...
Motion Imaging Journal, September 2007 *"Color Code has ASC in the pink",
The Hollywood Reporter ''The Hollywood Reporter'' (''THR'') is an American digital and print magazine which focuses on the Hollywood film, television, and entertainment industries. It was founded in 1930 as a daily trade paper, and in 2010 switched to a weekly large ...
, June 22, 2007 *Bankston, Douglas. "ASC Technology Committee Update",
American Cinematographer ''American Cinematographer'' is a magazine published monthly by the American Society of Cinematographers. It focuses on the art and craft of cinematography, covering domestic and foreign feature productions, television productions, short films, m ...
, December 2006 *Giardina, Carolyn. "Manufacturers' Support Grows for ASC CDL", Shoot, October 6, 2006


External links


ASC Technology Committee
Cinematography Academy Award for Technical Achievement winners