505 (song)

"505" is a song by English rock band Arctic Monkeys. Written by lead singer and frontman Alex Turner and produced by James Ford and Mike Crossey, it is the closing track on the band's second studio album, ''Favourite Worst Nightmare'' (2007).

The song was a sleeper hit, initially peaking at number 73 on the UK Singles Chart. In late 2022, it gained a resurgence in popularity due to usage on the social media platform TikTok. As a result, "505" peaked at number two on the ''Billboard'' Bubbling Under Hot 100 and number 94 on the ''Billboard'' Global 200. It is the band's third-most streamed song on Spotify, behind " Do I Wanna Know?" and "I Wanna Be Yours" (both from their 2013 album '' AM''), with 2.2 billion streams as of May 2025.

A live version was released on 19 November 2020 as a promotional single for the band's second live album, '' Live at the Royal Albert Hall'' (2020).

Release and promotion

"505" was released on 23 April 2007 as the closing track from Arctic Monkeys' second studio album ''Favourite Worst Nightmare'' (2007). The song became a frequent closer of the band's live shows since 2007. It has been performed several times with Miles Kane, including during Arctic Monkeys' headline set at TRNSMT in 2018 and the last night of the band's three-days residency at the Emirates Stadium in London in June 2023. Turner and Kane also performed the song as The Last Shadow Puppets during their 2016 headline Rockwave Festival set.

On 19 November 2020, the band released a live version of "505" ahead of their second live album '' Live at the Royal Albert Hall''. It was recorded on 7 June 2018 at the Royal Albert Hall in London. All of the proceeds from that project were donated to War Child.

A fan favourite, "505" became popular on TikTok in August 2022 when it was associated to a variety of videos, including some by users showcasing the soft grunge, 2014 Tumblr aesthetic. Following that viral success, the song surged on Spotify where it became the band's third most popular song with an average of 1.7 million plays a month. It reached a new peak in the UK Singles Chart and was number 64 on the 2022 annual chart. It was also the biggest indie song in the UK in 2022.

Composition

"505" is composed in the key of C major with a time signature of (common time), and follows a tempo of 140 beats per minute. The track predominantly features an organ sample of Ennio Morricone's ''The Good, the Bad and the Ugly'', played by Turner himself, as well as a guitar played by long-time collaborator Miles Kane.

The song's lyrics prominently focus on a relationship, and the protagonist yearningly returning to a place for a certain moment or individual. The track is often referred to as one of the first love songs by the band, with Turner stating in an interview with ''NME'', "the first proper love song we've done … as in like, 'Oh, it's that one person. In the same interview, Turner admits the song centres on an ex-lover of his, which fans have theorised refers to Turner's then-girlfriend, Johanna Bennett.

Personnel

Personnel adapted from liner notes

Arctic Monkeys
* Alex Turner – vocals, organ
* Jamie Cook – guitar
* Nick O'Malley – bass
* Matt Helders – drums, percussion

Additional performer
* Miles Kane – guitar

Technical Personnel
* Mike Crossey – production
* James Ford – production
* Alan Moulder – mixing
* George Marino – mastering

Reception

"505" received mainly positive reviews from critics. Marc Hogan of ''Pitchfork'' referred to it as "one of Turner's first proper love songs" stating further, "the closing '505', 'sic''draped with an apparent Ennio Morricone organ sample, poignantly if none too adventurously describes Turner's longing to get back to a hotel room where his lover awaits".

In an article revisiting the track, Harry Fortuna of ''The Edge'' praises Turner's maturity in the song's lyrics, commenting "lyrically, Turner is at his poetic best, as he makes his pilgrimage back to his awaiting lover in hotel room 505, he displays his tendency for the explicit as he croons over the lines 'I'm always just about to go and spoil the surprise / Take my hands off of your eyes too soon. "The song is way before its time", he further states, "evoking a romanticism and air of class that can be seen in much larger volumes in 2013's '' AM'', contrasted with the rustic authenticity that harks back to the band's roots that are grounded in the nightclubs of Sheffield. '505' epitomises everything about the band".

Alexis Petridis of ''The Guardian'' states the track "discusses how touring plays havoc with one's love life ... It's so heartfelt and riven with insecurity that it transcends the dreary genre to which it should by rights belong, that of songs in which rock stars complain about being rock stars. That stuff this mature and thoughtful was written by someone barely 21 years old genuinely gives you pause for thought". In another article ranking all the band's songs, Petridis ranks "505" at number three, stating "the belated progress of 505 from overlooked album track to one of Arctic Monkeys' biggest songs... is fascinating. TikTok clearly played a role, but so did the sheer quality of the song: over chords borrowed from Ennio Morricone, it deals in beautifully understated melancholy".

In 2023, ''Rolling Stone'' and ''Paste'' ranked the song number five and number six, respectively, on their lists of the greatest Arctic Monkeys songs. The song was voted number four on the 2023 edition of Radio X's annual "Best British Song of All Time" poll.

Cover versions

American singer Nessa Barrett released a dream pop cover of "505" as part of the extended version of her debut album ''Young Forever''.

British singer Louis Tomlinson covered "505" during the opening night of his sophomore tour "Faith in the Future" at the Mohegan Sun Arena in Uncasville, Connecticut on 26 May 2023. He continued to cover the song at every show of his world tour.

Charts

Weekly charts

Year-end charts

Certifications

References

{{Arctic Monkeys

2007 songs
Arctic Monkeys songs
Songs written by Jamie Cook
Songs written by Matt Helders
Songs written by Nick O'Malley
Songs written by Alex Turner (musician)
Song recordings produced by James Ford (musician)