12 Fantasias For Solo Flute (Telemann)
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Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to b ...
's ''12 fantaisies à traversière sans basse'', 12 Fantasias for Solo Flute,
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
40:2–13, were published in
Hamburg Hamburg (, ; ), officially the Free and Hanseatic City of Hamburg,. is the List of cities in Germany by population, second-largest city in Germany after Berlin and List of cities in the European Union by population within city limits, 7th-lar ...
in 1732–33. An extant copy of the publication, conserved in Brussels, has a spurious title page reading ''Fantasie per il Violino senza Basso'' (Fantasias for Solo Violin). The set is one of Telemann's collections of fantasias for unaccompanied instruments, the others being a set of , also published in 1732–33, and two sets published in 1735: twelve for solo violin and twelve for viola da gamba. Telemann's solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute:
fugue In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
s (fantasias 2, 6, and 8–11), a
French overture The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in ...
(fantasia 7) and a
passacaglia The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is typically based on a bass- ostinato and written in triple metre. Origin Th ...
(fantasia 5). In 2012, an arrangement for
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
solo was published by Euprint. In this arrangement, through the use of double stops, some many-voiced parts appear as real polyphonic pieces.


Structure

This work comprises the following: #Fantasia in A major (Vivace – Allegro) #Fantasia in A minor (Grave – Vivace – Adagio – Allegro) #Fantasia in B minor (Largo – Vivace – Largo – Vivace – Allegro) #Fantasia in B-flat major (Andante – Allegro – Presto) #Fantasia in C major (Presto – Largo – Presto – Dolce – Allegro – Allegro) #Fantasia in D minor (Dolce – Allegro – Spirituoso) #Fantasia in D major (Alla francese – Presto) #Fantasia in E minor (Largo – Spirituoso – Allegro) #Fantasia in E major (Affettuoso – Allegro – Grave – Vivace) #Fantasia in F-sharp minor (A Tempo giusto – Presto – Moderato) #Fantasia in G major (Allegro – Adagio – Vivace – Allegro) #Fantasia in G minor (Grave – Allegro – Grave – Allegro – Dolce – Allegro – Presto) The collection is arranged by key, progressing more or less stepwise from A major to G minor. Telemann deliberately avoided keys that are impractical on the one-key flute, i.e. B major, C minor, F minor and F-sharp major. There are two ways to view the overall structure of the collection: one way, in which the work is divided into two parts, is suggested by the fact that Fantasia 7 begins with a
French overture The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in ...
, indicating a start of a new section. This device was also later used by
Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
in Variation 16 of his ''
Goldberg Variations The ''Goldberg Variations'' (), BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of thirty variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may ...
''. Another was proposed by scholar
Wolfgang Hirschmann Wolfgang Hirschmann (born 1960) is a German musicologist. Born in Fürth, from 1979 to 1985 Hirschmann studied musicology, history of German literature and theatre at the University of Erlangen–Nuremberg where he received his doctorate in 198 ...
: there are four modal groups of three fantasias: major-minor-minor, major-major-minor, major-minor-major, and minor-major-minor.


References

;Notes ;Sources * *


External links

* contains scores including the original edition, and performances. {{Authority control Fantasia Solo flute pieces
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...