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Tifinagh ( Tuareg Berber language: ; Neo-Tifinagh: ; Berber Latin alphabet: ; ) is a script used to write the Berber languages. Tifinagh is descended from the ancient Libyco-Berber alphabet. The traditional Tifinagh, sometimes called Tuareg Tifinagh, is still favored by the Tuareg people of the Sahara desert in southern Algeria, northeastern Mali, northern Niger, and northern Burkina Faso for writing the Tuareg languages. Neo-Tifinagh is an alphabet developed by the Berber Academy by adopting Tuareg Tifinagh for use for Kabyle; it has been since modified for use across North Africa.

Tifinagh is one of three major competing Berber orthographies alongside the Berber Latin alphabet and the Arabic alphabet. Tifinagh is the official script for Tamazight, an official language of Morocco and Algeria. Outside of symbolic cultural uses, Latin remains the dominant script for writing Berber languages throughout North Africa.

The ancient Libyco-Berber scriptWritten in stone: the Libyco-Berber scripts
/ref> was used by the ancient northern Berbers known as Libyco-Berbers,History of Humanity: From the seventh to the sixteenth century. Edited by Sigfried J. de Laet
/ref> also known as Numidians, Afri, and Mauretanians, who inhabited the northern parts of Morocco, Algeria, Tunisia, Libya, and the Canary Islands.

Etymology

The word ''tifinagh'' (singular ''tafinəq'' < *ta-finəɣ-t) is thought by some scholars to be a Berberized feminine plural cognate or adaptation of the Latin word ''Punicus'' 'Punic, Phoenician' through the Berber feminine prefix ''ti-'' and the root √FNƔ < *√PNQ < Latin ''Punicus''; thus ''tifinagh'' could possibly mean 'the Phoenician (letters)'L'ECRITURE LIBYCO-BERBERE: Etat des lieux et perspectives
/ref> or 'the Punic letters'. Others support an etymology involving the Tuareg verb ''efnegh'' 'to write'.

Libyco-Berber

Before or during the existence of the ancient Berber kingdoms of Numidia (northern Algeria) and Mauretania (northern Morocco), between 202 BCE–25 BCE, many inscriptions were engraved using the Libyco-Berber script, also known as Ancient Libyan (). The Libyco-Berber script is found in thousands of stone inscriptions and engravings throughout Morocco, northern Algeria, Tunisia, northern Libya and the Canary Islands.

The exact evolution of both Libyco-Berber and Tifinagh is still unclear. The latter writing system was widely used in antiquity by speakers of the largely undeciphered Numidian language, also called Old Libyan, throughout Africa and on the Canary Islands. The script's origin is uncertain, with some scholars suggesting it is related to, descended or developed from the Phoenician alphabet while others argue an independent conception with slight Phoenician influences. Its first appearance is also uncertain, but it is no older than the first millennium BCE, with the oldest remains likely originating from the 6th century BCE. It disappeared in the northernmost areas of North Africa during the 8th century, after the Arab conquest of the Maghreb, Libyco-Berber along with Latin being replaced by the Arabic script.Landscapes, Sources and Intellectual Projects of the West African Past: Essays in Honour of Paulo Fernando de Moraes Farias, p. 185

The Libyco-Berber script was a pure abjad; it had no vowels. Gemination was not marked. The writing was usually from the bottom to the top, although right-to-left, and even other orders, were also found. The letters took different forms when written vertically than when they were written horizontally.

This ''libyque'' script had two forms. The undeciphered Western form was used along the Mediterranean coast from Kabylia to Morocco and probably the Canary Islands. The Eastern form was used in Constantine, Aurès, and Tunisia. 22 out of 24 letters in the Eastern form have been deciphered thanks to Punic-Libyc bilingual inscriptions.

Saharan Tifinagh

Andries (2004) identifies an additional phase of evolution called "Saharan Tifinagh" (). He reports that this variety is also known as Libyco-Berber () or Old Tuareg (); this would put into doubt the use of the term "Libyco-Berber" in the section above.

This phase shows some new letters relative to ''libyque'', most notably a vertical line to denote the final vowel /a/. It was used to write Old Tuareg, but is not well-understood. The youngest inscriptions in this scheme are probably around 200 years old.

Early uses of Tifinagh have been found on rock art and in various sepulchres. Among these are the 1,500 year old monumental tomb of the Tuareg matriarch Tin Hinan, where vestiges of a Tifinagh inscription have been found on one of its walls.

Tuareg Tifinagh

The Saharan script branched into the Tuareg Tifinagh scripts which is used to this day to write the Berber Tuareg languages, which belong to the Berber branch of the Afroasiatic family.
According to M. C. A. MacDonald, the Tuareg are "an entirely oral society in which memory and oral communication perform all the functions which reading and writing have in a literate society ... The Tifinagh are used primarily for games and puzzles, short graffiti and brief messages."

Within Tuareg Tifinagh, there is some divergence in the shape and number of signs, but this difference is small enough to not impact mutual intelligibility.

Occasionally, the script has been used to write other neighbouring languages such as Tagdal, which belongs to a separate Songhay family.

Orthography

Common forms of the letters are illustrated at left, including various ligatures of ''t'' and ''n''. Gemination, though phonemic, is not indicated in Tifinagh. The letter ''t'', ⵜ, is often combined with a preceding letter to form a ligature. Most of the letters have more than one common form, including mirror-images of the forms shown above.

When the letters ''l'' and ''n'' are adjacent to themselves or to each other, the second is offset, either by inclining, lowering, raising, or shortening it. For example, since the letter ''l'' is a double line, , , , and ''n'' a single line, , , the sequence ''nn'' may be written , / to differentiate it from ''l''. Similarly, ''ln'' is , , /, ''nl'' , //, ''ll'' , , //, ''nnn'' , /, , etc.

Traditionally, the Tifinagh script does not indicate vowels except word-finally, where a single dot stands for any vowel (or ⵢ and ⵓ for -i and -u, respectively, in Ahaggar Tifinagh). In some areas, Arabic vowel diacritics are combined with Tifinagh letters to transcribe vowels, or ''y, w'' may be used for long ''ī'' and ''ū''.

Neo-Tifinagh

Development

Neo-Tifinagh is the modern fully alphabetic script developed by the Berber Academy, based in Paris.

Initially, the academy had to choose a script to transliterate the Berber language. The choice between Tifinagh and Latin scripts then sparked intense debate both within and outside the Academy.

Mohand Arav Bessaoud, a founding member of the academy and strong Tifinagh advocate, recounted the resistance he faced from prominent figures like Mouloud Mammeri and Ramdane Achab, who argued that Tifinagh was archaic, obsolete, non-cursive, and impractical. Despite the criticism, Bessaoud persisted in promoting Tifinagh.

"Achab Ramdane opposed my actions, calling it rekindling extinguished embers" - Said Bessaouad

Efforts to promote Tifinagh

In 1970, a meeting took place to decide on a system of writing. Influenced by Mahdjoubi Ahardane, Bessaoud opted for Tifinagh. Ahardane argued that Tifinagh was not merely a script but a testament to Berber history and identity. Further steps were taken afterwards regarding the standardization of the script.

By 1973, Ammar Negadi, a prominent Chaoui writer and fervent advocate of the Tifinagh script, passionately defended the use of Tifinagh, he has been elected secretary general of the Berber Academy, now called Agraw Imazighen, in the Paris region. propagating the academy's publications and cultural activities.

Negadi reflected on his efforts: "I distributed all of Agraw Imazighen's writings throughout the Aurès region starting in 1973. The goal wasn't regular correspondence but widespread dissemination of Tifinagh." Neo-Tifinagh was spread by the Berber Academy's active promotion of the script, including its usage in their bulletin, ''Imazighen'', which was widely read by Berber communities in Algeria and Morocco.

The official activities of the Berber Academy ceased when Mohand Bessaoud Arav was imprisoned.

By 1980, Negadi founded his spin-off organization UPA (Amazigh People's Union), which published a bulletin in both Latin and Tifinagh, called ''Azaghen/Link''. He remained convinced that Tifinagh was the best graphical tool to express Berber language and culture, seeing it as part of the cultural heritage and identity to be defended.

The UPA bulletins continued to promote the Tifinagh alphabet, while activist Messaoud Nedjahi streamlined its characters from 50 to 26. This process inspired the Afus Deg Fus association to create the first set of standardized Neo-Tifinagh fonts in 1993.

Neo-Tifinagh has since undergone further reform and is used in various contexts throughout North Africa. The Royal Institute of Amazigh Culture has standardized Neo-Tifinagh for use as the official orthography of Standard Moroccan Amazigh, an official language of Morocco.

Political history

The promotion of Neo-Tifinagh by the Berber Academy and Ammar Negadi's UPA was part of the efforts to spread Berberism throughout the 1960s and 1970s. The use of Neo-Tifinagh in their publications was influential in raising Berber consciousness; one reader has described its effect as being "the proof that we actually existed."

The Moroccan state arrested and imprisoned people using Neo-Tifinagh during the 1980s and 1990s. The Algerian Black Spring was also partly caused by this repression of Berber language.

In the 1980s, the Berber flag, which was designed in 1970 and uses the Tifinagh letter ''z'' (Tifinagh: âµ£) from the root of ''Amazigh'', began being used in demonstrations. The flag was adopted by the World Amazigh Congress in 1997.

In Morocco, following the creation of Standard Moroccan Amazigh in 2001, the 2003 adoption of Neo-Tifinagh served as a way to compromise between the deeply split proponents of the Latin script versus the Arabic script as Amazigh's official orthography. This choice, however, has also resulted in backlash from many Amazigh activists, who find Tifinagh to be limiting when compared to the Latin script.

In Libya, the government of Muammar Gaddafi consistently banned Tifinagh from being used in public contexts such as store displays and banners. After the Libyan Civil War, the National Transitional Council has shown an openness towards the Berber language. The rebel Libya TV, based in Qatar, has included the Berber language and the Neo-Tifinagh alphabet in some of its programming.

Tifinagh continues to be used as "an emblem of distinctive Berber identity and nationhood."

Modern use

Due to the official adoption of Neo-Tifinagh in Morocco in 2003, the script has been adapted by the Royal Institute of Amazigh Culture for modern digital use. Government websites in Morocco may be displayed in Neo-Tifinagh.

Starting in 2003, Neo-Tifinagh was used for a small duration of Moroccan elementary school to teach Standard Moroccan Amazigh. However, practical use of Tifinagh in Morocco remains rare; one Amazigh activist has summarized the situation with the anecdote that he " nowsthat some books that were written in Tifinagh were read by only two people ... the one who wrote the book and the one who did the editing!" Public displays of Tifinagh in Morocco remains restricted primarily to signage and other culturally conspicuous uses.

Despite Neo-Tifinagh's Algerian origins through the Berber Academy and UPA, the Latin alphabet became the predominant used script. Debate in what script to use for Berber languages tends to view the Latin and Arabic scripts as the primary options.

As of 2012, Tifinagh is "not widely used in education or the media in any country."

Other modifications

The Andries (2004) submission of Tifinagh (including Neo-Tifinagh) to the Unicode Consortium also notes that Neo-Tifinagh is not the only variant that tries to introduce vowels into Tifinagh. The other schemes include APT (a scheme of addiitonal signs), SIL, Hawad (a scheme of diacritics), Rissa Ixa, Arabic semi-vowels used among the Kel Antessar (Niger), Arabic diacritics used in Timbuktu, and "Latin-like" diacritics proposed by Chaker. None of these have enjoyed as much backing as Neo-tifinagh.

Letters

Tuareg Tifinagh letters

There are not one, but several Tuareg scripts with slightly different assignments for each letter. The following is based on Mohamed Aghali-Zakara (1993), which was in turn quoted in both Andries (2004; Unicode Submission) and Casajus (2011):

Neo-Tifinagh letters

The following are the letters of Neo-Tifinagh, as listed in an 2004 submission to the Unicode Consortium:, Jeu universel des caractères codés sur octets (JUC). ISO/IEC JTC 1/SC 2 WG, vol.2, p.2739R, 2004.

Unicode

Tifinagh was added to the Unicode Standard in March 2005, with the release of version 4.1.

The Unicode block range for Tifinagh is U+2D30–U+2D7F:

References

Bibliography

*Aghali-Zakara, Mohamed (1994). Graphèmes berbères et dilemme de diffusion: Interaction des alphabets , ajami et tifinagh. ''Etudes et Documents Berbères'' 11, 107–121.
*Aghali-Zakara, Mohamed; and Drouin, Jeanine (1977). Recherches sur les Tifinaghs- Eléments graphiques et sociolinguistiques. ''Comptes-rendus du Groupe Linguistique des Etudes Chamito-Sémitiques'' (GLECS).
*Ameur, Meftaha (1994). Diversité des transcriptions : pour une notation usuelle et normalisée de la langue berbère. ''Etudes et Documents Berbères'' 11, 25–28.
*Boukous, Ahmed (1997). Situation sociolinguistique de l’Amazigh. ''International Journal of the Sociology of Language'' 123, 41–60.
*Chaker, Salem (1994). Pour une notation usuelle à base Tifinagh. ''Etudes et Documents Berbères'' 11, 31–42.
*Chaker, Salem (1996). Propositions pour la notation usuelle à base du berbère. ''Etudes et Documents Berbères'' 14, 239–253.
*Chaker, Salem (1997). La Kabylie: un processus de développement linguistique autonome. ''International Journal of the Sociology of Language'' 123, 81–99.
*Durand, O. (1994). Promotion du berbère : problèmes de standardisation et d’orthographe. Expériences européennes. ''Etudes et Documents Berbères'' 11, 7–11.
*
*
*Savage, Andrew. 2008. Writing Tuareg – the three script options. ''International Journal of the Sociology of Language'' 192: 5–14
*
* ''Encyclopaedia of Islam'', ''s.v.'' Tifinagh.

External links

lbi-project.org
a database of Libyco-Berber inscriptions with images and information
Academic papers on the Libyco-Berber inscriptions
a fact file on Tifinagh and a legend of characters
artistic Tifinagh fonts

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