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Woodcuts
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with Chisel#Gouge, gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaking
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a Matrix (printing), matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of relief printing in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief printing, relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or Chisel#Gouge, gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Multi-color linocuts can be made by successively printing with a different block for each color as in a color woodcut, as the artists of the Grosvenor School frequently did. As Pablo Picasso demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive color is imprinted onto the paper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Andreae
Hieronymus Andreae, or Andreä, or Hieronymus Formschneider, (died 7 May 1556) was a German woodblock cutter ("formschneider"), printer, publisher and typographer closely associated with Albrecht Dürer. Andreae's best known achievements include the enormous, 192-block Triumphal Arch woodcut, designed by Dürer for Maximilian I, Holy Roman Emperor, and his design of the characteristic German "blackletter" Fraktur typeface ("Gothic" to most English-speakers), on which German typefaces were based for several centuries. He was also significant as a printer of music. In the opinion of Adam von Bartsch, although Andreae never designed woodcuts (as opposed to designing typefaces), the quality of his work was such that he, along with Hans Lützelburger and Jost de Negker, should be considered an artist. Life and work There is some evidence that he matriculated at the University of Leipzig in 1504, although this might also mean that he worked for the university rather than bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Block Book
Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451. They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition (mostly by Old Masters). The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master print ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blockbook
Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451. They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boxwood
''Buxus'' is a genus of about seventy species in the family Buxaceae. Common names include box and boxwood. The boxes are native to western and southern Europe, southwest, southern and eastern Asia, Africa, Madagascar, northernmost South America, Central America, Mexico and the Caribbean, with the majority of species being tropical or subtropical; only the European and some Asian species are frost-tolerant. Centres of diversity occur in Cuba (about 30 species), China (17 species) and Madagascar (9 species). They are slow-growing evergreen shrubs and small trees, growing to 2–12 m (rarely 15 m) tall. The leaves are opposite, rounded to lanceolate, and leathery; they are small in most species, typically 1.5–5 cm long and 0.3–2.5 cm broad, but up to 11 cm long and 5 cm broad in ''B. macrocarpa''. The flowers are small and yellow-green, monoecious with both sexes present on a plant. The fruit is a small capsule 0.5–1.5 cm long (to 3 c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prunus Serrulata
''Prunus serrulata'' or Japanese cherry is a species of cherry tree that grows wild in Japan, China, Korea, Vietnam, Taiwan, Laos, Myanmar, Thailand, Cambodia, India, Bangladesh, Bhutan, Nepal, Sri Lanka, Pakistan, Philippines, Malaysia, Indonesia, Brunei, Mongolia, Siberia, Papua New Guinea and into the Cape York Peninsula in north Queensland (Australia). The term also refers to a cultivar produced from Prunus speciosa, ''Prunus speciosa'' (Oshima cherry), a cherry tree Endemism, endemic in Japan.Toshio Katsuki. (2015) ''Sakura''. p.137 Iwanami Shoten. Historically, the Japanese have developed many cultivars by selective breeding of cherry trees, which are produced by the complicated crossing of several wild species, and they are used for ornamental purposes all over the world. Of these, the cultivars produced by complex interspecific hybrids based on the Oshima cherry are also known as the ''Cerasus'' Sato-zakura Group. Varieties and Form Classification The classification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baren (printing Tool)
Baren (馬連、馬楝) ' is a disk-like hand tool with a flat bottom and a knotted handle used in Japanese woodblock printing. It is used to burnish (firmly rub) the back of a sheet of paper, lifting ink from the block. Construction A traditional (''hon)'' baren is made of layers. A flat coil of braided cord forms the core. This is placed on a disk (''ategawa'') consisting of 30–40 sheets of high-grade long-fibred hosokawa paper, wrapped in tissue and black lacquer. This is covered by a thin bamboo sheath (''takenokawa'') twisted in such a manner as to form the handle on the top. According to Hiroshi Yoshida's manual ''Japanese Woodblock Printing'' (1939) the Phyllostachys bambusoides, madake species of bamboo, grown in Kyushu, southwest Japan, is considered the best one to use. The bamboo-sheath covering the baren may need to be renewed after a day's printing. Rewrapping requires great skill; a printer's ability is sometimes judged by their competence carrying out this wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
