Waki-gamae
, sometimes shortened to ''waki'', is one of the five stances in kendo: ''jōdan-no-kamae, jōdan'', ''chūdan-no-kamae, chūdan'', ''gedan-no-kamae, gedan'', ''hassō-no-kamae, hassō'' and ''waki'', as well as other related and older martial arts involving Japanese sword. ''Waki-gamae'' is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent. This stance was common when there was no standard length of sword and was often used as a deterrent to any opponents who did not know the range of the sword being hidden and could be used as a sort of bluff technique. It also serves to conceal the orientation of the blade to one's opponent, as to give him no hint about your own intention for the next attack. Other Koryū schools may define "Waki-gamae" differently from its current form in Kendo. ''Waki-gamae'' is also known as the in the Wuxing (Chinese philosophy), five elements classification and the in the Itt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chūdan-no-kamae
, sometimes shortened to ''Chūdan-gamae'' or simply ''Chūdan'', is a basic weapon stance in many Japanese martial arts. The name translates literally to "middle-level stance," as the sword is held before the user at chest height. Chūdan-no-kamae is also called Seigan-no-kamae (正眼之構), or "right/correct eye posture," because the stance points the tip of the sword at the opponent's eyes. In most traditional schools of swordsmanship, and in the practice of kendo, chūdan-no-kamae is the most basic posture, as it provides a balance between attacking and defensive techniques. Kendo Chūdan-no-kamae is one of the five stances in kendo: ''jōdan-no-kamae, jōdan'', ''chūdan'', ''gedan-no-kamae, gedan'', ''hassō-no-kamae, hassō'' and ''waki-gamae, waki''. ''Chūdan'' is the most basic stance in kendo, and provides an excellent balance of offensive and defensive options. If correctly assumed, the trunk (''do'') and right wrist (''migi-kote'') are hidden from the opponent ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kashima Shinden Jikishinkage-ryū
, often referred to simply as Jikishinkage-ryū or Kashima Shinden, is a traditional school (''koryū'') of the Japanese martial art of swordsmanship (''kenjutsu''). The school was founded in the mid-16th century, based upon older styles of swordsmanship like Yoru no Hikari Ryū, and is one of the few ancient Japanese martial arts schools still existing today.Koryu Bujutsu: Classical Warrior Traditions of Japan, volume 1 by Skoss, Diane (Editor). New Jersey Koryu Books 1997. . Koryu Books ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kendo
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords ( shinai) as well as protective armor ( bōgu). It began as samurai warriors' customary swordsmanship exercises, and today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of ''kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as ''kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the eighth headmaster of the Kashima Shinden Jik ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gamae
is a Japanese term used in martial arts and traditional theater. It translates approximately to "posture". The Kanji of this word means "base". The implied meaning is 'readiness' or 'be ready'. Kamae is to be differentiated from the word , used in Japanese martial arts to mean stance. While ''tachi'' (pronounced ''dachi'' when used in a compound) refers to the position of the body from the waist down, kamae refers to the posture of the entire body, as well as encompassing one's mental posture (i.e., one's attitude). These connected mental and physical aspects of readiness may be referred to individually as and , respectively. Although it is a generic term, context may mean there's a default specific posture which is being implicitly referred to. e.g. many modern styles use ''kamae'' by itself as shorthand usually for the style's basic stance for sparring or self-defense. As a further note, there are also related verbs, and adding ''te'' to the end of kamae makes the command ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kendo
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords ( shinai) as well as protective armor ( bōgu). It began as samurai warriors' customary swordsmanship exercises, and today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of ''kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as ''kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the eighth headmaster of the Kashima Shinden Jik ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jōdan-no-kamae
, also known as ''jōdan-gamae'', and frequently shortened simply to ''jōdan'', is a basic ''kenjutsu'' posture. (It is also found in naginatajutsu but is far less used due to the length of the weapon involved.) Jōdan-no-kamae means upper-level posture (lit. 'high/upper degree posture'). Kendo Jōdan-no-kamae is one of the five stances in kendo: ''jōdan'', '' chūdan'', '' gedan'', '' hassō'' and '' waki''. In jōdan-no-kamae, the sword is raised above the head with the tip (''kissaki''; 切先) pointing back and the blade facing up, in readiness to strike. It is the most aggressive stance of the five. There are commonly two types of jōdan-no-kamae, left (''hidari''; 左) and right (''migi''; 右), referring to which foot is out in front. As a more rare case, only one hand is used to hold the sword. Even rarer, the positions of the hands on the hilt of the sword may be reversed. In normal practice or competitions, left (''hidari'') jōdan-gamae is the most common. Its ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gedan-no-kamae
, frequently shortened simply to ''gedan'', occasionally shortened to ''gedan-gamae'', is one of the five stances in kendo: '' jōdan'', '' chūdan'', ''gedan'', hassō, and '' waki''. ''Gedan-no-kamae'' means "lower-level posture." This position is adopted when the sword is held out in front of the body pointing at the waist in kendo, or at the knee or sometimes the ankle in ''kenjutsu''. It is considered a variant of ''chūdan-no-kamae'' and therefore appearing as a defensive posture, but instead it is used to deflect blows and create striking opportunities. This stance is used as a transition from ''chūdan-no-kamae'' to a '' tsuki'' (突き; thrust). It is called the {{nihongo, Kamae of Earth, 地の構え, chi-no-kamae in Yagyū Shinkage-ryū is one of the oldest Japanese schools of swordsmanship (''kenjutsu''). Its primary founder was Kamiizumi Nobutsuna, who called the school Shinkage-ryū. In 1565, Nobutsuna bequeathed the school to his greatest student, Yagy� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hassō-no-kamae
, frequently shortened simply to ''hassō'' and occasionally called ''hassō-gamae'', is one of the five stances in kendo: '' jōdan'', '' chūdan'', '' gedan'', ''hassō'', and '' waki''. It is an offensive stance, named for one's ability to respond to a situation in any direction. ''Waki'' and ''hassō'' are not commonly used in modern kendo, except in kata. In ''hassō-no-kamae'', the left foot is forward, and the sword is held pointing upright with the hilt in front of the right shoulder. The blade should slope slightly to the rear. When cutting, the sword is raised above the head, as in '' jōdan''.上野 靖之 (1966) ''剣道教典 (Educational Model Fencing)'' 尚武館刊. p317 ''Hassō-no-kamae'' is used by uchidachi in the 4th kendo kata, opposite shidachi's ''waki-gamae''. This posture is also used in Naginata. It is also used in Kashima Shinden Jikishinkage-ryū , often referred to simply as Jikishinkage-ryū or Kashima Shinden, is a traditional school (''k ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metal (Wu Xing)
In Chinese philosophy, metal or gold () is one of the five concepts that conform the ''wuxing''. It is the return or the declining stage, and is associated with the west, dusk, autumn, loss, grief, and the White Tiger. In Traditional Chinese Medicine, Metal is the lesser yin symbol of Yinyang character, its motion is going inwards and its energy is contracting. It is also related to lungs, the large intestine, noses, and skin. The archetypal metals are silver or gold. Attributes In Chinese Taoism and traditional Chinese medical theory and thought, some attributes of Metal are firmness, rigidity, focus, integrity, and quality. The metal person when excessive is controlling, cutoff and arrogant, set in their ways as metal can become very rigid. They are self-reliant and resilient and prefer to handle their problems alone. The metal person is also intelligent, business-oriented, and good at organization and stability. However, the metal person can also appreciate luxury and en ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wuxing (Chinese Philosophy)
( zh, c=五行, p=wǔxíng), usually translated as Five Phases or Five Agents, is a fivefold conceptual scheme used in many traditional Chinese fields of study to explain a wide array of phenomena, including terrestrial and celestial relationships, influences, and cycles, that characterise the interactions and relationships within Science and technology in China, science, Traditional Chinese medicine, medicine, Confucianism, politics, Taoism, religion and social relationships and education within Chinese culture. The five agents are traditionally associated with the classical planets Mars, Mercury (planet), Mercury, Jupiter, Venus, Saturn as depicted in the #Etymology, etymological section below. In ancient Chinese astronomy and Chinese astrology, astrology, that spread throughout East Asia, was a reflection of the seven-day planetary order of Fire (wuxing), Fire, Water (wuxing), Water, Wood (wuxing), Wood, Metal (wuxing), Metal, Earth (wuxing), Earth.), they are Wood, Fir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yin And Yang
Originating in Chinese philosophy, yin and yang (, ), also yinyang or yin-yang, is the concept of opposite cosmic principles or forces that interact, interconnect, and perpetuate each other. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which the whole is greater than the assembled parts and the parts are as important for the cohesion of the whole. In Chinese cosmology, the universe creates itself out of a primary chaos of primordial qi or material energy, organized into the cycles of yin and yang, force and motion leading to form and matter. "Yin" is retractive, passive and contractive in nature, while "yang" is repelling, active and expansive in principle; this dichotomy in some form, is seen in all things in nature—patterns of change and difference. For example, biological, psychological and seasonal cycles, the historical evolution of landscapes over days, weeks, years to eons. The origin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |