|
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the "viol, da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the "Lira da braccio, da braccio" family), and so th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Da Gamba
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola De Arco
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin, or ; and it is any one of the earlier viol family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. The viola da gamba uses the alto clef. Seven and occasionally eight frets made of "stretche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the string (music), strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck (music), neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Kanun (instrument), Qanún/kanun, autoharp, kantele, gusli, kannel (instrument), kannel, kankles, kokles, koto (musical instrument), koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vielle
The is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''Vièle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow (music), bow rubbing the string (music), strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of bowing, the Bow (music)#Origin, origin of bowing remains unknown.Friedrich Behn, Musikleben im Altertum und frühen page 159 List of bowed string instruments Violin family * Cello (violoncello) * Pochette (musical instrument), Pochette * Viola (altviol, bratsche) * Violin (violino) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Baroque violin * Cello da spalla * Five string violin * Hardanger fiddle * Kit violin * Kontra * Låtfiol * Lira da braccio * Octobass * Sardino * Stroh violin * Tenor violin Viol family (Viola da Gamba family) * Viol, Alto viol * Viol, Bass viol * Viol, Tenor viol * Viol, Treble viol ;Variants on the standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dancing Master
''The Dancing Master'' (first edition: ''The English Dancing Master'') is a dancing manual containing the music and instructions for English country dances. It was first published in 1651 by John Playford. History It was published in several editions by John Playford and his successors from 1651 until . The first edition contained 105 dances with single-line melodies. The 1651 book ''The Dancing Master'' by John Playford had been designed for teaching dancing. It was originally small so that the dancing master could hide it under his cloak and consult it surreptitiously. Subsequent editions introduced new songs and dances, while dropping others, and the work eventually encompassed three volumes. Dances from ''The Dancing Master'' were re-published in arrangements by Cecil Sharp in the early 20th century. In 1957 Margaret Dean Smith completed her facsimile book ''Playford's English Dancing Master''. This work had been the first publication of English dance tunes and her pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Santa Maria
The ''Cantigas de Santa Maria'' (, ; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile, Alfonso X of Castile ''El Sabio'' (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well. It is one of the largest collections of monophonic (solo) songs from the Middle Ages and is characterized by the mention of the Mary, the mother of Jesus, Virgin Mary in every song, while every tenth song is a hymn. The ''Cantigas'' have survived in four manuscript codices: two at El Escorial, one at Madrid, Madrid's Biblioteca Nacional de España, National Library, and one in Florence, Italy. The E codex from El Escorial is illuminated with colored Miniature (illuminated manuscript), miniatures showing pairs of musicians playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Aragón
The Kingdom of Aragon (; ; ; ) was a medieval and early modern Monarchy, kingdom on the Iberian Peninsula, corresponding to the modern-day Autonomous communities of Spain, autonomous community of Aragon, in Spain. It became a part of the larger Crown of Aragon, which also included other territories—the Principality of Catalonia (which included the former Catalan Counties), the Kingdom of Valencia, the Kingdom of Majorca, and other possessions that are now part of France, Italy, and Greece—that were also under the rule of the King of Aragon, but were administered separately from the Kingdom of Aragon. In 1479, upon John II of Aragon and Navarre, John II of Aragon's death, the crowns of Aragon and Castile were united to form the nucleus of modern Spain. The Aragonese lands retained autonomous parliamentary and administrative institutions, such as the Aragonese Corts, Corts. The arrangement remained until the Nueva Planta decrees, promulgated between 1707 and 1715 by Philip V o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commentary On The Apocalypse
The ''Commentary on the Apocalypse'' (Commentaria in Apocalypsin) is a Latin commentary on the biblical ''Book of Revelation'' written around 776 by the Spanish monk and theologian Beatus of Liébana (c. 730–after 785).Williams (2017), 22 The surviving texts differ somewhat, and the work is mainly famous for the spectacular illustrations in a group of illustrated manuscripts, mostly produced on the Iberian Peninsula over the following five centuries. There are 29 surviving illustrated manuscripts (many incomplete or fragments) dating from the 9th to the 13th centuries,Williams (2017), 26 as well as other unillustrated and later manuscripts. Significant copies include the Morgan Beatus, Morgan, Saint-Sever Beatus, Saint-Sever, Gerona Beatus, Gerona, Osma, Madrid (Vitr 14-1), and Tábara Beatus codices. Most unusually for a theological work, the imagery seems to have been included from the start, and is considered to be the work of Beatus himself, although the earliest survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiple
A tiple (, literally treble or soprano), is a particular type of guitar, typically with 10 or 12 strings but sometimes fewer, and is built in several distinct regional styles. A tiple player is called a ''tiplista''. The first written mention of an instrument called "tiple" comes from musicologist Pablo Minguet e Irol in 1752. The 12-string Colombian tiple is considered the country's national instrument. The Puerto Rican tiple characteristically has fewer than twelve strings, as do those from Cuba, Mallorca, and North America. Tiple family Colombian tiple The Colombian tiple (in Spanish: ''tiple'') is an instrument of the guitar family, similar in appearance although slightly smaller (about 18%) than a standard classical guitar. The typical fretboard scale is about 530 mm (just under 21 inches), and the neck joins the body at the 12th fret. There are 12 strings, grouped in four tripled courses. Traditional tuning from lowest to highest course is C F A D, although ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
