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Verse Anthem
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir. The organ provided accompaniment in liturgical settings, but viols took the accompaniment outside of the church. In the 'verses', solo voices were expected to ornament their parts for expressive effect. The 'full choir' sections providing contrast in volume and texture. The verse anthems were a major part of the English Reformation due to the use of the vernacular. In addition to this, the use of soloists allowed the text to be expressed more clearly. For the choirmaster they were useful too: the choir only had to learn a small part of the anthem, leaving the hardest passages to a soloist to learn on their own, reducing rehearsal time. Verse anthems developed and were very popular during the early 17th to the middle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Music
Religious music (also sacred music) is a type of music that is performed or composed for Religion, religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Korean shamanism, Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar Musical instrument, instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Ras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tomkins
Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Life Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: ''To my ancient, and much reverenced Master, William Byrd'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Church Music
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 *Classical Indian dance, various codified art forms whose theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rejoice In The Lord Alway
"Rejoice in the Lord alway" (c. 1683–1685), Z. 49, sometimes known as the Bell Anthem, is a verse anthem by Henry Purcell. It was originally scored for SATB choir, countertenor, tenor and bass soloists, and strings, though it is also sometimes performed with organ replacing the strings. It has always been one of Purcell's better-known works, and is today his most popular anthem and probably the most often performed of all verse anthems. Text The text of this anthem is the epistle for the Fourth Sunday of Advent, Philippians 4: 4–7: Music "Rejoice in the Lord alway", like many of Purcell's anthems, begins with a symphony (here called a prelude), which has been acclaimed for its "luminous part-writing" and "wonderful sheen". This is based on a ten-beat descending scale ostinato which, like the upper parts, imitates the pealing of bells. The three soloists introduce an eight-bar theme in triple time which is then repeated and developed by the strings. The soloists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Anthem
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Symphony No. 9 (Beethoven), Ninth Symphony, or Symphony No. 2 (Mahler), Mahler's Second Symphony). Etymology and origins The word ''symphony'' is der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William III Of England
William III (William Henry; ; 4 November 1650 – 8 March 1702), also known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of County of Holland, Holland, County of Zeeland, Zeeland, Lordship of Utrecht, Utrecht, Guelders, and Lordship of Overijssel, Overijssel in the Dutch Republic from 1672, and List of English monarchs, King of England, Monarchy of Ireland, Ireland, and List of Scottish monarchs, Scotland from 1689 until his death in 1702. He ruled Great Britain and Ireland with his wife, Queen Mary II, and their joint reign is known as that of William and Mary. William was the only child of William II, Prince of Orange, and Mary, Princess Royal and Princess of Orange, Mary, Princess Royal, the daughter of King Charles I of England, Scotland, and Ireland. His father died a week before his birth, making William III the prince of Orange from birth. In 1677, he Cousin marriage, married his first cousin Mary, the elder daughter of his maternal u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gostling
John Gostling (1644–1733) was a 17th-century Church of England clergyman and bass singer famed for his range and power. He was a favourite singer of Charles II and is particularly associated with the music of Henry Purcell. Background John Gostling was the son of Isaac Gossling, a Canterbury mercer, or chandler.Olive Baldwin and Thelma Wilson‘Gostling, John (1649/50–1733)’ ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, . Retrieved on 8 December 2008. He was educated in Rochester and at St John's College, Cambridge, where he sang in the choir. He was a Gentleman and later Priest of the Chapel Royal and was subsequently a Minor Canon of Canterbury, Vicar of Littlebourne in Kent, Subdean of St Paul's and Prebendary of Lincoln. He is buried in Canterbury Cathedral cloisters. In 1679 the young Henry Purcell wrote an anthem, the name of which is not known, for the Chapel Royal. From a letter written by Thomas Purcell, and still extant, we learn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream, ''A Midsummer Night's Dream'' called The Fairy-Queen, ''The Fairy Queen''. Purcell's musical style was uniquely English, although it incorporated Music of Italy#Baroque and Classical, Italian and Music of France#Baroque, French elements. Generally considered among the greatest English opera composers, Purcell has been ranked alongside John Dunstaple and William Byrd in the pantheon of English early music. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster, in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archbishop Laud
William Laud (; 7 October 1573 – 10 January 1645) was a bishop in the Church of England. Appointed Archbishop of Canterbury by Charles I in 1633, Laud was a key advocate of Charles I's religious reforms; he was arrested by Parliament in 1640 and executed towards the end of the First English Civil War in January 1645. Laud believed in episcopalianism, or rule by bishops. "Laudianism" was a reform movement that emphasised liturgical ceremony and clerical hierarchy, enforcing uniformity within the Church of England, as outlined by Charles. Its often highly ritualistic aspects prefigure what are now known as high church views. In theology, Laud was accused of Arminianism, favouring doctrines of the historic church prior to the Reformation and defending the continuity of the English Church with the primitive and medieval church, and opposing Calvinism. On all three grounds, he was regarded by Puritan clerics and laymen as a formidable and dangerous opponent. His use of the Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
