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Tureen
A tureen is a serving dish for foods such as soups or stews, often shaped as a broad, deep, oval vessel with fixed handles and a low domed cover with a knob or handle. Over the centuries, tureens have appeared in many different forms: round, rectangular, or made into fanciful shapes such as animals or wildfowl. Tureens may be ceramic—either the glazed earthenware called faience, or porcelain—or silver, and customarily they stand on an undertray or platter made ''en suite''. Etymology The tureen as a piece of tableware called a ''pot à oille''—a Catalan-Provençal soup—came into use in late seventeenth-century France. Alternative explanations for the etymology are that it is related to the earlier word ''terrine'', a borrowing from the French for 'a large, circular, earthenware dish' or that it is named to honour the French military hero Marshal Turenne. History The tureen's prehistory may be traced to the use of the communal bowl, but during the reig ...
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Chelsea Porcelain
Chelsea porcelain is the porcelain made by the Chelsea porcelain manufactory, the first important porcelain manufactory in England, established around 1743–45, and operating independently until 1770, when it was merged with Derby porcelain. It made soft-paste porcelain throughout its history, though there were several changes in the "body" material and glaze used. Its wares were aimed at a luxury market, and its site in Chelsea, London, was close to the fashionable Ranelagh Gardens pleasure ground, opened in 1742. The first known wares are the "goat and bee" cream jugs with seated goats at the base, some examples of which are incised with "Chelsea", "1745" and a triangle. The entrepreneurial director, at least from 1750, was Nicholas Sprimont, a Huguenot silversmith in Soho, but few private documents survive to aid a picture of the factory's history. Early tablewares, being produced in profusion by 1750, depend on Meissen porcelain models and on silverware prototypes, su ...
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Thomas Germain
Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo. The son of a Paris silversmith Pierre Germain (none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in Rome, where he turned his hand towards goldsmith's work. In 1691 he became apprenticed to an Italian silversmith, and later was employed as one of the artists on the altar of St. Ignatius for the Church of the Gesù. He was commissioned by the Grand Duke Cosimo III of Florence to work on several important projects, including decorative works for a church in Leghorn, which helped solidify his reputation. Once again in Paris he received the status of ''maître''(master) in 1720 and was appointed an ''orfèvre du Roi''(or, per a literal translation, the title of the "King's Goldsmith"). Much of his output was to royal commissions, including a number of presentation swords given to the likes of Marshal Foch and Alain ...
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Service à La Russe
(; , ) is a style of serving food in which dishes are brought to the table sequentially and served separately to each guest. ''Service à la russe'' was developed in France in the 19th century by adapting traditional Russian table service to existing French gastronomic principles. The new service slowly displaced the older (), in which a variety of dishes are placed on the table in an impressive display of tureens, platters, and other serving dishes. In ''service à la russe'', each dish is arranged in the kitchen and immediately brought to the table, where guests choose what they want from each platter as it is presented to them. In ''service à la française'', many platters are placed together on the table, where the dishes often grow cold and lose their freshness before the guests can eat them; and in practice, guests can choose from only a few of the dishes on the table. ''Service à la russe'', which includes only flowers and cold dishes on the table, is less magnifice ...
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Veuve Perrin
Veuve Perrin (Widow Perrin) was a factory in Marseille, France, that manufactured Faïence wares between 1748 and 1803. History Claude Perrin, born in Nevers on 20 April 1696, settled in Marseille in 1733 where he died on 25 March 1748. Pierette Candelot, widow of Claude Perrin, took over the factory after her husband's death. It became known as Veuve Perrin. She entered into a partnership agreement with Honoré Savy Honoré Savy (1725–1790) was the founder of a factory that manufactured faience wares in Marseille, France, between 1749 and 1790. He is associated with the Veuve Perrin and Leroy factories. History Around 1749 a new period of faience manufac ..., who was a member of the Academy of Painting and Sculpture in Marseille. This cooperation lasted from 1760 to 1770, but was less active after 1764, where Savy founded his own company. In 1774 the widow Perrin formed a second association with his son and Antoine Abellard, grandson of Antoine Clérissy. This continu ...
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Soft-paste Porcelain
Soft-paste porcelain (sometimes simply "soft paste", or "artificial porcelain") is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either its high firing temperatures or special mineral ingredients. There are many types, using a range of materials. The material originated in the attempts by many European potters to replicate hard-paste Chinese export porcelain, especially in the 18th century, and the best versions match hard-paste in whiteness and translucency, but not in strength. But the look and feel of the material can be highly attractive, and it can take painted decoration very well. The ingredients varied considerably, but always included clay, often ball clay, and often ground glass, bone ash, soapstone (steatite), flint, and quartz. They rarely included the key ingredients necessary for hard-paste, china clay including kaolin, or the English china stone, although some manu ...
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Chantilly Porcelain
Chantilly porcelain is French soft-paste porcelain produced between 1730 and 1800 by the manufactory of Chantilly, Oise, Chantilly in Oise, France. The wares are usually divided into three periods, 1730–1751, 1751–1760, and a gradual decline from 1760 to 1800. The factory made table and tea wares, small vases, and some figures, these all of Orientals. Foundation Outbuildings were purchased in March 1730 on the banks of the small Nonette (river), river Nonette near the extensive park of his château de Chantilly by Louis Henri, Duke of Bourbon, Louis Henri de Bourbon, prince de Condé, the prince of the blood exiled from Court, who founded the factory. At this period, the capital investment required for establishing a porcelain manufactory was so extensive that a royal or aristocratic patron was essential; only in Britain was early porcelain manufacture capitalized by the merchant class. The elite wares of Chantilly were intended to compete with Saint-Cloud porcelain, a pion ...
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Tableware
Tableware items are the dishware and utensils used for setting a table, serving food, and dining. The term includes cutlery, glassware, serving dishes, serving utensils, and other items used for practical as well as decorative purposes. The quality, nature, variety and number of objects varies according to culture, religion, number of diners, cuisine and occasion. For example, Middle Eastern, Indian or Polynesian food culture and cuisine sometimes limits tableware to serving dishes, using bread or leaves as individual plates, and not infrequently without use of cutlery. Special occasions are usually reflected in higher quality tableware. Cutlery is more usually known as ''silverware'' or ''flatware'' in the United States, where ''cutlery'' usually means knives and related cutting instruments; elsewhere cutlery includes all the forks, spoons and other silverware items. Outside the US, ''flatware'' is a term for "open-shaped" dishware items such as plates, dishes and bo ...
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Entrée
An entrée (, ; ), in modern French table service and that of much of the English-speaking world, is a dish served before the main course of a meal. Outside North America and parts of English-speaking Canada, it is generally synonymous with the terms '' hors d'oeuvre'', ''appetizer'', or ''starter''. It may be the first dish served, or it may follow a soup or other small dish or dishes. In the United States and parts of English-speaking Canada, the term ''entrée'' instead refers to the main course or the only course of a meal. Early use of the term The word ''entrée'' as a culinary term first appears in print around 1536 in the ''Petit traicté auquel verrez la maniere de faire cuisine'', more widely known from a later edition titled ''Livre fort excellent de cuisine'', in a collection of menus at the end of the book. There, the first stage of each meal is called the ''entree de table'' (entrance to the table); the second stage consists of '' potaiges'' (foods boiled or sim ...
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Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white Ceramic glaze, pottery glaze suitable for painted decoration, by the addition of an stannous oxide, oxide of tin to the Slip (ceramics), slip of a lead glaze, was a major advance in the Pottery#History of pottery types, history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, after millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their E ...
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Porcelain
Porcelain (), also called china, is a ceramic material made by heating Industrial mineral, raw materials, generally including kaolinite, in a kiln to temperatures between . The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from Vitrification#Ceramics, vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, ceramic art, decorative ware such as figurines, and products in technology and industry such as Insulator (electricity), electrical insulators and laboratory ware. The manufacturing process used for porcelain is similar to that used for earthenware and stoneware, the two other main types of pottery, although it can be more challenging to produce. It has usually been regarded as the most prestigious type of pottery due to its delicacy, strength, and high degree of whiteness. It is frequently both glazed and decorated. Though definitions vary, po ...
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