Turbo-folk
Turbo-folk (sometimes referred as pop-folk or popular folk) is subgenre of contemporary pop music with its origins in Serbia, that initially developed during the 1980s and 1990s, with similar music styles in Bulgaria ( chalga), Romania ( manele) and Albania ( tallava). It is a fusion genre of popular music, blending Serbian folk music with other genres: such as pop, rock, electronic and some hip-hop. Background and characteristics Turbo-folk music emerged as a subculture in the countryside during the 1970s before migrating to the city in the '80s and eventually reaching further expansion in the '90s during the rule of Slobodan Milošević, Yugoslav Wars, inflation and political isolation. The term was originally coined by Montenegrin musician Rambo Amadeus whilst jokingly referring to his own musical style. However, critics soon adopted this term which referred to a musical style blending folk music with elements of electronic music, Eurodance and hip-hop or other g ...
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Manele
Manele (from Romanian, ''fem.'' ''sg.'' manea; ''pl.'' manele, the plural form being more common) is a genre of pop folk music from Romania. The manele can be divided into "classical manele" and "modern manele". The "classical manele" are a Turkish-derived genre performed by Romani musicians called lăutari in a lăutărească manner, while the "modern manele" are a mixture of Turkish, Greek, Arabic, Bulgarian and Serbian elements, generally using modern (electronic) instruments and beats. Similar music styles are also present in other Balkan areas, like Bulgaria, Serbia, Montenegro, Albania, Bosnia, Greece and Turkey and with expatriates and emigrants originally from these regions. Related genres are Bulgarian ''Chalga'' (manele brought by Romanian visitors to Bulgaria is referred to as "Romanian chalga"), Greek modern ''Skiladiko'' and Serbian ''Turbo-folk'', each one being a m