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Tsurugi (sword)
A or is a Japanese sword. The word is used in the West to refer to a specific type of Japanese straight, double-edged sword used in antiquity (as opposed to curved, single-edged swords such as the katana). In Japanese the term ''tsurugi'' or ''ken'' ( :ja:剣) is used as a term for all sorts of international long, double-edged swords. History The term ''tsurugi'' (剣) designates a straight, double-edged, bladed weapon from Japan. It is a sword with two cutting edges, one on each side of its blade, unlike the '' tachi'', ''katana'', ''wakizashi'', or '' odachi'', which have only one cutting edge on one side of the blade. The oldest bronze sword excavated in Japan is a Chinese style dagger from around 800 BC in the Yayoi period (1000 BC – 300 AD). A large number of bronze ''tsurugi'' made around 200 B.C. in the Yayoi period were excavated from several sites, and it is thought that ''tsurugi'' were mass-produced in Japan in this period. Bronze ''tsurugi'' of this period wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). means in Japanese. It is a period in Japanese history when the Chinese influence on Japanese culture, Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese Emperors of Japan, imperial court, noted for its Japanese art, art, especially Japanese poetry, poetry and Japanese literature, literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful Kuge, aristocratic family wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto ( or ; Japanese language, Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in the Kansai region of Japan's largest and most populous island of Honshu. , the city had a population of 1.46 million, making it the List of cities in Japan, ninth-most populous city in Japan. More than half (56.8%) of Kyoto Prefecture's population resides in the city. The city is the cultural anchor of the substantially larger Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. It is also part of the even larger Keihanshin, Keihanshin metropolitan area, along with Osaka and Kobe. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capitals of Chang'an and Luoyang. The emperors of Japan ruled fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manshu-in
, also known as the Manshuin Monzeki, is a Tendai monastery located near the Shugakuin Imperial Villa at Sakyō-ku, Ichijo-ji, Takenouchi-cho, in northeast Kyoto, Japan. The monastery was founded by Dengyō Daishi in the 8th century. It was then located near Mount Hiei and known as Tobibo, but renamed Manshuin in 1108 or 1109. In the early Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ... the monastery moved to its current site. Today the monastery is notable both for its buildings and a fine garden – the gardens of the Manshu-in '' shoin'' are a nationally designated Place of Scenic Beauty. The entry building contains a Tiger Room with images said to have been painted by Kanō Eitoku 狩野 永徳 (1543–1590), Bamboo Room with Edo wood-block prints, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyushu National Museum
The opened on October 16, 2005, in Dazaifu near Fukuoka—the first new national museum in Japan in over 100 years, and the first to elevate the focus on history over art.Japan National Tourist Organization Museum "focuses on history."/ref> The distinct modern impression created by the architectural facade is mirrored in the museum's use of technological innovations which are put to good in making the museum's collections accessible to the public. For example, the museum's extremely high resolution video system, with the latest image processing and color management software, serves both in documenting the objects in the museum's collection and also in expanding access beyond the limits of a large, but finite exhibition space. The striking wood and glass building in the hills, it hosts important collections of Japanese artifacts, particularly ceramics, related to the history of Kyūshū. It hosts temporary exhibitions on the third floor, while the permanent collections are on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasaka Shrine
, once called , is a Shinto shrine in the Gion District of Kyoto, Japan. Situated at the east end of Shijō-dōri (Fourth Avenue), the shrine includes several buildings, including gates, a main hall and a stage. The Yasaka shrine is dedicated to Susanoo in the tradition of the Gion faith as its chief kami, with his consort Kushinadahime on the east, and eight offspring deities (yahashira no mikogami) on the west. The yahashira no mikogami include Yashimajinumi no kami, Itakeru no kami, Ōyatsuhime no kami, Tsumatsuhime no kami, Ōtoshi no kami, Ukanomitama no kami, Ōyatsuhiko no kami, and Suseribime no mikoto. History Initial construction on the Shrine began in 656. The Shrine became the object of Imperial patronage during the early Heian period. According to the Engishiki Jinmyocho, the much lesser known Nunakuma Shrine in Fukuyama is the source by which Gozu Tenno entered Yasaka Shrine through Kanjo. In 965, Emperor Murakami ordered that Imperial messengers be sent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the Deity, deities, Divinity, divinities, Spirit (supernatural entity), spirits, mythological, spiritual, or natural phenomena that are venerated in the traditional Shinto religion of Japan. ''Kami'' can be elements of the landscape, forces of nature, beings and the qualities that these beings express, and/or the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire Japanese clans, clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor of Japan, Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanoo
__FORCETOC__ Susanoo (, ; historical orthography: , ), often referred to by the honorific title Susanoo-no-Mikoto (), is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, Isolationism, isolationist foreign policies, and popular enjoyment of Japanese art, arts and Culture of Japan, culture. In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title ''shogun'' by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Tokugawa Hidetada, Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajra
The Vajra (, , ), is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). It is also described as a "ritual weapon". The use of the bell and vajra together as symbolic and ritual tools is found in all schools of Tibetan Buddhism. The vajra is a round, symmetrical metal scepter with two ribbed spherical heads. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points. The vajra is considered inseparable from the bell, and both are sold in dharma stores only in matching sets. The bell is also metal with a ribbed spherical head. The bell also depicts the face of Dhatvisvari, a female buddha and the consort of Akshobhya. The vajra has also been associated as the weapon of Indra, the Vedic king of the Deva (Hinduism), devas and Svarga, heaven. It is used symbolically by the dharma, dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala (, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a Fierce deities, wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana, Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the Buddhahood, buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akshobhya, Akṣobhya, or the bodhisattva Manjushri, Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian Buddhism, East Asian Chinese Esoteric Buddhism, esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto National Museum
The is one of the major art museums in Japan. Located in Kyoto's Higashiyama ward, the museum focuses on pre-modern Japanese and Asian art. History The Kyoto National Museum, then the Imperial Museum of Kyoto, was proposed, along with the Imperial Museum of Tokyo (Tokyo National Museum) and the Imperial Museum of Nara (Nara National Museum), in 1889, and construction on the museum finished in October 1895. The museum was opened in 1897. The museum went through a series of name changes, in 1900 changing its name to the Imperial Household Museum of Kyoto, and once more in 1924 to the Imperial Gift Museum of Kyoto. The current name, the Kyoto National Museum, was decided upon in 1952. Timeline The growth and development of today's museum has been an evolving process: history * 1897—Museum is established as the "Imperial Museum of Kyoto."IAI National Museum. (2005)Institutional overview, p. 15. * 1900—Museum is renamed the "Imperial Household Museum of Kyoto." * 1924—Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
