|
Tresillo (rhythm)
Tresillo ( ; ) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the ''habanera''. : \new RhythmicStaff Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón. Triplet (formal usage) ''Tresillo'' is a Spanish word meaning " triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, ''tresillo'' refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Pattern
Rhythm (from Ancient Greek, Greek , ''rhythmos'', "any regular repetition (music), recurring motion, symmetry#Symmetry in music, symmetry") generally means a "motion, movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a Frequency, periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera Rhythm Tresillo AND Three -over-two Alternating
Habanera (feminine form of the Spanish word ''habanero'', "from Havana Havana (; ) is the capital and largest city of Cuba. The heart of La Habana Province, Havana is the country's main port and commercial center. Music *Habanera or contradanza, a style of Cuban popular dance music of the 19th century *''Habanera'', a work for violin and piano by Pablo de Sarasate, part of the ''Spanish Dances'' *''Habanera'', a work for piano of 1885 by Emmanuel Chabrier, arranged for orchestra by him in 1888 *''Habanera'', composition for flute or violin & piano by Maurice Ravel *''Habanera'', composition for cello and piano by Ernesto Halffter *''Habanera'', guitar composition by Eduardo Sainz de la Maza *''Habanera'', guitar composition by Xavier Montsalvatge *Habanera (aria), "Habanera" (aria), popular name of an aria "L'amour es ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the Jota (music), jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays, in Spain as elsewhere, the different styles of commercial popular music are dominant. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Paloma
"La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basques, Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. In 1879, it was registered at the copyright office in Madrid as a "Canción Americana con acompañamiento de Piano". Iradier was to die in obscurity within few years, never to learn how popular his song would become. Very quickly, "La Paloma" became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of "La Paloma" has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastian Iradier
Sebastian may refer to: People and fictional characters * Sebastian (name), including a list of persons and fictional characters with the name * Saint Sebastian, a Christian saint martyred in the 3rd century * Sebastian of Portugal (1554–1578), the sixteenth king of Portugal and the Algarve * Infante Sebastian of Portugal and Spain (1811–1875), Infante of Portugal (1811) and Infante of Spain (1824) * Sebastián (sculptor) (born 1947), artist based in Mexico * Sebastian (French musician), stage name of French musician, composer, producer, mixer, engineer, vocalist and DJ Sébastien Akchoté-Bozović (born 1981) * Sebastian (singer), stage name of Danish musician Knud Torben Christensen (born 1949) * Sebastian (rapper), stage name of American rapper Garland Mosley Jr., brother of Timbaland * Sin With Sebastian (also known as Sebastian), German musician Sebastian Roth (born 1971) * Mr. Sebastian, professional name of body pierce artist Alan Oversby (1933–1996) * Sebastian Erl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the Charanga (Cuba), charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing music, swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in Mexico and the United States as its mambo (dance), associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha (music), cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Montuno
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although ''son montuno'' ("mountain sound") had previously referred to the ''sones'' played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing ''septeto'' ensemble into the '' conjunto'' format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba. Background Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. In addition, it is perhaps the most flexible of all forms of Latin American music, and is the founda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Citation Needed
The tag " itation needed''" is added by Wikipedia editors to unsourced statements in articles requesting citations to be added. The phrase is reflective of the policies of verifiability and original research on Wikipedia and has become a general Internet meme. Usage on Wikipedia The tag was first used on Wikipedia in 2006, and its template created by user Ta bu shi da yu. According to Wikipedia's policy, editors should add citations for content, to ensure accuracy and neutrality, and to avoid original research. The on needed tag is used to mark statements that lack such citations. , there were more than 539,000 pages on Wikipedia (or roughly 1% of all pages) containing at least one instance of the tag. Users who click the tag will be directed to pages about Wikipedia's verifiability policy and its application using the tag. Usage outside Wikipedia In 2008, Matt Mechtley created stickers with " n needed, encouraging people to stick them on advertisements. In 2010, American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-beat
In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict found in polyrhythms is the basis of an entire musical piece. Etymology The term "cross rhythm" was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980), who, with Klaus Wachsmann, took-up extended residence in Zambia and Uganda, respectively, as missionaries, educators, musicologists, and museologists. African music One main system African cross-rhythm is most prevalent within the greater Niger-Congo linguistic group, which dominates the continent south of the Sahara Desert. (Kubik, p. 58) Cross-rhythm was first identified as the basis of sub-Saharan rhythm by A.M. Jones. Later, the concept was more fully explained in the lectures of Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of David Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Storm Roberts
John Storm Roberts (February 24, 1936 – November 29, 2009) was a British-born, U.S.-based ethnomusicologist, writer and record producer. He is best known as the co-founder of Original Music, a mail-order company that distributed world music books and records. Life John Anthony Storm Roberts was born in London, England. Roberts grew up listening to jazz, blues, calypso and flamenco records that his father brought back from business trips abroad. After graduating from Oxford University, Roberts wrote for the ''East African Standard'' in Kenya and developed an intimate knowledge of African music. In the late 1960s, he produced programs about African music for the BBC World Service. Roberts moved to the United States in 1970, where he was an editor for ''Africa Report''. In 1972, Roberts traveled to the Caribbean Islands to make field recordings of traditional music, which were released as ''Caribbean Island Music: Songs and Dances of Haiti, The Dominican Republic and Jamaica'' on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
