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Traditional Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for stage p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dansa Tradicional Valenciana - Museu Valencià D'Etnologia
A ''dansa'' (), also spelt ''dança'', was an Old Occitan form of lyric poetry developed in the late thirteenth century among the troubadours. It is related to the English term "dance" and was often accompanied by dancing. A closely related form, the ''balada'' or ''balaresc'', had a more complex structure, and is related to the ballade (forme fixe), ballade but unrelated to the ballad. Both terms derive from Occitan words for "to dance": ''dansar'' and ''balar/ballar''. A ''dansa'' begins with a ''respos'' of one or two lines, whose rhyme scheme matches that of the first line or two of each subsequent stanza. The actual ''respos'' may have been repeated between stanzas, of which there were usually three, as a refrain. The few surviving melodies of ''dansas'' seem like incipient ''virelai''s. The verses of the ''dansa'' were sung by a Solo (music), soloist while the refrain was sung by a choir. A ''dansa'' lacking a ''Vuelta (music), vuelta'' is called a ''danseta''. In a ''balada' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paidushko Horo
Pajdushko horo; is a folk dance from BulgariaПайдушко хоро (нар. муз.) бълг. нар. хоро в такт 5/8, бързо темпо, разпространено в цялата страна. Светослав Четриков (1969) Музикален терминологичен речник, Наука и изкуство, София, стр. 242. and North Macedonia. It features a 5-beat meter divided into "quick" (2-beat) and "slow" (3-beat) units, abbreviated ''quick-slow'' or 2+3.time . Like many other Balkan folk dances, each region or village has its own version of the dance. It is traditionally a men's dance, but in modern times it is often performed in lines of both men and women. It is a line dance, with the dancers in a line facing left, holding hands. The dance starts moving right with a series of four lift-steps, followed by moving left: crossing the right foot in front of the left, transferring the weight onto the right foot while moving the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Dance
Irish dance refers to the traditional dance forms that originate in Ireland, including both solo and group dance forms, for social, competitive, and performance purposes. Irish dance has evolved over centuries and is believed to have its roots in ancient Celtic dance. In the 17th and 18th centuries, dance was taught by "travelling dance masters" across Ireland, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish dance. It is mainly done solo, but there is some team dancing in groups of 2, 3, 4, 6, 8, 10, 16 and even numbers onwards. Solo Irish dance includes the most w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Folk Dance
International folk dance includes Balkan dance, Middle Eastern dance, contra dance, Hungarian dance, polka, Chinese dance, and Japanese dance. Clubs featuring these ethnic dance genres are enjoyed by non-professional dancers for entertainment. Many clubs that use collections of ethnic folk dances will use the term "international folk dance" or similar in their name. History International folk dance developed in the immigrant communities of the United States of America during the first half of the 20th century. Traditional dances such as branles, polkas, quadrilles and others have been done internationally for hundreds of years; however, the creation of international folk dance as such is often attributed to Vytautas Beliajus, a Lithuanian-American who studied, taught, and performed dances from various ethnic traditions in the 1930s. Also, in the mid 1930s, Scandinavian dancing began to take hold in non-Scandinavian communities. Clubs began to form around this style. A pio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hora (dance)
Hora, also known as horo and oro, is a type of circle dance traditionally performed in Southeast Europe. Circle dances with similar names are found in Bulgaria, Romania, Moldova, North Macedonia, Greece and Turkey Acculturation, culturally adopted by Minority group, ethnic minorities such as the Ashkenazi Jews (Yiddish: האָרע ''hore''), Sephardic Jews (Judaeo-Spanish, Ladino: הורו ''horo'') and the Romani people, Roma. Etymology The name, spelled differently in various countries, is derived from the Greek language, Greek (''Choros (dance), khorós''): "dance", which is cognate with the Ancient Greek art form of (''Choreia, khoreía''). The original meaning of the Greek word may have been "circle". Also, the words ''hora'' and ''oro'' are found in many Slavic languages and have the meaning of "round (dance)"; the verb ''oriti'' means "to speak, sound, sing" and previously meant "to celebrate". The Greek language, Greek () is cognate with Pontic Greek (), and has a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Dances
Greek dance (''choros''; ) is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgian Dance
Georgian dance ( ka, ქართული ცეკვა) is the traditional dance of Georgia. It stems from military moves, sports games, and dances celebrated during holidays in the Middle Ages. The dance was popularized by the founders of the Georgian National Ballet, Iliko Sukhishvili, and his wife, Nino Ramishvili. Two folk dances, Perkhuli and Khorumi, are inscribed on the Intangible Cultural Heritage of Georgia list. Types of Georgian dance Kartuli (ქართული) Kartuli dance is a romantic, or wedding dance. It is performed by a dance couple. During the dance, the man is not allowed to touch the woman and must keep a certain distance from his partner. The man's upper body is motionless at all times. It shows that even in love, men must control their feelings. The man focuses his eyes on his partner as if she were the only woman in the whole world. The woman keeps her eyes downcast at all times and glides on the rough floor as a swan on the smooth surface of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freilekhs
Klezmer ( or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holocaust, and a general f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the Gitanos, gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Region of Murcia, Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani people, Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fandango
Fandango is a lively partner dance originating in Portugal and Spain, usually in triple metre, triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Country Dance
A country dance is any of a very large number of social dances of a type that originated in England in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Beethoven's 6 Ecosaises WoO83 are dated to 1806. Mozart's 6 Ländlerische Tänze, K.606 are dated to 1791. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yankee Dutch Crossing
Yankee Dutch crossing is the name of a dance performed in a 4-by-4 square formation of 8 couples (16 dancers). The original version, called simply ''Dutch Crossing'', was choreographed in the English country dance style by Ernst van Brakel of the Netherlands in 1990. In 2004, contra dance Contra dance (also contradance, contra-dance and other variant spellings) is a form of folk dance, folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in ... caller Joseph Pimentel modified the choreography in the American style, sometimes called ''Yankee Dutch crossing'' to distinguish it from the original. Any number of squares can perform the dance simultaneously. It is not normally found at monthly, bi-monthly or weekly dances. The most likely venues are multi-day dance weekends or weeks, where it is taught in sessions of one hour or longer. Description The square of 16 dancers comprises 4 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
