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Time-lapse
Time-lapse photography is a technique in which the frequency at which film frames are captured (the frame rate) is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus ''lapsing''. For example, an image of a scene may be captured at 1 frame per second but then played back at 30 frames per second; the result is an apparent ''30 times'' speed increase. Similarly, film can also be played at a much lower rate than at which it was captured, which slows down an otherwise fast action, as in slow motion or high-speed photography. Processes that would normally appear subtle and slow to the human eye, such as the motion of the sun and stars in the sky or the growth of a plant, become very pronounced. Time-lapse is the extreme version of the cinematography technique of ''undercranking''. Stop motion animation is a comparable technique; a subject that does not actually move, such as a puppet, can repeatedly be mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ott
John Nash Ott (23 October 1909 – 6 April 2000) was a photo-researcher, writer, photographer, and cinematographer who was an early adopter of many modern photographic practices, including time-lapse photography and full-spectrum lighting. Photography Ott's early career was in finance. He never went to college, although he enrolled in finance courses at Harvard Business School while working for several Chicago area banks. During this period, he developed an interest in time-lapse photography. He made his first time-lapse film in 1927, while he was still in high-school, but did not develop the automated mechanical camera rig which he used in his later films, until 1937. His early amateur films led him to a career in cinematography. In addition to making films, he performed research about the effects of natural lighting on plants, animals, and humans. Initially, Ott's interest in time-lapse movie photography, mostly of plants, was just a hobby. Starting in the 1930s, Ott bought a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koyaanisqatsi
''Koyaanisqatsi'' (), also known as ''Koyaanisqatsi: Life Out of Balance'', is a 1982 American experimental non-narrative film directed and produced by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. It's because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live." In the Hopi language, the word means "life out of balance". The film is the first in the ''Qatsi'' film trilogy: it is succeeded by ''Powaqqatsi'' (1988) and ''Naqoyqatsi'' (2002). The trilogy depicts different aspects of the relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slow Motion
Slow motion (commonly abbreviated as slo-mo or slow-mo) is an effect in film-making whereby time appears to be slowed down. It was invented by the Austrian priest August Musger in the early 20th century. This can be accomplished through the use of high-speed cameras and then playing the footage produced by such cameras at a normal rate like 30 fps, or in post production through the use of software. Typically this style is achieved when each film frame is captured at a rate much faster than it will be played back. When replayed at normal speed, time appears to be moving more slowly. A term for creating slow motion film is overcranking which refers to hand cranking an early camera at a faster rate than normal (i.e. faster than 24 frames per second). Slow motion can also be achieved by playing normally recorded footage at a slower speed. This technique is more often applied to video subjected to instant replay than to film. A third technique uses computer software post-processin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Vishniac
Roman Vishniac (; russian: link=no, Рома́н Соломо́нович Вишня́к; August 19, 1897 – January 22, 1990) was a Russian-American photographer, best known for capturing on film the culture of Jews in Central and Eastern Europe before the Holocaust. A major archive of his work was housed at the International Center of Photography until 2018, when Vishniac's daughter, Mara Vishniac Kohn, donated it to The Magnes Collection of Jewish Art and Life at the University of California, Berkeley. Vishniac was a versatile photographer, an accomplished biologist, an art collector and teacher of art history. He also made significant scientific contributions to photomicroscopy and time-lapse photography. Vishniac was very interested in history, especially that of his ancestors, and strongly attached to his Jewish roots; he was a Zionist later in life.ICP Library of Photographers. ''Roman Vishniac''. Grossman Publishers, New York. 1974. Roman Vishniac won international acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Rife
Royal Raymond Rife (May 16, 1888 – August 5, 1971) was an American inventor and early exponent of high-magnification time-lapse cine-micrography. Rife is known for his microscopes, which he claimed could observe live microorganisms with a magnification considered impossible for his time, and for an "oscillating beam ray" invention, which he thought could treat various ailments by "devitalizing disease organisms" using radio waves. Although he came to collaborate with scientists, doctors and inventors of the epoch, and his findings were published in newspapers and scientific journals like the Smithsonian Institution annual report of 1944, they were later rejected by the American Medical Association (AMA), the American Cancer Society (ACS) and mainstream science. Rife's supporters continue to claim that impulses of electromagnetic frequencies can disable cancerous cells and other microorganisms responsible for diseases. Most of these claims have no scientific research to back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include ''A Trip to the Moon'' (1902) and '' The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film '' Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eadweard Muybridge
Eadweard Muybridge (; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name "Eadweard" as the original Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic. Born in Kingston upon Thames, England, at the age of 20 he emigrated to the United States as a bookseller, first to New York City, and eventually to San Francisco. In 1860, he planned a return trip to Europe, and suffered serious head injuries in a stagecoach crash in Texas en route. He spent the next few years recuperating in Kingston upon Thames, where he took up professional photography, learned the wet-plate collodion process, and secured at least two British patents for his inventions. He returned to San Francisco in 1867, a man with a markedly changed personality. In 1868, he exhibited large photograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronos (film)
''Chronos'' ( ) is a 1985 abstract film directed by Ron Fricke, created with custom-built time-lapse cameras. Originally released in IMAX theaters, it is now available on DVD, Blu-ray and HD DVD. Synopsis ''Chronos'' is 42 minutes long and has no actors or dialogue. The soundtrack consists of a single continuous piece by composer Michael Stearns. Filmed in dozens of locations on five continents, the film relates to the concept of time passing on different scales—the bulk of the film covers the history of civilization, from pre-history to Egypt to Rome to Late Antiquity to the rise of Western Europe in the Middle Ages to the Renaissance to the modern era. It centers on European themes but not exclusively. Other time scales include the passing of seasons, and the passing of night and day, and the passing shadows of the sun in an afternoon to the passing of people on the street. These themes are intermingled with symbolic meaning. Background ''Chronos'' shares its particular sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-speed Photography
High-speed photography is the science of taking pictures of very fast phenomena. In 1948, the Society of Motion Picture and Television Engineers (SMPTE) defined high-speed photography as any set of photographs captured by a camera capable of 69 frames per second or greater, and of at least three consecutive frames . High-speed photography can be considered to be the opposite of time-lapse photography. In common usage, high-speed photography may refer to either or both of the following meanings. The first is that the photograph itself may be taken in a way as to appear to freeze the motion, especially to reduce motion blur. The second is that a series of photographs may be taken at a high sampling frequency or frame rate. The first requires a sensor with good sensitivity and either a very good shuttering system or a very fast strobe light. The second requires some means of capturing successive frames, either with a mechanical device or by moving data off electronic sensors very ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-narrative Film
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment. Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational". Although many abstract films are clearly devoid of narrative elements, distinction between a narrative film and a non-narrative film can be rather vague and is often open for interpretation. Unconventional imagery, concepts and structuring can obscure the narrativity of a film. Terms such as ''absolute film'', ''cinéma pur'', ''true cinema'' and ''integral cinema'' have been used for non-narrative films that aimed to create a purer experience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Fricke
Ron Fricke (born February 24, 1953) is an American film director and cinematographer, specializing in time-lapse photography and large format cinematography. He was the director of photography for '' Koyaanisqatsi'' (1982) and directed the purely cinematic non-verbal non-narrative feature ''Baraka'' (1992). He designed and used his own 65 mm camera equipment for ''Baraka'' and his later projects. He also directed the IMAX films ''Chronos'' (1985) and '' Sacred Site'' (1986). He also worked as cinematographer for parts of the film '' Star Wars: Episode III – Revenge of the Sith'' (he was hired to shoot the eruption of Mount Etna in Sicily for use in scenes of the volcanic planet Mustafar). The sequel to ''Baraka'', '' Samsara'', premiered at the Toronto International Film Festival in September 2011, and had its U.S. premiere on August 24, 2012. Fricke writes about his work: Filmography As director *''Chronos'' (1985) *'' Sacred Site'' (1986) *''Baraka'' (1992) *'' Samsar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of Film, motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens (optics), lens to focus reflected light from objects into a real image that is transferred to some image sensor or film, light-sensitive material inside a movie camera. These Exposure (photography), exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an Charge-coupled device, electrical charge for each pixel in the image, which is Video processing, electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "Photographic developer, developed" into a Positive (photography), visibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
