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Tie (typography)
The tie is a symbol in the shape of an arc similar to a large breve, used in Greek, phonetic alphabets, and Z notation. It can be used between two characters with spacing as punctuation, non-spacing as a diacritic, or (underneath) as a proofreading mark. It can be above or below, and reversed. Its forms are called tie, double breve, enotikon or papyrological hyphen, ligature tie, and undertie. Uses Cyrillic transliteration In the ALA-LC romanization for Russian, a tie symbol is placed over some combinations of Latin letters that are represented by a single letter in the Cyrillic alphabet, e.g., T͡S for Ц and i͡a for Я. This is not uniformly applied, however; some letters corresponding to common digraphs in English, such as SH for Ш and KH for Х do not employ the tie. In practice, the tie ligature is often omitted. Greek The enotikon (, ''henōtikón'', "uniter", from "a serving to unite or unify"), papyrological hyphen, or Greek hyphen was a low tie mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arc (geometry)
In mathematics, a curve (also called a curved line in older texts) is an object similar to a line (geometry), line, but that does not have to be Linearity, straight. Intuitively, a curve may be thought of as the trace left by a moving point (geometry), point. This is the definition that appeared more than 2000 years ago in Euclid's Elements, Euclid's ''Elements'': "The [curved] line is […] the first species of quantity, which has only one dimension, namely length, without any width nor depth, and is nothing else than the flow or run of the point which […] will leave from its imaginary moving some vestige in length, exempt of any width." This definition of a curve has been formalized in modern mathematics as: ''A curve is the image (mathematics), image of an interval (mathematics), interval to a topological space by a continuous function''. In some contexts, the function that defines the curve is called a ''parametrization'', and the curve is a parametric curve. In this artic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization Of Greek
Romanization of Greek is the transliteration ( letter-mapping) or transcription (sound-mapping) of text from the Greek alphabet into the Latin alphabet. History The conventions for writing and romanizing Ancient Greek and Modern Greek differ markedly. The sound of the English letter B () was written as in ancient Greek but is now written as the digraph , while the modern sounds like the English letter V () instead. The Greek name became Johannes in Latin and then John in English, but in modern Greek has become ; this might be written as Yannis, Jani, Ioannis, Yiannis, or Giannis, but not Giannes or Giannēs as it would be for ancient Greek. The word might variously appear as Hagiοs, Agios, Aghios, or Ayios, or simply be translated as " Holy" or "Saint" in English forms of Greek placenames. Traditional English renderings of Greek names originated from Roman systems established in antiquity. The Roman alphabet itself was a form of the Cumaean alphabet derived f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prenasalized Consonant
Prenasalized consonants are phonetic sequences of a nasal and an obstruent (or occasionally a non-nasal sonorant) that behave phonologically like single consonants. The primary reason for considering them to be single consonants, rather than clusters as in English ''finger'' or ''member'', lies in their behaviour; however, there may also be phonetic correlates which distinguish prenasalized consonants from clusters. Because of the additional difficulty in both articulation and timing, prenasalized fricatives and sonorants are not as common as prenasalized stops or affricates, and the presence of the former implies the latter. Only three languages ( Sinhala, Fula, Selayarese) have been reported to have a contrast between prenasalized consonants (C) and their corresponding clusters (NC). In most languages, when a prenasalized consonant is described as "voiceless", it is only the oral portion that is voiceless, and the nasal portion is modally voiced. Thus, a language may hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Affricate Consonant
An affricate is a consonant that begins as a stop and releases as a fricative, generally with the same place of articulation (most often coronal). It is often difficult to decide if a stop and fricative form a single phoneme or a consonant pair. English has two affricate phonemes, and , often spelled ''ch'' and ''j'', respectively. Examples The English sounds spelled "ch" and "j" ( broadly transcribed as and in the IPA), German and Italian ''z'' and Italian ''z'' are typical affricates, and sounds like these are fairly common in the world's languages, as are other affricates with similar sounds, such as those in Polish and Chinese. However, voiced affricates other than are relatively uncommon. For several places of articulation they are not attested at all. Much less common are labiodental affricates, such as in German, Kinyarwanda and Izi, or velar affricates, such as in Tswana (written ''kg'') or in High Alemannic Swiss German dialects. Worldwide, relati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doubly Articulated Consonant
Doubly articulated consonants are consonants with two simultaneous primary places of articulation of the same manner (both plosive, or both nasal, etc.). They are a subset of co-articulated consonants. They are to be distinguished from co-articulated consonants with secondary articulation; that is, a second articulation not of the same manner. An example of a doubly articulated consonant is the voiceless labial–velar plosive , which is a and a pronounced simultaneously. On the other hand, the voiceless labialized velar plosive has only a single stop articulation, velar (), with a simultaneous approximant-like rounding of the lips. In some dialects of Arabic, the voiceless velar fricative has a simultaneous uvular trill, but this is not considered double articulation either. Possibilities for double articulation There are four independently controllable articulations that may double up in the same manner of articulation: labial, coronal, dorsal, and pharyngeal. (The g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. The IPA is used by linguists, lexicography, lexicographers, foreign language students and teachers, speech–language pathology, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical item, lexical (and, to a limited extent, prosodic) sounds in oral language: phone (phonetics), phones, Intonation (linguistics), intonation and the separation of syllables. To represent additional qualities of speechsuch as tooth wikt:gnash, gnashing, lisping, and sounds made with a cleft lip and cleft palate, cleft palatean extensions to the International Phonetic Alphabet, extended set of symbols may be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Languages
The Romance languages, also known as the Latin or Neo-Latin languages, are the languages that are Language family, directly descended from Vulgar Latin. They are the only extant subgroup of the Italic languages, Italic branch of the Indo-European languages, Indo-European language family. The five list of languages by number of native speakers, most widely spoken Romance languages by number of native speakers are: * Spanish language, Spanish (489 million): official language in Spain, Mexico, Equatorial Guinea, the Sahrawi Arab Democratic Republic, SADR, Cuba, Dominican Republic, Puerto Rico and most of Central America, Central and South America * French language, French (310 million): official in 26 countries * Portuguese language, Portuguese (240 million): official in Portugal, Brazil, Portuguese-speaking African countries, Portuguese-speaking Africa, Timor-Leste and Macau * Italian language, Italian (67 million): official in Italy, Vatican City, San Marino, Switzerland; mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synalepha
A synalepha or synaloepha is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis. W. Sidney Allen, ''Vox Graeca'', chart of "Types of vowel-junction", p. 98. Examples Spanish, Portuguese and Italian use synalepha, which is important in counting syllables in poetry. An example is in this hendecasyllable (11-syllable line) by Garcilaso de la Vega: : ''Los cabellos que al oro oscurecían.'' :: The hair that endarkened the gold. The words ''que'' and ''al'' form one syllable in counting them because of synalepha. The same thing happens with ''-ro'' and ''os-'' and so the line has eleven syllables (syllable boundaries are shown by a dot): : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Engraving
Music engraving is the art of drawing music notation at high quality for the purpose of mechanical reproduction. The term ''music copying'' is almost equivalent—though ''music engraving'' implies a higher degree of skill and quality, usually for publication. The name of the process originates in plate engraving, a widely used technique dating from the late sixteenth century. The term ''engraving'' is now used to refer to any high-quality method of drawing music notation, particularly on a computer ("computer engraving" or "computer setting") or by hand ("hand engraving"). Traditional engraving techniques Elements of music engraving style Mechanical music engraving began in the middle of the fifteenth century. As musical composition increased in complexity, so too did the technology required to produce accurate Sheet music, musical scores. Unlike literary printing, which mainly contains printed words, music engraving communicates several different types of information simul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overline
An overline, overscore, or overbar, is a typographical feature of a horizontal and vertical, horizontal line drawn immediately above the text. In old mathematical notation, an overline was called a ''vinculum (symbol), vinculum'', a notation for grouping symbols which is expressed in modern notation by parentheses, though it persists for symbols under a radical sign. The original use in Ancient Greek was to indicate compositions of Greek alphabet, Greek letters as Greek numerals. In Latin, it indicates Roman numerals multiplied by a thousand and it forms medieval abbreviations (sigla). Marking one or more words with a continuous line above the characters is sometimes called ''overstriking'', though overstriking generally refers to printing one character on top of an already-printed character. An overline, that is, a single line above a chunk of text, should not be confused with the macron (diacritic), macron, a diacritical mark placed above (or sometimes below) ''individual'' le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colon (punctuation)
The colon, , is a punctuation mark consisting of two equally sized dots aligned vertically. A colon often precedes an explanation, a list, or a quoted sentence. It is also used between hours and minutes in time, between certain elements in medical journal citations, between chapter and verse in Bible citations, between two numbers in a ratio, and, in the US, for salutations in business letters and other formal letters. History In Ancient Greek, in rhetoric and prosody, the term (', 'limb, member of a body') did not refer to punctuation, but to a member or section of a complete thought or passage; see also '' Colon (rhetoric)''. From this usage, in palaeography, a colon is a clause or group of clauses written as a line in a manuscript.''Oxford English Dictionary'', 1st ed. "colon, ''n.2''" Oxford University Press (Oxford), 1891. In the 3rd century BC, Aristophanes of Byzantium is alleged to have devised a punctuation system, in which the end of such a was thought to oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
