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Théâtre Du Vieux-Colombier
The Théâtre du Vieux-Colombier is a theatre located at 21, rue du Vieux-Colombier, in the 6th arrondissement of Paris. It was founded in 1913 by the theatre producer and playwright Jacques Copeau. Today it is one of the three theatres in Paris used by the Comédie-Française. In May 1944 it saw the première of Jean-Paul Sartre's Existentialism, existentialist drama ''No Exit, Huis Clos''. References ;Sources * Marie-Françoise Christout, Noëlle Guibert, Danièle Pauly, ''Théâtre du Vieux Colombier, 1913-1993'', Éditions Norma, Paris, 1993 External links Théâtre du Vieux-Colombier official site. Theatres in Paris, Vieux-Colombier, Theatre du Buildings and structures in the 6th arrondissement of Paris {{France-theat-struct-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
P1130332 Paris VI Rue Du Vieux-Colombier N°21 Théâtre Du Vieux-Colombier Rwk
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6th Arrondissement Of Paris
The 6th arrondissement of Paris (''VIe arrondissement'') is one of the 20 Arrondissements of Paris, arrondissements of the capital city of France. In spoken French, it is referred to as ''le sixième''. The arrondissement, called Luxembourg in a reference to the Luxembourg Palace, seat of the Senate (France), Senate and its Jardin du Luxembourg, garden, is situated on the Rive Gauche of the Seine, River Seine. It includes educational institutions such as the , the and the Institut de France, as well as Parisian monuments such as the Odéon-Théâtre de l'Europe, the Pont des Arts, which links the 1st and 6th arrondissements over the Seine, Saint-Germain-des-Prés (abbey), Saint-Germain Abbey and Church of Saint-Sulpice, Paris, Saint-Sulpice Church. This central arrondissement, which includes the historic districts of Saint-Germain-des-Prés (surrounding the Saint-Germain-des-Prés (abbey), abbey founded in the 6th century) and Luxembourg (surrounding the Luxembourg Palace, Pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Copeau
Jacques Copeau (; 4 February 1879 – 20 October 1949) was a French Theatre, theatre director, producer, actor, and dramatist. Before he founded the Théâtre du Vieux-Colombier in Paris, he wrote theatre reviews for several Parisian journals, worked at the Georges Petit Gallery where he organized exhibits of artists' works and helped found the ''Nouvelle Revue Française'' in 1909, along with writer friends, such as André Gide and Jean Schlumberger (writer), Jean Schlumberger. Twentieth century French theatre is marked by Copeau's outlook. According to Albert Camus, "in the history of the French theatre, there are two periods: before Copeau and after Copeau." Early life and formative years The child of a well-off middle-class family, the Paris-born Copeau was raised in Paris and attended the best schools. At the Lycée Condorcet, he was a talented but nonchalant student whose interest in theatre already consumed him. His first staged play, ''Brouillard du matin'' ("Mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Sartre
Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary criticism, literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and Phenomenology (philosophy), phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution." Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the culture, cultural and society, social assumptions and expectations of their upbringings, which they considered bourgeois, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Existentialism
Existentialism is a family of philosophical views and inquiry that explore the human individual's struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of existence. In examining meaning, purpose, and value, existentialist thought often includes concepts such as existential crises, angst, courage, and freedom. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the 19th-century figures now associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche, as well as novelist Fyodor Dostoevsky, all of whom critiqued rationalism and concerned themselves with the problem of meaning. The word ''existentialism'', however, was not coined until the mid 20th century, during which it became most associated with contemporaneous philosophers Jean-Paul Sartre, Martin Heidegger, Simone de Beau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Exit
''No Exit'' (, ) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play centers around a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous phrase "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the look and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness. English translations have also been performed under the titles ''In Camera'', ''No Way Out'', ''Vicious Circle'', ''Behind Closed Doors'', and ''Dead End''. The original title, ('closed door'), is the French equivalent of the legal term '' in camera'' (from Latin, 'in a chamber'), referring to a private discussion behind closed doors. Plot Three damned souls, Joseph Garcin, Inèz Serrano, and Estelle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Paris
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
