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Theater Troupe
Theatrical troupe ( French: ''troupe''), sometimes referred to as an acting company, is a group of theatrical performers working together. They may work in repertory other types of theatres, and may take performances on tour. They are not the same as a theatre company, which is an organisation that produces theatrical performances, although there is sometimes an overlap in terminology. The troupe is termed a resident acting company (or resident company) if they are supported by a particular theatre, where they have a home base, such as the Everyman Theatre in Baltimore, Connecticut, United States The State Theatre Company of South Australia, whose home base is at the Adelaide Festival Centre, is referred to as the resident artistic company. Troupes are frequently organised by theatre practitioners (e.g. Bertolt Brecht's Berliner Ensemble or Tadeusz Kantor's Cricot 2). The membership can be divided into permanent or temporary as, for example, in the Comédie-Française (Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien language, Francien) largely supplanted. It was also substratum (linguistics), influenced by native Celtic languages of Northern Roman Gaul and by the Germanic languages, Germanic Frankish language of the post-Roman Franks, Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berliner Ensemble
The Berliner Ensemble () is a German theatre company established by actress Helene Weigel and her husband, playwright Bertolt Brecht, in January 1949 in East Berlin. In the time after Brecht's exile, the company first worked at Wolfgang Langhoff's Deutsches Theater and in 1954 moved to the Theater am Schiffbauerdamm, built in 1892, that was open for the 1928 premiere of ''The Threepenny Opera'' (''Die Dreigroschenoper''). Bertolt Brecht's Berliner Ensemble Brecht's students Benno Besson, Egon Monk, Peter Palitzsch, and Manfred Wekwerth were given the opportunity to direct plays by Brecht that had not yet been staged. The stage designers Caspar Neher and Karl von Appen, the composers Paul Dessau and Hanns Eisler, as well as the dramaturge Elisabeth Hauptmann, were among Brecht's closest collaborators. After her husband died in 1956, Weigel continued managing the Berliner Ensemble until her death in 1971. The Berliner Ensemble achieved success through long and meticulo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing Companies
Play is a range of Motivation#Intrinsic and extrinsic, intrinsically motivated activities done for recreation. Play is commonly associated with children and juvenile-level activities, but may be engaged in at any life stage, and among other higher-functioning animals as well, most notably mammals and birds. Play is often interpreted as frivolous; yet the player can be intently focused on their objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited, spontaneous, and frivolous to planned or even compulsive. Play is not just a pastime activity; it has the potential to serve as an important tool in numerous aspects of daily life for adolescents, adults, and cognitively advanced non-human species (such as primates). Not only does play promote and aid in physical development (such as hand-eye coordination), but it also aids in cognitive development and social skills, and can even act as a stepping stone i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sociétaires Of The Comédie-Française
The sociétaires of the Comédie-Française are chosen from among the ''pensionnaires'' who have been in the company a year or more. They are decided upon in the course of a general assembly of the company's administrative committee, made up of 6 existing sociétaires, the senior sociétaire, and the general administrator. A pensionnaire is thus named a societaire by a decree of the Ministry of Culture, from names put forward by the general administrator of the Comédie-Française. On becoming a sociétaire, an actor automatically becomes a member of the ''Société des Comédiens-Français'' and receives a share of the profits as well as receiving a number of shares in the société to which he or she is contractually linked. After his or her retirement, a sociétaire can continue to act, becoming an honorary sociétaire. The senior member of the Comédie-Française is not the oldest sociétaire, but the sociétaire who has been with the company longest (since their entering it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temporary Work
Temporary work or temporary employment (also called gigs) refers to an employment situation where the working arrangement is limited to a certain period of time-based on the needs of the employing organization. Temporary employees are sometimes called "contractual", "seasonal", "interim", "casual staff", "outsourcing", and " freelance"; or the words may be shortened to "temps". In some instances, temporary, highly skilled professionals (particularly in the white-collar worker fields, such as human resources, research and development, engineering, and accounting) refer to themselves as consultants. Increasingly, executive-level positions (e.g., CEO, CIO, CFO, CMO, CSO) are also filled with interim executives or fractional executives. Temporary work is different from secondment, which involves temporarily assigning a member of one organization to another. In this case, the employee typically retains their salary and other employment rights from their primary organization. Stil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cricot 2
Cricot 2 was a Polish experimental theatre company based in Kraków. It was founded in 1955 by the renowned theatre director, professional painter and assemblage artist, avantgarde set designer and art theorist Tadeusz Kantor, with artwork in the collections of the National Museum in Kraków and Warsaw. Productions were initially based on dramas by Witkacy, but later plays were genuine creations of Tadeusz Kantor himself.Ośrodek Dokumentacji Sztuki Tadeusza KantorCricoteka Background Cricot 2 played in Poland and abroad. The greatest popularity and recognition Cricot 2 received for its original production of the ''Dead Class'' (''Umarła klasa'') of 1975; a new theatrical format invented by Kantor. It was dubbed the "Theatre of Death", a kind of spiritualist séance, evoking sensory images, words and sounds deformed by the passing of time. Based on his personal memories and experiences of the Holocaust, Kantor tried to capture the collective memory of the Polish-Jewish tragedy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadeusz Kantor
Tadeusz Kantor (6 April 1915 – 8 December 1990) was a Polish painter, assemblage and Happenings artist, set designer and theatre director. Kantor is renowned for his revolutionary theatrical performances in Poland and abroad. Laureate of Witkacy Prize – Critics' Circle Award (1989). Life and career Kantor was born to Marian Kantor-Mirski and Helena Berger. His family were staunch Catholics. His mother was related to composer and conductor Krzysztof Penderecki, through her German father. Born in Wielopole Skrzyńskie, Galicia (then in Austria-Hungary, now in Poland), Kantor graduated from the Cracow Academy in 1939. During the Nazi occupation of Poland, he founded the Independent Theatre, and served as a professor at the Academy of Fine Arts in Kraków as well as a director of experimental theatre in Kraków from 1942 to 1944. After the war, he became known for his avant-garde work in stage design including designs for '' Saint Joan'' (1956) and ''Measure for Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repertory Theatre
A repertory theatre, also called repertory, rep, true rep or stock, which are also called producing theatres, is a theatre in which a resident company presents works from a specified repertoire, usually in alternation or rotation. United Kingdom Annie Horniman founded the first modern repertory theatre in Manchester after withdrawing her support from the Abbey Theatre in Dublin. Horniman's Gaiety Theatre opened its first season in September 1908. The opening of the Gaiety was followed by the Citizens' Theatre in Glasgow, the Liverpool Repertory Theatre and the Birmingham Repertory Theatre. Previously, regional theatre relied on mostly London touring ensembles. During the time the theatre was being run by Annie Horniman, a wide variety of types of plays were produced. Horniman encouraged local writers who became known as the Manchester School of playwrights. They included Allan Monkhouse, Harold Brighouse—writer of '' Hobson's Choice''—and Stanley Houghton, who wrote ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Practitioner
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs their practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. ''Theatre practice'' describes the collective work that various theatre practitioners do. The term was not ordinarily applied to theatre-makers prior to the rise of modernism in the theatre. Instead, theatre praxis from Konstantin Stanislavski's development of his system is described through Vsevolod Meyerhold's biomechanics, Antonin Artaud's Theatre of cruelty, Bertolt Brecht's epic, and Jerzy Grotowski's poor theatre. Contemporary theatre practitioners include Augusto Boal with his Theatre of the Oppressed The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
