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The Watusi
The Watusi is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of the 1960s in the United States. "Watusi" is a former name for the Tutsi people of Africa, whose traditions include spectacular dances. The naming of the American dance may have been inspired, in particular, by a scene in the 1950 film ''King Solomon's Mines'' which featured Tutsi dancers, or by its sequel ''Watusi''. History The Orlons, a vocal quartet from Philadelphia, had the biggest hit of their career as recording artists with their recording of " The Wah-Watusi" (Cameo 218), which debuted on the Billboard Hot 100 singles chart on June 9, 1962, and remained on the Hot 100 for 14 weeks; it peaked at #2 and held the position for two weeks. On the R&B chart, the single peaked at #5. This was not the only version of the song to hit the charts. On January 18, 1963, Chubby Checker released his single version of "The Wah-Watusi" (B-side of Cameo 221). ...
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Watusi (dance)
The Watusi is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of the 1960s in the United States. "Watusi" is a former name for the Tutsi people of Africa, whose traditions include spectacular dances. The naming of the American dance may have been inspired, in particular, by a scene in the 1950 film ''King Solomon's Mines'' which featured Tutsi dancers, or by its sequel ''Watusi''. History The Orlons, a vocal quartet from Philadelphia, had the biggest hit of their career as recording artists with their recording of " The Wah-Watusi" (Cameo 218), which debuted on the Billboard Hot 100 singles chart on June 9, 1962, and remained on the Hot 100 for 14 weeks; it peaked at #2 and held the position for two weeks. On the R&B chart, the single peaked at #5. This was not the only version of the song to hit the charts. On January 18, 1963, Chubby Checker released his single version of "The Wah-Watusi" (B-side of Cameo 221) ...
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Houston Chronicle
The ''Houston Chronicle'' is the largest daily newspaper in Houston, Houston, Texas, United States. it is the third-largest newspaper by Sunday circulation in the United States, behind only ''The New York Times'' and the ''Los Angeles Times''. With the 1995 buyout of its longtime rival the ''Houston Post'', the ''Chronicle'' became Houston's newspaper of record. The ''Houston Chronicle'' is the largest daily newspaper owned and operated by the Hearst (media), Hearst Corporation, a Privately held company, privately held multinational corporation, multinational corporate media conglomerate with $10 billion in revenues. The paper employs nearly 2,000 people, including approximately 300 journalism, journalists, editorial, editors, and photography, photographers. The ''Chronicle'' has bureaus in Washington, D.C., and Austin, Texas, Austin. The paper reports that its web site averages 125 million page views per month. The publication serves as the "newspaper of record" of the Housto ...
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My Favorite Martian
''My Favorite Martian'' is an American sitcom that aired on CBS from September 29, 1963, to May 1, 1966, for 107 episodes. The show stars Ray Walston as "Uncle Martin" (the Martian) and Bill Bixby as Tim O'Hara. ''My Favorite Martian'' was the first of the "fantasy" situation comedies prevalent on American television in the mid-1960s featuring characters who could do extraordinary things, predating '' My Living Doll'' (1964–1965), '' Bewitched'' (1964–1972), and ''I Dream of Jeannie'' (1965–1970). The first two seasons, totaling 75 episodes, were in black and white, and the 32 episodes of the third and final season were filmed in color. John L. Greene created the central characters and developed the core format of the series, which was produced by Jack Chertok. Premise A human-appearing extraterrestrial in a one-man spaceship nearly collides at high altitude with the U.S. Air Force's rocket plane, the North American X-15. The spaceship's pilot is a 450-year-old anth ...
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We Got The Beat
"We Got the Beat" is a song by the American all-female rock band the Go-Go's, written by the group's lead guitarist and keyboardist Charlotte Caffey. The band first recorded the song in early 1980 as a single on UK-based Stiff Records, and rerecorded it the next year for their debut album '' Beauty and the Beat'' on I.R.S. Records. "We Got the Beat" is considered a new wave classic and the Go-Go's' signature song. The song was named one of "The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll". The first version of the song was released as a single on May 9, 1980, in the UK, but it was criticized for being artificially sped up. Even so, the song brought the Go-Go's underground credibility during their first UK tour, and increased their visibility in the US. This first version reached No. 35 on the U.S. Hot Dance Club Play chart due to its popularity in clubs as an import. Invigorated by new members Gina Schock and Kathy Valentine on drums and bass, the band s ...
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The Go-Go's
The Go-Go's are an American all-female Rock music, rock band formed in Los Angeles in 1978. Except for short periods when other musicians joined briefly, the band has had a relatively stable lineup consisting of Charlotte Caffey on lead guitar and keyboard instrument, keyboards, Belinda Carlisle on lead vocals, Gina Schock on drums, Kathy Valentine on bass guitar, bass, and Jane Wiedlin on rhythm guitar. The quintet emerged from the L.A. punk rock scene of the late 1970s and in 1981 released their debut album ''Beauty and the Beat (The Go-Go's album), Beauty and the Beat''. A first for an all-female band writing their material and playing their instruments, the LP topped the ''Billboard (magazine), Billboard'' Billboard 200, album chart and remains an achievement yet to be matched. ''Beauty and the Beat'' is considered one of the "cornerstone albums of US New wave music, new wave" (AllMusic), having broken barriers and paved the way for a host of other new American acts. It yi ...
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Fabulous Disaster
''Fabulous Disaster'' is the third studio album by American thrash metal band Exodus. It was released on January 30, 1989 on the UK label Music for Nations, while the US version was released on Combat/Relativity Records. In 1999, Century Media remastered and reissued the band's first three albums in Europe only. ''Fabulous Disaster'' was Tom Hunting's last release with Exodus until the 1997 live album '' Another Lesson in Violence''. Additionally, it was the first Exodus album not to feature a lineup change from after one consecutive studio album, and one of two albums to include two song covers (the other being 1992's '' Force of Habit''). Tour Exodus toured for five months to promote ''Fabulous Disaster''. The band embarked on a month-long European tour with Nuclear Assault and Acid Reign. In the spring of 1989, Exodus landed a supporting slot for the Headbangers Ball tour with Anthrax and Helloween, exposing the band to a wide thrash metal audience. Exodus then embarked o ...
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The Toxic Waltz (song)
"The Toxic Waltz" is a song by American thrash metal band Exodus, released from the band's third album '' Fabulous Disaster'' (1989). Although the song was never released as a single, it is one of Exodus' best-known songs and has held a regular position on their concert setlist since 1989. Writing and inspiration The song's lyrics describe "the action in a violent mosh pit: blood on the floor, shots to the head, and general chaos." Frontman Steve "Zetro" Souza said in a 2014 interview with Songfacts that "The Toxic Waltz" was written after guitarist Gary Holt came to band practice, and asked him to write a song about "what fans do at heirgigs." Souza commented: Reception The music video for "The Toxic Waltz" received regular rotation on MTV's ''Headbangers Ball''. It was filmed at The Fillmore The Fillmore is a historic music venue in San Francisco, California. Built in 1912 and originally named the Majestic Hall, it became the Fillmore Auditorium in 1954. It is in West ...
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Exodus (American Band)
Exodus is an American thrash metal band formed in 1979 in Richmond, California. Their current lineup consists of guitarists Gary Holt and Lee Altus, bassist Jack Gibson, drummer Tom Hunting, and lead vocalist Rob Dukes. Notable former members include vocalists Paul Baloff and Steve "Zetro" Souza, drummers John Tempesta and Paul Bostaph, and founding guitarist Kirk Hammett who later joined fellow Bay Area thrash metal band Metallica. There are no original members left in Exodus other than Hunting, who had departed from the band twice, in 1989 and 2004, but rejoined in 2007. Holt, who has been in the band since 1981, is the only member to appear on all of Exodus' recordings. Much of the band's career has been affected by lineup changes, feuds between both band members and record companies, two extended hiatuses, deaths of former band members, and drug addictions. Since its formation, Exodus has released eleven studio albums, three live albums, one compilation album, and a ...
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Land Of 1000 Dances
"Land of a Thousand Dances" or "Land of 1000 Dances" is a song written and first recorded by the American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached number 27 in Canada on March 22, 1965. The song references a number of dance styles/moves including the Twist, the Alligator, the Mashed Potato, the Watusi and the Pony. Background The original Chris Kenner recording, which peaked at No. 77 on the ''Billboard'' chart in 1963, mentions 16 dances: the Pony, the Chicken, the Mashed Potato, the Alligator, the Watusi, the Twist, the Fly, the Jerk, the Tango, the Yo-Yo, the Sweet Pea, the Hand Jive, the Slop, the Bop, the Fish, and the Popeye. Kenner's original recording included a brief, gospel-influenced, a capella introduction with the words: "Children, go where I send you / (Where will you send me?) / I'm gon' send you to that land / the land of ...
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Chris Kenner
Christophe Kenner (December 25, 1929 – January 25, 1976) was an American, New Orleans–based R&B singer and songwriter, best known for two hit singles in the early 1960s, " I Like It Like That" and " Land of 1000 Dances", which became staples in the repertoires of many other musicians. Biography Born on Christmas Day, in the farming community of Kenner, Louisiana, upriver from New Orleans, Kenner sang gospel music with his church choir. He moved to New Orleans when he was in his teens, to work as a stevedore. In 1955 he made his first recordings, for a small label, Baton Records, without success. In 1957, he recorded his " Sick and Tired" for Imperial Records. Kenner's recording reached No. 13 on the ''Billboard'' R&B chart. Fats Domino covered it the next year, and his version became a hit on the pop chart. "Rocket to the Moon" and "Life Is Just a Struggle", both cut for Ron Records, were other notable songs Kenner recorded in this period. Moving to another New Orleans l ...
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Revolution 9
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album (also known as the "White Album"). The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison. Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen. The recording began as an extended ending to the album version of Lennon's song "Revolution". Lennon, Harrison and Ono then combined the unused coda with numerous overdubbed vocals, speech, sound effects, and short tape loops of speech and musical performances, some of which were reversed. These were further manipulated with echo, distortion, stereo panning, and fading. At eight minutes and twenty-two seconds, it is the longest track that the Beatles officially released while together as a ban ...
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The Beatles
The Beatles were an English Rock music, rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the Cultural impact of the Beatles, most influential band in Western popular music and were integral to the development of Counterculture of the 1960s, 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. The band also explored music styles ranging from Folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the Baby boomers, era's youth and soc ...
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