The Royal Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Royal may refer to: People * Royal (name), a list of people with either the surname or given name * A member of a royal family or royalty Places United States * Royal, Arkansas, an unincorporated community * Royal, Illinois, a village * Royal, Iowa, a city * Royal, Missouri, an unincorporated community * Royal, Nebraska, a village * Royal, Franklin County, North Carolina, an unincorporated area * Royal, Utah, a ghost town * Royal, West Virginia, an unincorporated community * Royal Gorge, on the Arkansas River in Colorado * Royal Township (other) Elsewhere * Mount Royal, a hill in Montreal, Canada * Royal Canal, Dublin, Ireland * Royal National Park, New South Wales, Australia Arts, entertainment, and media * ''Royal'' (Jesse Royal album), 2021 * Royal (Ayo album), 2020 * ''The Royal'', a British medical drama television series * '' The Royal Magazine'', a monthly British literary magazine published between 1898 and 1939 * '' The Raja Saab'', working title ''Roy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Margot Fonteyn
Dame Margaret Evelyn de Arias Dame Commander of the Order of the British Empire, DBE ( Hookham; 18 May 191921 February 1991), known by the stage name Margot Fonteyn (), was an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler's Wells Theatre Company), eventually being appointed ''prima ballerina assoluta'' of the company by Queen Elizabeth II. Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work. Her training in Shanghai was with Shanghai Russians, Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet. Returning to London at the age of 14, she was invited to join the Vic-Wells Ballet School by Ninette de Valois. She succeeded Alicia Markova as prima ballerina of the company in 1935. The Vic-Wells choreographer, Sir Frederick Ashton, wrote numerous parts for Fonteyn and her partner, Robert Helpmann, with whom ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Field (dancer)
John Field (22 October 1921 in Doncaster – 3 August 1991 in Esher) was an English ballet dancer, choreographer, director and teacher. He was a renowned member of the Vic-Wells Ballet and Sadler's Wells Theatre Ballet and was also artistic director of the La Scala Theatre Ballet. Biography Born John Greenfield in Doncaster, West Riding of Yorkshire, in 1921, Field began training in dance with Edna Slocombe and Shelagh Elliott-Clarke in Liverpool. He made his stage debut with the Liverpool Ballet Club in 1938, before moving to London, where he trained at the Sadler's Wells Ballet School under Ninette de Valois. He joined the Vic-Wells Ballet in 1939 and danced with the company for two years before leaving to serve in the Royal Air Force during World War II. On returning to the company, he was promoted to the rank of Principal Dancer, partnering many of the leading British ballerinas of the 20th century, including Dame Beryl Grey, Dame Margot Fonteyn and Svetlana Berio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre. The original scenario was by Ivan Vsevolozhsky after Perrault's '' La belle au bois dormant'', or ''The Beauty Sleeping in the Forest''; the first choreographer was Marius Petipa. The premiere took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890, and from that year forward ''The Sleeping Beauty'' has remained one of the most famous ballets of all time. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of '' Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would compose the music for the ballet. Tchaiko ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Webster (opera Manager)
Sir David Lumsden Webster (3 July 1903 – 9 May 1971) was the chief executive of the Royal Opera House, Covent Garden, from 1945 to 1970. He played a key part in the establishment of the Royal Ballet, London, Royal Ballet and Royal Opera, London, Royal Opera companies. From a retail background, Webster became chairman of the Royal Liverpool Philharmonic, Liverpool Philharmonic during the Second World War. From there he was asked to set up opera and ballet companies at Covent Garden. He persuaded the existing Royal Ballet, Sadler's Wells Ballet to move to the opera house but found no established opera company suitable to do the same, and he set up a new opera company from scratch. At first, Webster presented opera in English with a permanent company, but as Covent Garden flourished and international stars were attracted to appear, the policy gradually changed to presenting operas in their original language. By the time of Webster's retirement, the Royal Opera and the Royal Balle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hilda Gaunt
Hilda Gaunt (1906 – 10 October 1975) was rehearsal pianist with The Royal Ballet for over 40 years. Gaunt first attracted attention as a pianist and accompanist in the late 1920s and early 1930s. In 1931 Gaunt became the accompanist at the Vic Wells (later Sadler's Wells) Ballet Company, also working with musical director Constant Lambert on the musical supervision of classic ballet scores. During wartime, when orchestras were a luxury, she toured the UK extensively with the ballet, accompanying them in performances alongside Lambert (and sometimes Harold Rutland) on two pianos, to general acclaim. Gaunt appeared (as the accompanist) in the film '' The Red Shoes'' (1948). At the end of her life she collaborated with Leighton Lucas, compiling the score for Kenneth MacMillan's 1974 ballet L'histoire de Manon from the music of Jules Massenet. Frederick Ashton remembered Gaunt as endearing herself to Constant Lambert by being "a tremendous drinker. She'd always be on tap". Ball ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founding music director of the Royal Ballet, and (alongside Dame Ninette de Valois and Sir Frederick Ashton) he was a major figure in the establishment of the English ballet as a significant artistic movement. His ballet commitments, including extensive conducting work throughout his life, restricted his compositional activities. However one work, '' The Rio Grande'', for chorus, orchestra and piano soloist, achieved widespread popularity in the 1920s, and is still regularly performed today. His other work includes a jazz influenced Piano Concerto (1931), major ballet scores such as ''Horoscope'' (1937) and a full-scale choral masque '' Summer's Last Will and Testament'' (1936) that some consider his masterpiece. Lambert had wide-ranging interests beyond music, as can be seen from his critical study ''Music Ho!'' (1934), which places music in the context of the ot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tamara Karsavina
Tamara Platonovna Karsavina (; 9 March 1885 – 26 May 1978) was a Russian prima ballerina, renowned for her beauty, who was a principal artist of the Imperial Russian Ballet and later of the Ballets Russes of Sergei Diaghilev. After settling in Britain at Hampstead in London, she began teaching ballet professionally and became recognised as one of the founders of modern British ballet. She assisted in the establishment of The Royal Ballet and was a founder member of the Royal Academy of Dance, which is now the world's largest dance-teaching organisation. Family and early life Tamara Karsavina was born in Saint Petersburg, the daughter of Platon Konstantinovich Karsavin and his wife, Anna Iosifovna (née Khomyakova). A principal dancer and mime with the Imperial Ballet, Platon also taught as an instructor at the Imperial Ballet School (Vaganova Ballet Academy). He counted among his students Michel Fokine, a future dancing partner and paramour of his daughter. Karsavina's ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anton Dolin (ballet Dancer)
Sir Anton Dolin (27 July 190425 November 1983) was an English ballet dancer and choreographer. Biography Dolin was born in Slinfold in Sussex as Sydney Francis Patrick Chippendall Healey-Kay (generally known as Patrick or Pat Kay to his friends). He was the second of three sons of Henry Kay, Henry George Kay (1852–1922) and his wife, Helen Maude Chippendall Healey (1869–1960), from Dublin. He trained at Serafina Astafieva's school at The Pheasantry in London's King's Road.Decharne, Max. (2005) ''King's Road: The Rise and Fall of the Hippest Street in the World''. London: Weidenfeld & Nicolson, p. 23; In 1921, he joined the Ballets Russes under the guidance of Sergei Diaghilev, the pre-eminent ballet impresario of the time, becoming a principal dancer from 1924. It was Diaghilev who gave Patrick his stage name: Diaghilev 'russified' names of his star dancers to keep up the tradition of his company. In the 1930s, Dolin was a principal with the Vic-Wells Ballet. There he dan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alicia Markova
Dame Alicia Markova Dame Commander of the Order of the British Empire, DBE (1 December 1910 – 2 December 2004) was a British ballerina and a Choreography (dance), choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first United Kingdom, British dancer to become the principal dancer of a ballet company and, with Margot Fonteyn, Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet. Early life and education Markova was born as Lilian Alicia Marks on 1 December 1910. Her father, Arthur, was Jews, Jewish by birth; her mother, Eileen (nee Barry), convert ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪrˈɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), also known as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. Diaghilev's career can be divided into two periods: in Saint Petersburg (1898–1906) and while as an emigrant (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs hosted a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he entered the Saint Petersburg Imperial University, he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Russian Revolution, Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Konstantin Korovin, Nicholas Roerich, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst, Ivan Bilibin and Coco Chanel. The comp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |