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The Paul McCartney World Tour
The Paul McCartney World Tour was a worldwide concert tour by Paul McCartney, notable for being McCartney's first tour under his own name, and for the monumental painted stage sets by artist Brian Clarke. The 103-gig tour, which ran from 1989 through 1990, included a concert played to what was then the largest stadium crowd in the history of rock and roll. Tour The ''World Tour'' was Paul McCartney's first world tour under his own name; it was also his first major tour outing in ten years, following the Wings UK Tour 1979, and his first world tour since the 1976 Wings Over the World Tour (both also with Linda McCartney). While the tour coincided with the release of the solo album ''Flowers in the Dirt'', and promoted that record by inclusion of its songs in the set list, ''The Paul McCartney World Tour'' has been characterised as thematically more about him embracing his The Beatles, Beatles past; for the first time in any of his tours, a substantial number of Beatles songs we ...
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Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained global fame with the Beatles, for whom he played bass guitar and the piano, and shared primary songwriting and lead vocal duties with John Lennon. One of List of best-selling music artists, the most successful composers and performers in history, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range and eclecticism in music, musical eclecticism, exploring genres ranging from traditional pop, pre-rock and roll pop to classical, ballads and electronica. His Lennon–McCartney, songwriting partnership with Lennon is the most successful in music history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, i ...
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Got To Get You Into My Life
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album ''Revolver''. It was written by Paul McCartney and credited to Lennon–McCartney. The song is a homage to the Motown Sound, with colourful brass instrumentation and lyrics that suggest a psychedelic experience. "It's actually an ode to pot," McCartney explained. A cover version by Cliff Bennett and the Rebel Rousers, produced by McCartney, peaked at number six in 1966 in the UK. The original Beatles version was issued in several countries as a single from the '' Rock 'n' Roll Music'' compilation album in 1976, six years after the Beatles disbanded, and reached number one in Canada. Another cover version by Earth, Wind & Fire from the ''Sgt. Pepper's Lonely Hearts Club Band'' film soundtrack peaked at number nine in the US in 1978. Composition and recording Though officially credited to Lennon–McCartney, McCartney was primarily responsible for the writing o ...
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Back In The U
The human back, also called the dorsum (: dorsa), is the large posterior area of the human body, rising from the top of the buttocks to the back of the neck. It is the surface of the body opposite from the chest and the abdomen. The vertebral column runs the length of the back and creates a central area of recession. The breadth of the back is created by the shoulders at the top and the pelvis at the bottom. Back pain is a common medical condition, generally benign in origin. Structure The central feature of the human back is the vertebral column, specifically the length from the top of the thoracic vertebrae to the bottom of the lumbar vertebrae, which houses the spinal cord in its spinal canal, and which generally has some curvature that gives shape to the back. The ribcage extends from the spine at the top of the back (with the top of the ribcage corresponding to the T1 vertebra), more than halfway down the length of the back, leaving an area with less protection between the ...
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My Brave Face
"My Brave Face" is a song by the English musician Paul McCartney, released as a single from his 1989 album, '' Flowers in the Dirt''. Written by McCartney and Elvis Costello, "My Brave Face" is one of the most popular songs from ''Flowers in the Dirt''. It peaked at number 18 in the United Kingdom and at number 25 in the United States. It was McCartney's last top 40 hit on the ''Billboard'' Hot 100 until his 2014 collaboration with Kanye West, " Only One", and was the last ''Billboard'' top 40 hit by any former Beatle as a solo artist. Like other songs from ''Flowers in the Dirt'', despite the song's chart success, to date it has not been included on any McCartney compilation album. Background and recording "My Brave Face" was one of the first collaborations between Paul McCartney and Elvis Costello. McCartney noted of Costello's influence, "'My Brave Face' was one of the early things we did, and it became a single. I felt that Elvis was pulling it in a little bit of a Beatle-y ...
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This One (song)
"This One" is a single from Paul McCartney's 1989 album, '' Flowers in the Dirt''. The song reached number 18 on the UK singles chart. It also reached number 8 on the Ö3 Austria Top 40 in Austria, number 31 in the Dutch Top 40 in the Netherlands, number 40 on the Media Control Charts in Germany and number 14 in Japan. The single includes two songs recorded during the sessions for '' CHOBA B CCCP'' album: "I Wanna Cry" and " I'm In Love Again". The latter appeared in a slightly edited form than the version released on 1991 international edition of ''CHOBA B CCCP''. Like other songs from ''Flowers in the Dirt'', despite the song's modest chart success, it was not included on any McCartney compilation album until '' The McCartney Years'' was released in 2007. Reception Allmusic called the song "lovely". ''Rolling Stone'' opined that the song "extends its cute, lyrical conceit for too long and winds up taxing the listener's patience." ''Cash Box'' reviewed the single quoting ...
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Eleanor Rigby
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with " Yellow Submarine". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. Testimony from several independent sources, including George Martin and Pete Shotton, supports McCartney's claim to authorship. "Eleanor Rigby" continued the transformation of the Beatles from a mainly rock and roll and pop-orientated act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, musically and lyrically. The song topped singles charts in Australia, Belgium, Canada, and New Zealand. Background and inspiration Paul McCartney came up with the melody for "Eleanor Rigby" as he experimented ...
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Things We Said Today
"Things We Said Today" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released in July 1964 as the B-side to the single " A Hard Day's Night" and on their album of the same name, except in North America, where it appeared on the album '' Something New''. The band recorded the song twice for BBC Radio and regularly performed an abbreviated version during their 1964 North American tour. McCartney wrote the song while holidaying in the United States Virgin Islands with his girlfriend, actress Jane Asher. The lyrics address the singer's love for a girl despite the distance between them. McCartney later described the song as exhibiting "future nostalgia", being "nostalgic about the moment we're living in now." The music is melodically complex, using chords more typical of classical music and jazz than pop music. Between verses, it changes between major and minor keys, while the lyrics shift between the first an ...
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Put It There
"Put It There" is a 1990 single from Paul McCartney's 1989 album, '' Flowers in the Dirt''. The song reached number 32 on the UK singles chart. The lyrics were inspired by an expression of friendship and solace that McCartney learned from his father, "Put it there andshakeif it weighs a ton." Overview Like other songs from ''Flowers in the Dirt'', despite the song's modest chart success, to date "Put It There" has not been included yet on any McCartney compilation album. The 7" single also included " Mama's Little Girl", a Wings song that had been originally recorded in 1972 but had been remixed and produced in its current version in 1987 by McCartney and Chris Thomas. The 12" single included "Same Time Next Year", a second Wings song which had been recorded on 5 and 6 May 1978 at RAK Studios, as a possible theme for the film '' Same Time, Next Year''. It had also been remixed and produced in 1987 by McCartney and Thomas. The 12" single was also released as limited edition ( ...
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Can't Buy Me Love
"Can't Buy Me Love" is a song by the English rock band the Beatles that was released in March 1964 as the A-side and B-side, A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album ''A Hard Day's Night (album), A Hard Day's Night'' and was featured in a scene in Richard Lester's A Hard Day's Night (film), film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand, South Africa, the Netherlands, France and Sweden. In the UK, it was the fourth highest selling single of the 1960s. Composition While in Paris, the Beatles stayed at the five-star Hotel George V, Paris, George V hotel and had an upright piano moved into one of their suites so that songwriting could continue. It was here that McCartney wrote "Can't Buy Me Love". The song was written under the pressure of the success achieved by "I Want to Hold Your Han ...
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Good Day Sunshine
"Good Day Sunshine" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was written mainly by Paul McCartney and credited to the Lennon–McCartney partnership. McCartney intended it as a song in the style of the Lovin' Spoonful's contemporaneous hit single "Daydream". The recording includes multiple pianos played in the barrelhouse style and evokes a vaudevillian mood. The composition contains key changes and metric anomalies, and closes with voices chanting the song title. Together with its lyrics celebrating romantic love and sunshine, the recording contrasts with the more austere and experimental aesthetic of ''Revolver''. Among music critics, some writers have welcomed the song's lightheartedness while others view it as a track that dilutes the album's strengths. "Good Day Sunshine" has been covered by the Tremeloes, Claudine Longet and Robbie Williams. McCartney re-recorded the song for his 1984 film '' Give My Regards to Broad Street ...
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The Fool On The Hill
"The Fool on the Hill" is a song by the English rock band the Beatles from their 1967 EP and album '' Magical Mystery Tour''. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe a solitary figure, the one named in the title, who is not understood by others, but is actually wise. McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi. The song's segment in the '' Magical Mystery Tour'' television film was shot separately from the rest of the film and without the other Beatles' knowledge. Accompanied by a professional cameraman, McCartney filmed the scene near Nice in France. In 1968, Sérgio Mendes & Brasil '66 recorded a cover version of the song that reached the top ten in the US. By the late 1970s, "The Fool on the Hill" was one of McCartney's most widely recorded ballads. A sol ...
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The Long And Winding Road
"The Long and Winding Road" is a song by the English rock band the Beatles from their 1970 album '' Let It Be''. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and final number-one hit on the ''Billboard'' Hot 100 chart in the United States. The main recording of the song took place in January 1969 and featured a sparse musical arrangement of piano, bass, guitar and percussion. When preparing the tapes from these sessions for release in April 1970, producer Phil Spector added orchestral and choral overdubs. Spector's modifications angered McCartney to the point that when he made his case in the English High Court for the dissolution of the Beatles' legal partnership, McCartney cited the treatment of the song as one of six reasons justifying the split. Later versions of the recording with simpler instrumentation were subsequently released by the Beatles, ...
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