|
The Mighty Clouds Of Joy
The Mighty Clouds of Joy were an American traditional gospel music quartet. Career The Mighty Clouds of Joy was formed in 1959 in Los Angeles as a tradition-based style group. It wasn't until 1961 as the group became famous, they added bass, drums, and keyboards to the standard guitar backup and developed a funky sound that split the difference between gospel and rhythm and blues. In a break with tradition, the groups sound incorporated Soul, R&B, and Rock; all of which flourishes in their musical mix (one of their early hits was produced by Gamble and Huff) without diluting the religious essence of their material. Unlike other gospel groups, its members dressed stylishly — they used the same tailor as the Temptations — and worked slick choreography into their act Thus, not realizing they were setting a standard and paving a way for future gospel soul groups for decades to come, they became one of the most influential gospel groups in the US. The long-lived group flourished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Black Gospel
Traditional black gospel is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music. Like other forms of music, the creation, performance, significance, and even the definition of gospel music varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. However, a common theme as with most Christian music is praise, worship or thanks to God and Christ.New World Encyclopedia, ''Gospel Music'', Dec 23 2013 Traditional gospel music was popular in the mid-20th century. It is the primary source for urban contemporary gospel and Christian hip hop, which rose in popularity during the late 20th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Theater
The Apollo Theater (formerly the Hurtig & Seamon's New Theatre; also Apollo Theatre or 125th Street Apollo Theatre) is a multi-use Theater (structure), theater at 253 125th Street (Manhattan), West 125th Street in the Harlem neighborhood of Upper Manhattan in New York City. It is a popular venue for African Americans, Black American performers and is the home of the TV show ''Showtime at the Apollo''. The theater, which has approximately 1,500 seats across three levels, was designed by George Keister with elements of the Classical Revival architecture, neoclassical style. The facade and interior of the theater are New York City designated landmarks and are listed on the National Register of Historic Places. The Nonprofit organization, nonprofit Apollo Theater Foundation (ATF) operates the theater and a recording studio at the Apollo Theater, as well as two smaller auditoriums at the Victoria Theater (Harlem), Victoria Theater. The Apollo was developed by Jules Hurtig and Harry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Gospel Musical Groups
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC Records Artists
ABC are the first three letters of the Latin script. ABC or abc may also refer to: Arts, entertainment and media Broadcasting * Aliw Broadcasting Corporation, Philippine broadcast company * American Broadcasting Company, a commercial American TV broadcaster ** Disney–ABC Television Group, the former name of the parent organization of ABC * Australian Broadcasting Corporation, one of the national publicly funded broadcasters of Australia ** ABC Television (Australian TV network), the national television network of the Australian Broadcasting Corporation *** ABC TV (Australian TV channel), the flagship TV station of the Australian Broadcasting Corporation *** ABC Canberra (TV station), Canberra, and other ABC TV local stations in state capitals *** ABC Australia (Southeast Asian TV channel), an international pay TV channel * ABC Radio (other), several radio stations * Associated Broadcasting Corporation, the former name of TV5 Network, Inc., a Philippine media comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mighty High (song)
"Mighty High" is 1975 disco/ R&B single by American gospel group Mighty Clouds of Joy. It was written by David Crawford. Charts The single proved to be very popular with disco fans as the song stayed at number one on the disco/dance chart for five weeks, and remained on the chart for a total of fourteen weeks Mighty High" was their biggest hit on both the soul chart, peaking at #22, and on the ''Billboard'' Hot 100, peaking at #69. Chart performance Cover versions *A cover by Gloria Gaynor Gloria Fowles (born September 7, 1943), known professionally as Gloria Gaynor, is an American singer, best known for the disco era hits "I Will Survive" (1978), "I Have a Right, Let Me Know (I Have a Right)" (1979), "I Am What I Am (Broadway mus ... with The Trammps made the song a hit once again on the Disco/Dance chart. It reached #12 in 1997. References {{authority control 1975 singles American disco songs Gloria Gaynor songs Songs written by Dave Crawford (musician) 1975 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business published many 19th-century American authors, including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of '' The Atlantic Monthly'' and '' North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John Allen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filler (music)
Filler is material of lower cost or quality that is used to fill a certain television or radio time slot or physical medium, such as a music album. Broadcasting During the Golden Age of Radio, when a scheduled program was unavailable or delayed or when a program ran overtime or undertime leaving space to fill until the next scheduled program. Radio stations would have musicians (and orchestras or bands in the case of networks and larger stations) on hand to perform live musical interludes. The long-running show '' Make Believe Ballroom'' began as a way to fill up time with recorded music to fill up gaps during WNEW's coverage of the Lindbergh kidnapping trial in 1935. In the early days of television, most output was live. The hours of broadcast were limited, and so a test card was commonly broadcast at other times. When a breakdown happened during a live broadcast, a standard recording filled in. On the BBC, a film of a potter's wheel was often used for this purpose, filmed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Crawford (musician)
David Bernard Crawford (October 24, 1943 – June 1988) was an American R&B musician, songwriter, radio personality and record producer. He wrote " What a Man", originally recorded by Linda Lyndell and later reinterpreted by Salt-n-Pepa; "Precious, Precious", a hit for Jackie Moore; and " Young Hearts Run Free", an international hit for Candi Staton. Life and career He was born in Jacksonville, Florida, and learned piano as a child. As a teenager, he performed with gospel musicians including Albertina Walker, Shirley Caesar, and The Caravans. He later became a disc jockey at radio station WOBS in Jacksonville, where he was known as "The Demon", before moving on to station WTMP in Tampa. His first success as a songwriter came with " What a Man", a minor R&B chart hit in 1968 for Linda Lyndell. The song, re-titled "Whatta Man", became a much bigger hit in 1994 for Salt-n-Pepa. In 1969, he and Brad Shapiro became staff producers at Atlantic Records, where they worked with W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Cheeks
Rev. Julius "June" Cheeks (August 7, 1929January 27, 1981) was an American gospel singer, who enjoyed the majority of his success with The Sensational Nightingales. Biography In 1954, he became a preacher but continued performing full-time until 1960. His children are Rae-Sheaun Cheeks, June Cheeks and his daughter is singer Judy Cheeks. Musical career Cheeks began singing in the second grade, quitting school to pick cotton and work service stations. He joined a local gospel group dubbed the Baronets and in 1946 he was spotted by the Rev. B.L. Parks, a former Dixie Hummingbird and tapped to join a group called the Nightingales. At the height of their popularity they cut several sides for Decca Records. To make ends meet Cheeks briefly joined the Soul Stirrers, rejoining the Nightingales during the early 1950s. During the 1950s, the Nightingales had a number of hits including "Somewhere to Lay My Head" and "The Last Mile of the Way". Due to popularity, they rechristened themsel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilson Pickett
Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter. A major figure in the development of soul music, Pickett recorded more than 50 songs that made the US R&B charts, many of which crossed over to the ''Billboard'' Hot 100. Among his best-known hits are " In the Midnight Hour" (which he co-wrote), " Land of 1000 Dances", " 634-5789 (Soulsville, U.S.A.)", " Mustang Sally", " Funky Broadway", "Engine No. 9", and " Don't Knock My Love". Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording. Biography Early life and family Pickett was born March 18, 1941, in Prattville, Alabama, and sang in Baptist church choirs. He was the fourth of 11 children and called his mother "the baddest woman in my book," telling historian Gerri Hirshey: "I get scared of her now. She used to hit me with anything, skillets, stove wood ... ne time I ran away andcried for a week. Stayed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for ''The Village Voice'' for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for '' Esquire'', '' Creem'', '' Newsday'', '' Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music;'' he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
