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The Five Great Epics Of Tamil Literature
The Five Great Epics () are five Tamil epics according to later Tamil literary tradition. They are '' Cilappatikāram'', ''Manimekalai'', ''Cīvaka Cintāmaṇi'', '' Valayapathi'' and '' Kundalakesi''. Three of the five great epics of Tamil literature are attributed to Tamil Jains, while two are attributed to Tamil Buddhists. ''Cīvaka Cintāmaṇi'', ''Cilappathikāram'', and ''Valayapathi'' were written by Tamil Jains, while the ''Manimekalai'' and ''Kundalakesi'' were authored by Buddhists. The first mention of the ''Aimperumkappiyam'' "five large epics" occurs in Mayilainathar's commentary, the '' Nannūl''. However, Mayilainathar does not mention their titles. The titles are first mentioned in the late-18th-to-early-19th-century work ''Thiruthanikaiula''. Earlier works like the 17th-century poem ''Tamil vidu thoothu'' mention the great epics as ''Panchkavyams''. Among these, the last two, ''Valayapathi'' and ''Kundalakesi'' are not extant. These five epics were written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Literature
Tamil literature includes a collection of literary works that have come from a tradition spanning more than two thousand years. The oldest extant works show signs of maturity indicating an even longer period of evolution. Contributors to the Tamil literature are mainly from Tamil people from south India, including the land now comprising Tamil Nadu, Kerala, Sri Lankan Tamil people, Eelam Tamils from Sri Lanka, as well as the Tamil diaspora. The history of Tamil literature follows the history of Tamil Nadu, closely following the social, economical, political and cultural trends of various periods. The early Sangam literature, dated before 300 BCE, contain anthologies of various poets dealing with many aspects of life, including love, war, social values and religion.Akananuru (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), Kurunthogai (11), and Natrinai (14, 75) are dated before 300 BCE. This was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sīthalai Sāttanār
Satthanar or Chithalai Satthanar (, ''cītalai cāttanār'') was the Tamil people, Tamil poet who composed the epic Manimekalai. A total of 11 verses of the Sangam literature have been attributed to Satthanar, including verse 10 of the Tiruvalluva Maalai. Etymology Pronounced ''Sa-tha-naar,'' the name is derived from (, ''sāttu'') meaning Buddhist monk. Applying this principle to the name Maturai Kulavāṇikan Cāttan, the author of Manimekalai, we see that the two appellations Maturai and Kulavanikan were prefixed to his name in order to distinguish him from another poet of Maturai with the same name and from a third who lived elsewhere. Several examples could be cited of this system of nomenclature which prevailed during the early days. Biography Satthanar hailed from a place known as Seerthandalai, later came to be known as Seethalai. He was a grain trade, grain merchant at Madurai and hence came to be called "Koolavanigan". He was a contemporary of Cheran Senguttuvan and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naṉṉūl
Naṉṉūl () is a work on Tamil grammar written by a Jain ascetic Pavananthi Munivar around 13th century CE. It is the most significant work on Tamil grammar after Tolkāppiyam. The work credits Western Ganga vassal king Seeya Gangan of Kolar with patronising it. About 20 commentaries have been written on Nannūl up to 19th century CE. Nannūl was divided into five sections: written language, spoken language, semantics, poetic language and rhetorical device In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, ...s. The latter three sections have been lost, so only the parts on written and spoken language are extant today. In Tamil, ''nal'' means good and ''nūl'' means ''book'', so ''Nannūl'' means ''good book''. See also * Karanthai Pavananthi munivar References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kāvya
Kāvya (Devanagari: :wikt:काव्य#Devanagari, काव्य, IAST: ''kāvyá'') refers to the Sanskrit literary style used by Kingdoms of Ancient India, Indian court poets flourishing between c. 200 BCE and 1200 CE. This literary style, which includes both poetry and prose, is characterised by abundant usage of figure of speech, figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. ''Kāvya'' can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 CE), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term. Early kāvya Although very little literature in the kāvya style written before the time of Kālidāsa (5th century CE) survives, it can be assumed from quotations in Patanjali, Patañjali's grammatical treatise the Mahābhāṣya (2nd century BCE), as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion whose three main pillars are nonviolence (), asceticism (), and a rejection of all simplistic and one-sided views of truth and reality (). Jainism traces its spiritual ideas and history through the succession of twenty-four , supreme preachers of ''dharma''. The first in the current time cycle is Rishabhadeva, who tradition holds lived millions of years ago; the 23rd is Parshvanatha, traditionally dated to the 9th century Common Era, BCE; and the 24th is Mahāvīra, Mahavira, who lived . Jainism is considered an eternal ''dharma'' with the guiding every time cycle of the Jain cosmology, cosmology. Central to understanding Jain philosophy is the concept of ''bhedavijñāna'', or the clear distinction in the nature of the soul and non-soul entities. This principle underscores the innate purity and potential for liberation within every Jīva (Jainism), soul, distinct from the physical and menta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirvana (Buddhism)
Nirvana or nibbana (Sanskrit: निर्वाण; International Alphabet of Sanskrit Transliteration, IAST: '; Pali: ') is the extinguishing of the passions, the "blowing out" or "quenching" of the activity of the grasping mind and its related unease. Nirvana is the goal of many Buddhism, Buddhist paths, and leads to the soteriological release from dukkha ('suffering') and rebirths in ''Saṃsāra (Buddhism), saṃsāra''. Nirvana is part of the Third Truth on "cessation of ''dukkha''" in the Four Noble Truths, and the "''summum bonum'' of Buddhism and goal of the Noble Eightfold Path, Eightfold Path." In all forms of Buddhism, Nirvana is regarded as the highest or supreme religious goal. It is often described as the unconditioned or uncompounded (Skt.: asaṃskṛta, Pali: asankhata), meaning it is beyond all forms of conditionality — not subject to change, decay, or the limitations of time and space. Nirvana is typically seen as being outside the realm of dependent ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannaki
Kannagi (), sometimes spelled Kannaki, is a legendary Tamil woman who forms the central character of the Tamil epic '' Cilappatikāram''. Kannagi is described as a chaste woman who stays with her husband despite his adultery, their attempt to rebuild their marriage after her unrepentant husband had lost everything, how he is framed then punished without the due checks and processes of justice. Kannagi proves and protests the injustice, then curses the king and city of Madurai, leading to the death of the unjust Pandyan king of Madurai, who had wrongfully put her husband Kovalan to death. The society that made her suffer then endures retribution as the city Madurai, in consequence, is burnt to the ground because of her curse. In Tamil folklore, Kannagi has been deified as the symbol – sometimes as a goddess – of chastity, with sculptures or reliefs in Hindu temples iconographically reminding the visitor of her breaking her anklet or tearing her bleeding breast and throwing i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha
Siddhartha Gautama, most commonly referred to as the Buddha (),* * * was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist legends, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic. After leading a life of mendicancy, asceticism, and meditation, he attained nirvana at Bodh Gayā in what is now India. The Buddha then wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. Buddhist tradition holds he died in Kushinagar and reached ''parinirvana'' ("final release from conditioned existence"). According to Buddhist tradition, the Buddha taught a Middle Way between sensual indulgence and severe asceticism, leading to freedom from ignorance, craving, rebirth, and suffering. His core teachings are summarized in the Four Noble Truths and the Noble Ei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cilappatikaram
''Cilappatikāram'' ( IPA: ʧiləppət̪ikɑːrəm, ''lit.'' "the Tale of an Anklet"), also referred to as ''Silappathikaram'' or ''Silappatikaram'', is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely ''akaval'' (''aciriyam'') meter. The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ. The ''Cilappatikāram'' has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the '' Natṟiṇai'' and later texts such as the ''Kovalam Katai''. It is attributed to a prince-turned-jain-monk Iḷaṅkō Aṭikaḷ, and was probably composed in the 5th century CE (although estimates range from 2nd to 6th century CE). The ''Cilappatikāram'' is an ancient literary masterpiece. It is to the Tamil culture what the ''Iliad'' is to the Greek culture, states R. Parthasarathy. It blends the themes, mythologies and theological v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. [3 volumes] Indra is the most frequently mentioned deity in the ''Rigveda''. He is celebrated for his powers based on his status as a god of order, and as the one who killed the great evil, an Asura (Hinduism), asura named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as a powerful hero. According to the ''Vishnu Purana'', Indra is the title borne by the king of the gods, which changes every Manvantara – a cyclic period of time in Hindu cosmology. Each Manvantara has its own Indra and the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Cholas
The Early Cholas were a Tamil kingdom of the Chola dynasty - pre and post Sangam period (600 BCE–300 CE). It was one of the three main kingdoms of Tamilakam. Their early capitals were Urayur or Tiruchirapalli and Kaveripattinam. Along with the Pandyas and the Cheras, the Chola history goes back to the period when written records were scarce. Sources Ancient Tamil Nadu contained three monarchical states, headed by kings called ''Vendhar'' and several chieftaincies, headed by the chiefs called by the general denomination ''Vel'' or '' Velir''. Still lower at the local level there were clan chiefs called ''kizhar'' or ''mannar''. The Tamil area had an independent existence outside the control of these northern empires. The Tamil kings and chiefs were always in conflict with each other mostly over property. The royal courts were mostly places of social gathering rather than places of dispensation of authority; they were centres for distribution of resources. The names of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
