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The Cues
The Cues were an American R&B vocal group, who recorded both under their group name and under various other names as backing singers for artists on Atlantic Records and other labels in the 1950s. They recorded as the Rhythmakers with Ruth Brown; as the Blues Kings with Big Joe Turner; the Gliders with LaVern Baker; and as the Ivory Tones with Ivory Joe Hunter. Independently, they also recorded as the Four Students. Researcher Marv Goldberg has claimed that "because of their unique role in the recording industry, The Cues probably participated in more hit records than any other group." Biography The group was put together in 1954 by songwriter, pianist, arranger and music executive Jesse Stone, who wanted to establish a regular group of backing singers for the Atlantic label's records. Original members of The Cues included second tenor Ollie Jones (previously of The Ravens) and baritone Winfield Scott (also known as Robie Kirk), soon joined by first tenor Abel DeCosta (previou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aladdin Records
Aladdin Records was a record company and label founded in Los Angeles in 1945 by brothers Eddie and Leo Mesner. It was originally called Philo Records before changing its name in 1946. Philo Records Philo's releases included 78 RPM singles of Illinois Jacquet, Wynonie Harris, Helen Humes with the Bill Doggett Octet, Jay McShann and Lester Young, and an album (set of two 78 RPM records) of Lester Young, Nat King Cole and Red Callender. When the U.S. Patent Office refused to register the label because of the similarity in name with the Philco radio corporation, which produced blanks for the record industry, the dispute was settled when the owners agreed to continue the name as Medlee. On March 2, 1946, the company placed an advertisement in ''Billboard'' magazine, announcing the new trade name. The next week, though, they placed a new ad "correcting their mistake", announcing Aladdin Records. The numbering of the releases was continued, and older Philo releases were reprin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Ram
Samuel "Buck" Ram (November 21, 1907 – January 1, 1991) was an American songwriter, and popular music producer and arranger. He was one of BMI's top five songwriters/air play in its first 50 years, alongside Paul Simon, Kris Kristofferson, Jimmy Webb, and Paul McCartney. He is best known for his long association with The Platters and also wrote, produced and arranged for the Penguins, the Coasters, the Drifters, Ike and Tina Turner, Ike Cole, Duke Ellington, Glenn Miller, Ella Fitzgerald, and many others. He was also known as Ande Rand, Lynn Paul or Jean Miles. Biography He was born Samuel Ram in Chicago, Illinois in 1907, to Jewish parents. Ram was a talent manager with his own firm, Personality Productions, and an A&R man when Tony Williams, the brother of singer Linda Hayes, auditioned for him. Ram was looking for a group to sing the songs he wrote and found the voice he was looking for in Williams. He transformed the Platters and changed their rhythm and blues s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Haley And His Comets
Bill Haley & His Comets were an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single " Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years. Band leader Bill Haley had previously been a Western swing performer; after recording a rockabilly version of Ike Turner and his Kings of Rhythm's " Rocket 88", one of the first rock and roll recordings, Haley changed his band's musical direction to rock music. They went on to record hit versions of " Crazy Man, Crazy", " Shake, Rattle & Roll", the aforementioned " Rock Around the Clock", "Dim, Dim the Lights", " Rock-A-Beatin' Boogie", "Razzle-Dazzle", " See You Later, Alligator", " The Saints Rock 'N' Roll" and " Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demonstration Record
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgia Gibbs
Georgia Gibbs (born Frieda Lipschitz; August 17, 1918December 9, 2006) was an American popular singer and vocal entertainer rooted in jazz. Already singing publicly in her early teens, Gibbs achieved acclaim and notoriety in the mid-1950s copying songs originating with the black rhythm and blues community and later became a featured vocalist for many radio and television variety and comedy programs. Her key attribute was tremendous versatility and an uncommon stylistic range from melancholy ballad to uptempo swinging jazz and rock and roll. Early life Gibbs was born in Worcester, Massachusetts, the youngest of four children of Russian Jewish descent. Her father died when she was six months old, and she and her three siblings spent the next seven years in a local Jewish orphanage. Revealing a natural talent for singing at a young age, Frieda was given the lead in the orphanage's yearly variety show. When her mother, who had visited her every other month, found employment as a mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat "King" Cole
Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, alternatively billed as Nat "King" Cole, was an American singer, jazz pianist, and actor. Cole's career as a jazz and pop vocalist started in the late 1930s and spanned almost three decades where he found success and recorded over 100 songs that became hits on the pop charts. Cole started his career as a jazz pianist in the late 1930s, when he formed the King Cole Trio, which became the top-selling group (and the only black act) on Capitol Records in the 1940s. Cole's trio was the model for small jazz ensembles that followed. Starting in 1950, he transitioned to become a solo singer billed as Nat King Cole. Despite achieving mainstream success, Cole faced intense racial discrimination during his career. While not a major vocal public figure in the civil rights movement, Cole was a member of his local NAACP branch and participated in the 1963 March on Washington. He regula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flip, Flop And Fly
"Flip, Flop and Fly" is a song recorded by Big Joe Turner in 1955. Called a "prototypical rocker", it was recorded by several early rock and roll performers. In 1973, a version by the Downchild Blues Band reached the record singles chart in Canada. Original song "Flip, Flop and Fly" has an arrangement similar to Big Joe Turner's 1954 number 1 R&B chart hit "Shake, Rattle and Roll". Music critic Cub Koda suggests that "leftover verses [from the 'Shake, Rattle and Roll' recording session] were then recycled into Turner's follow-up hit, 'Flip, Flop and Fly. Both are up-tempo twelve-bar blues with a strong Beat (music)#Backbeat, backbeat. "Flip, Flop and Fly" reached number 2 on Billboard (magazine), ''Billboard'' magazine's R&B chart in 1955, less than one year after "Shake, Rattle and Roll". Accompanying Turner on vocals are the song's co-writer Jesse Stone (musician), Jesse Stone on piano, Al Sears on tenor sax, Connie Kay on drums, and unidentified trumpet, alto sax, baritone s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Let Go (Jesse Stone Song)
"Don't Let Go" is a song written by Jesse Stone. The song was first a hit for Roy Hamilton in 1958. The Roy Hamilton version reached number 2 on the R&B charts and number 13 on the pop charts. Cover versions *In 1964 The Four Seasons recorded this song on their '' Dawn and 11 Other Great Songs'' album. Lead vocal by Nick Massi. *In 1974 Mel Tillis and Sherry Bryce recorded the song. The MGM single reached number 11 in the US Country chart. *In 1974 Commander Cody and His Lost Planet Airmen recorded this song for the ''Commander Cody and His Lost Planet Airmen'' and it went to number 56 on the US charts in 1975 and number 85 in Canada. *In 1978 Tony Orlando as a disco single and on his album ''Tony Orlando''. It was ranked number 9 on the Canadian Dance chart for August 5, 1978. *In 1979 Isaac Hayes recorded a disco version of the song peaking at number 11 on the soul chart and number 18 on the Hot 100. The song was Hayes' most successful entry on the disco chart, peaking a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Hamilton
Roy Hamilton (April 16, 1929 – July 20, 1969) was an American singer. By combining semi-classical technique with traditional black gospel feeling, he brought Soul music, soul to Great American Songbook singing. Hamilton's greatest commercial success came from 1954 through 1961, when he was Epic Records' most prolific artist.Jim Dawson, Dawson, Jim & Steve Propes, Propes, Steve (2003). ''45 RPM: The History, Heroes & Villains of a Pop Music Revolution'' (1st ed.). San Francisco : Backbeat Books. p. 62. His two most influential recordings, "You'll Never Walk Alone (song), You'll Never Walk Alone" and "Unchained Melody", became Epic's first two number-one hits when they topped the List of No. 1 R&B hits (United States), Billboard R&B chart in March 1954 and May 1955, respectively. Hamilton became the first solo artist in the label's history to have a US top-ten pop hit when "Unchained Melody" peaked at No. 6 in May 1955. Early life Roy Hamilton was born Leesburg, Georgia, Lees ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Dandy (song)
"Jim Dandy" (sometimes known as "Jim Dandy to the Rescue") is a song written by Lincoln Chase, and was first recorded by American R&B singer LaVern Baker on December 21, 1955. It reached the top of the R&B chart and #17 on the pop charts in the United States. It was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was ranked #352 on Rolling Stone's 500 Greatest Songs of All Time. The tenor saxophone solo is by Sam "The Man" Taylor. The drummer on the session was veteran Panama Francis. The backing vocals are provided by Atlantic's in-house backing group at the time, the Cues (credited as the Gliders), consisting of first tenor Abel DeCosta, second tenor Ollie Jones (formerly of the Ravens), bass Edward Barnes, and baritone Winfield Scott. Background The song is about a man (Jim Dandy) who rescues women from improbable or impossible predicaments. It proved popular enough that Chase wrote a second song for Baker entitled "Jim Dandy Got Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
