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The Bystanders
Man (also known as The Manband) are a Welsh rock band. The group were formed in November 1968 by Micky Jones (guitar and vocals), Deke Leonard (guitar and vocals), Clive John (guitar, keyboards and vocals), Ray Williams (bass guitar) and Jeff Jones (drums), in Merthyr Tydfil, out of previous local band The Bystanders. They were active through to 1976 with an ever-changing personnel, the last line-up consisting of Jones and Leonard with John McKenzie (bass), Terry Williams (drums) and Phil Ryan (keyboards). Amongst others, Martin Ace (guitar and bass) had a significant spell with group. They released nine studio albums, including the UK charting albums ''Back into the Future'' (#23), '' Rhinos, Winos and Lunatics'' (#24) and the live album '' Maximum Darkness'' (#25). Their musical style is rock encompassing elements of psychedelia and progressive, and they are noted for their extended live improvisations. The group reformed in 1983 with Jones, Leonard and Ace being joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merthyr Tydfil
Merthyr Tydfil () is the main town in Merthyr Tydfil County Borough, Wales, administered by Merthyr Tydfil County Borough Council. It is about north of Cardiff. Often called just Merthyr, it is said to be named after Tydfil, daughter of King Brychan of Brycheiniog, who according to legend was slain at Merthyr by pagans about 480 CE. generally means "martyr" in modern Welsh, but here closer to the Latin : a place of worship built over a martyr's relics. Similar place names in south Wales are Merthyr Cynog, Merthyr Dyfan and Merthyr Mawr. Noted for its industrial past, Merthyr was known as the 'Iron Capital of the World' in the early 19th century, due to the scale of its iron production. The world's first steam-powered railway journey happened in Merthyr in 1804, travelling from the ironworks at Penydarren to the Glamorganshire Canal on the Merthyr Tramroad. The 1851 census found Wales to be the world's first industrialised nation, as more people were employed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use them because they wish to remain anonymous and maintain privacy, though this may be difficult to achieve as a result of legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamertags, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts: to provide a more clear-cut separation between one's privat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marty Wilde
Marty Wilde, (born Reginald Leonard Smith; 15 April 1939) is an English singer and songwriter. He was among the first generation of British pop stars to emulate American rock and roll, scoring several 1950s and 1960s hit singles including " Endless Sleep", " Sea of Love" and " Bad Boy". During the late 1960s to early 1980s, Wilde continued to record and, with Ronnie Scott, co-wrote hit singles for others including the Casuals' " Jesamine" and Status Quo's " Ice in the Sun". He is the father of pop singer Kim Wilde and co-wrote many of her hit singles including "Kids in America" with his son Ricky. He continues to perform and record. Career Wilde was born in Blackheath, London. He was performing under the name Reg Patterson at London's Condor Club in 1957, when he was spotted by impresario Larry Parnes. Parnes gave his protégés stage names such as Billy Fury, Duffy Power and Dickie Pride, hence the change to Wilde. From mid-1958 to the end of 1959 Wilde was one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Scott (songwriter)
Ronnie Scott was a British pop music promoter, group manager and songwriter; known primarily for hit songs co-written with Marty Wilde in the 1960s, and Steve Wolfe in the 1970s. With Marty Wilde In 1966, Scott was working for The George Cooper Agency, whose artists roster included Man (band)#The Bystanders, The Bystanders (who Scott also managed) and Marty Wilde. Scott wrote a number of songs, some on his own, but most co-written with Wilde, demo (music), demos of which were recorded by The Bystanders. One solo effort "Royal Blue Summer Sunshine Day" (1967) and two joint efforts "Have I Offended The Girl" (1966) and "When Jesamine Goes" (published under the pseudonyms of Frere Manston and Jack Gellar) (1968) were issued as singles, but all failed. The Casuals cover version, covered the last song and issued it simply as "Jesamine", which reached No. 2 in the UK Singles Chart in late 1968. Scott and Wilde songs were used by a wide range of musicians including Status Quo (band), S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith (singer)
James Barry Keefer (born May 17, 1949), better known by his stage name Keith, is an American vocalist. His best known song was " 98.6" which reached No. 7 on ''Billboard'' Hot 100 in 1966. He legally changed his name to Bazza Keefer in 1988, in memory of his mother. Early life James Barry Keefer was born on May 17, 1949, in Philadelphia, Pennsylvania, United States. Career Early days Keefer earned his first recording contract with Columbia Records. When Jerry Ross moved across to Mercury Records he took Keefer with him, and the singer soon appeared in the ''Billboard'' Hot 100 chart, with his 1966 solo single, "Ain't Gonna Lie". Chart success He is best remembered for his one-hit wonder hit " 98.6"; which was listed on the ''Billboard'' Hot 100 chart for 14 weeks in 1966-7, peaking at number 7 for two weeks, and finishing at number 79 on the 1967 year-end chart. It also peaked at number 6 in Canada, number 24 in the UK Singles Chart, and number 25 in Australia. It sold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boat That Rocked (soundtrack)
''The Boat That Rocked'' is a soundtrack album to the 2009 British film of the same title, a comedy about a fictitious British pirate radio station set in 1966. The soundtrack was released March 30, 2009 through Mercury Records as a double album featuring popular rock, pop, and soul artists of the 1960s. It also includes David Bowie's 1983 song " Let's Dance" and a 2009 cover version of " Stay with Me" performed by Duffy, with Lorraine Ellison's original 1966 version included as well. In North America, where the film was retitled ''Pirate Radio'', the soundtrack album was released November 10, 2009 through Universal Republic. The ''Pirate Radio'' version omits four tracks that were included on ''The Boat That Rocked'' album—"Crimson and Clover" by Tommy James and the Shondells, " The Letter" by The Box Tops, " The End of the World" by Skeeter Davis, and "Hang On Sloopy" by The McCoys The McCoys were a rock music, rock group formed in Fort Recovery, Ohio, United States, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of Emotion, emotions and Musical technique, instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on Chord (music), chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximum Darkness
''Maximum Darkness'' is the tenth album by the Welsh rock band Man and was released on the United Artists Records label September 1975. It was the second live album released by the band, excluding contributions to two "various artists" live albums, and featured John Cipollina as special guest. Rumours that Micky Jones had to over-dub Cipollina’s guitar, as it was out of tune, before the album could be released, are greatly exaggerated. Only one track, "Bananas", had to have his playing removed/replaced, per Deke Leonard: "Everything ... which sounds like Cipollina is Cipollina." The album spent two weeks in the UK album chart, peaking at No 25. Retrieved 14 August 2009. It was the band's last release on United Artists, before moving to |
