The Boy Who Cried Wolf
The Boy Who Cried Wolf is one of Aesop's Fables, numbered 210 in the Perry Index. From it is derived the English idiom "to cry wolf", defined as "to give a false alarm" in ''Brewer's Dictionary of Phrase and Fable'' and glossed by the ''Oxford English Dictionary'' as meaning to make false claims, with the result that subsequent true claims are disbelieved. Fable The tale concerns a shepherd boy who repeatedly fools villagers into thinking a wolf is attacking his town's flock. When an actual wolf appears and the boy calls for help, the villagers believe that it is another false alarm, and the sheep are eaten by the wolf. In a later English-language poetic version of the fable, the wolf also eats the boy. This happens in ''Fables for '' (1830) by John Hookham Frere, in William Ellery Leonard's ''Aesop & Hyssop'' (1912), and in Louis Untermeyer's 1965 poem. The moral stated at the end of the Greek version is, "this shows how liars are rewarded: even if they tell the truth, no on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francis Barlow (artist)
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator. He ranks among the most prolific book-illustrators and printmakers of the 17th century, working across several genres: natural history, hunting and recreation, politics, and decoration and design. Barlow is known as "the father of British sporting painting"; he was Britain's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs. He was furthermore a pioneer in the history of comics by creating '' A True Narrative of the Horrid Hellish Popish Plot'' (c. 1682), a picture story about the life of Titus Oates and the Popish Plot, which is told in a series of illustrated sequences where the story is written underneath them and the characters depicted on those images use speech balloons to talk. While it is not the first example of its kind in history, it is one of the oldest which is signed. Life Barlow was born c. 1626 in Lincoln ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wolves In Folklore, Religion And Mythology
The wolf is a common motif in the foundational mythologies and cosmologies of peoples throughout Eurasia and North America (corresponding to the historical extent of the habitat of the gray wolf), and also plays a role in ancient European cultures. The modern trope of the Big Bad Wolf arises from European folklore. The wolf holds great importance in the cultures and religions of many nomadic peoples, such as those of the Eurasian steppe and North American Plains. Wolves have sometimes been associated with witchcraft in both northern European and some Native American cultures: in Norse folklore, the völva Hyndluljóð, Hyndla and the gýgr Hyrrokin are both portrayed as using wolves as mounts, while in Navajo people, Navajo culture, wolves have sometimes been interpreted as Witch (Navajo), witches in wolf's clothing. Traditional Tsilhqot'in beliefs have warned that contact with wolves could in some cases possibly cause mental illness and death. Akkadian One of the earliest writte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fictional Wolves
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to written narratives in prose often specifically novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the them ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fictional Shepherds
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to written narratives in prose often specifically novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or characters who are actual people. Because fiction is generally understood as not adhering to the real world, the t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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English-language Idioms
An idiom is a common word or phrase with a figurative, non-literal meaning that is understood culturally and differs from what its composite words' denotations would suggest; ''i.e.'' the words together have a meaning that is different from the dictionary definitions of the individual words (although some idioms do retain their literal meanings – see the example "''kick the bucket''" below). By another definition, an idiom is a speech form or an expression of a given language that is peculiar to itself grammatically or cannot be understood from the individual meanings of its elements. For example, an English language, English speaker would understand the phrase "''kick the bucket''" to mean "''to die''" and also to actually kick a bucket. Furthermore, they would understand when each meaning is being used in context. To evoke the desired effect in the listener, idioms require a precise replication of the phrase: not even articles can be used interchangeably (e.g. "''kick a buc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alarm Fatigue
Alarm fatigue or alert fatigue describes how busy workers (in the case of health care, clinicians) become desensitized to safety alerts, and as a result ignore or fail to respond appropriately to such warnings. Alarm fatigue occurs in many fields, including construction and mining (where vehicle back-up alarms sound so frequently that they often become senseless background noise), healthcare (where electronic monitors tracking clinical information such as vital signs and blood glucose sound alarms so frequently, and often for such minor reasons, that they lose the urgency and attention-grabbing power which they are intended to have), and the nuclear power field. Like crying wolf, such false alarms rob the critical alarms of the importance they deserve. Alarm management and policy are critical to prevent alarm fatigue. Healthcare The constant sounds of alarms and noises from blood pressure machines, ventilators and heart monitors causes a "tuning out" of the sounds due to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alarmism
Alarmism is excessive or exaggerated alarm of a real or imagined threat. Alarmism connotes attempts to excite fears or giving warnings of great danger in a manner that is amplified, overemphasized or unwarranted. In the news media, alarmism can often be found in the form of yellow journalism where reports sensationalise a story to exaggerate small risks. Alarmist personality The alarmist person is subject to the cognitive distortion of catastrophizingof always expecting the worst of possible futures. They may also be seeking to preserve feelings of omnipotence Omnipotence is the property of possessing maximal power. Monotheistic religions generally attribute omnipotence only to the deity of their faith. In the monotheistic religious philosophy of Abrahamic religions, omnipotence is often listed as ... by trying to generate anxiety, apprehension and concern in others.T. Pitt-Aikens, ''Loss of the Good Authority'' (1989) p. 99 See also References Prediction Media m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Samuel Croxall
Samuel Croxall (c. 1688/9 – 1752) was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables. Early career Samuel Croxall was born in 1688 or 1689 at Walton on Thames, where his father (also called Samuel) was vicar and baptized on 4 february 1689 at the same town. He was educated at Eton College, Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. Soon after graduating he began to emerge as a political pamphleteer, taking the Whig (British political party), Whig side on the question of the Hanoverian succession. In 1713 he published ''An original canto of Spencer: design'd as part of his Faerie Queene, but never printed'', followed next year by ''Another original canto of Spencer''. Croxall's satirical target was the Tory politician of the day, Robert Harley, 1st Earl of Oxford and Earl Mortimer, Robert Harley, Earl of Oxford, and the choice of poetical model was also politically motivated. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Washington And The Cherry Tree
Mason Locke Weems (October 11, 1759 – May 23, 1825), usually referred to as Parson Weems, was an American minister, evangelical bookseller and author who wrote (and rewrote and republished) the first biography of George Washington immediately after his death. Some popular stories about Washington thought during the 20th century to be apocryphal can be traced to Weems, including the cherry tree tale (" I can't tell a lie, Pa ; you know I can't tell a lie. I did cut it with my hatchet."). Weems' biography of Washington was a bestseller that depicted Washington's virtues and was intended to provide morally instructive tales for the youth of the young nation. Early life Mason Weems was born on October 11, 1759, in Anne Arundel County, Maryland, the youngest of nineteen children. His family traced its ancestry to Scotland. When he was ten years old, his parents sent him away to study at the Kent County Free School in Chestertown, Maryland (which later became Washington College). Dur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Fyler Townsend
George Fyler Townsend (1814–1900) was the British translator of the standard English edition of ''Aesop's Fables''. He was the son of George Townsend (priest), George Townsend and was educated at Harrow School and Trinity College, Cambridge -DCL 1876. He was Vicar of Barntingham, Yorks 1842-1857, of Leominster 1857-1862 and of St Michael's, Burleigh Street, Westminster 1862-1894.Harrow Register He was the last Clerical proctor for granting Marriage Licences in Doctors Commons and assumed the name "Townesend" in 1882. Although there are more modern collections and translations, Townsend's volume of 350 fables introduced the practice of stating a succinct ''moral'' at the conclusion of each story, and continues to be influential. Several editions were published in his lifetime, and others since. In 1860, Townsend also published a revised edition of ''The Arabian Nights'', "mostly founded on the version of Jonathan Scott (orientalist), Dr Jonathan Scott". In 1872, Townsend pu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roger L'Estrange
Sir Roger L'Estrange (17 December 1616 – 11 December 1704) was an English pamphleteer, author, courtier and press censor. Throughout his life L'Estrange was frequently mired in controversy and acted as a staunch ideological defender of King Charles II's regime during the Restoration era. His works played a key role in the emergence of a distinct 'Tory' bloc during the Exclusion Crisis of 1679–81. Perhaps his best known polemical pamphlet was ''An Account of the Growth of Knavery'', which ruthlessly attacked the parliamentary opposition to Charles II and his successor James, Duke of York (later King James II), placing them as fanatics who misused contemporary popular anti-Catholic sentiment to attack the Restoration court and the existing social order in order to pursue their own political ends. Following the Exclusion Crisis and the failure of the nascent Whig faction to disinherit James, Duke of York in favour of Charles II's illegitimate son James, 1st Duke of Monmout ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |