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The Atkinson
The Atkinson is a building on the east side of Lord Street extending round the corner into Eastbank Street, Southport, Sefton, Merseyside, England. The building is a combination of two former buildings, the original Atkinson Art Gallery and Library that opened in 1878, and the adjacent Manchester and Liverpool District Bank that was built in 1879. These were combined in 1923–24 and the interiors have been integrated. The original building is in Neoclassical style, and the former bank is in Renaissance style. The art gallery and library has been integrated with the Southport Arts Centre and is now known as The Atkinson. The two former buildings are each recorded in the National Heritage List for England as designated Grade II listed buildings. History The Atkinson was built following a donation of £6,000 in 1875 by William Atkinson, a cotton manufacturer from Knaresborough, North Yorkshire, and a frequent visitor to Southport. The building was designed by Wad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Street, Southport
Lord Street is the main high street, shopping street of Southport, in Merseyside. It is long, with a roundabout marking each end of the street. There are many water features, gardens and architectural buildings along the entire street, with a mix of residential, commercial and public buildings. It was laid out in the early 19th century. Southport Lord Street railway station, which opened on 1 September 1884, was the terminus of the Southport and Cheshire Lines Extension Railway. Although it closed to passengers in 1952, the frontage of the building was retained. Influence on Parisian architecture In 1846, Napoléon III, Prince Louis-Napoléon Bonaparte, the future Napoléon III, Emperor of the French, lived for a brief period in lodgings just off Lord Street. There is compelling evidence to suggest the street is the inspiration behind the tree-lined boulevards of Paris. Between 1854 and 1870, Napoléon III orchestrated the reconstruction of the French capital. The medieval cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandstone
Sandstone is a Clastic rock#Sedimentary clastic rocks, clastic sedimentary rock composed mainly of grain size, sand-sized (0.0625 to 2 mm) silicate mineral, silicate grains, Cementation (geology), cemented together by another mineral. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar, because they are the most resistant minerals to the weathering processes at the Earth's surface. Like uncemented sand, sandstone may be imparted any color by impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Because sandstone beds can form highly visible cliffs and other topography, topographic features, certain colors of sandstone have become strongly identified with certain regions, such as the red rock deserts of Arches National Park and other areas of the Southwestern United States, American Southwest. Rock formations composed of sandstone usually allow the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crocket
A crocket (or croquet) is a small, independent decorative element common in Gothic architecture. The name derives from the diminutive of the Old French ''croc'', meaning "hook", due to the resemblance of a crocket to a bishop's Shepherd's crook, crook-shaped crosier. Description Crockets, in the form of stylized carvings of curled leaf, leaves, buds or flowers, are used at regular intervals to decorate (for example) the sloping edges of spires, finials, pinnacles, and wimpergs. As ornaments When crockets decorate the capitals of columns, these are called crocket capitals. This element is also used as an ornament on furniture and metalwork in the Gothic style. Examples * All Souls College – Oxford * Canterbury Cathedral * Notre-Dame de Paris Notre-Dame de Paris ( ; meaning "Cathedral of Our Lady of Paris"), often referred to simply as Notre-Dame, is a Medieval architecture, medieval Catholic cathedral on the Île de la Cité (an island in the River Seine), in the 4th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashlar
Ashlar () is a cut and dressed rock (geology), stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. Ashlar is the finest stone masonry unit, and is generally rectangular (cuboid). It was described by Vitruvius as ''opus isodomum'' or trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of requiring only very thin joints between blocks, and the visible face of the stone may be Quarry-faced stone, quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for simi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or Pier (architecture), piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians; they include many loggias, but here arches are not an essential element. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. A different, related meaning is "a covered passage with shops on one or both sides". Many medieval open arcades housed shops or stalls, either in the arcaded space itself, or set into the mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plinth
A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum ( tympana; from Greek and wiktionary:tympanum#Latin, Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architecture, architectural styles include this element, although it is most commonly associated with Romanesque architecture, Romanesque and Gothic architecture, Gothic architecture. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. Tympanums in antiquity and the Early Middle Ages Tympanums are by definition inscriptions enclosed by a pediment, however the evolution of tympanums gives them more specific implications. Pediments first emerged early in Classical Greece around 700-480 BCE, with early examples such as the Parthenon remaining famous to this day. Pediments spread across the Hellenistic world with the rest of classical architecture. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bust (sculpture)
A bust is a Sculpture, sculpted or cast representation of the upper part of the human figure, human body, depicting a person, person's Human head, head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any List of art media, medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood. As a format that allows the most distinctive characteristics of an individual to be depicted with much less work, and therefore expense, and occupying far less space than a full-length statue, the bust has been since ancient times a popular style of life-size portrait sculpture. A sculpture that only includes the head, perhaps with the neck, is more strictly called a "head", but this distinction is not always observed. Display often involves an integral or separate display stand. The A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
