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Term (architecture)
In Classical architecture and in art a term or terminal figure (: terms or termini) is a human head and bust that continues down as a square tapering pillar-like form. It is usually distinguished from a herm, which has a head and shoulders only,Lucie-Smith, 213 but the two words may be used rather loosely and interchangeably. The god Terminus was the Etruscan and Roman deity of boundaries, and classical sources say that boundary markers often took the form of a half-figure of the god on a pillar, though ancient survivals in this form are extremely rare. In the architecture and the painted architectural decoration of the European Renaissance and the succeeding Classical styles, term figures are quite common. Often they represent minor deities associated with fields and vineyards and the edges of woodland, Pan and fauns and Bacchantes especially, and they may be draped with garlands of fruit and flowers. Term figures were a particularly characteristic feature of the 16th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terminal Figure - Sphinx With Crescent In Her Hair
Terminal may refer to: Computing Hardware * Computer terminal, a set of primary input and output devices for a computer * Terminal (electronics), a device for joining electrical circuits together ** Battery terminal, electrical contact used to connect a load or charger to a single cell or multiple-cell battery * Terminal (telecommunication), a device communicating over a line * Feedback terminal, a physical device used collect anonymous feedback Software * Terminal emulator, a program that emulates a computer terminal within some other display architecture ** Terminal (macOS), a terminal emulator included with macOS ** Windows Terminal, a terminal emulator for Windows 10 and Windows 11 ** GNOME Terminal, a Linux and BSD terminal emulator * Terminal and nonterminal symbols, lexical elements used in specifying the production rules constituting a formal grammar in computer science. Fonts * Terminal (typeface), a monospace font * Terminal (typography), a type of stroke ending Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament Print
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Sculpture
The study of Roman sculpture is complicated by its relation to Sculpture of Ancient Greece, Greek sculpture. Many examples of even the most famous Greek sculptures, such as the ''Apollo Belvedere'' and ''Barberini Faun'', are known only from Roman Empire, Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin literature, Latin and some ancient Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural History
The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. The term "architecture" generally refers to buildings, but in its essence is much broader, including fields we now consider specialized forms of practice, such as urbanism, civil engineering, naval, military, and landscape architecture. Trends in architecture were influenced, among other factors, by technological innovations, particularly in the 19th, 20th and 21st centuries. The improvement and/or use of steel, cast iron, tile, reinforced concrete, and glass helped for example Art Nouveau appear and made Beaux Arts more grandiose. Paleolithic Humans and their ancestors have been creating various types of shelters for at least hundreds of thousands of years, and shelter-building may have been present early in homini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Elements
:''The following Outline (list), outline is an overview and topical guide to architecture:'' Architecture – the process and the product of designing and constructing buildings. Architectural works with a certain indefinable combination of design quality and external circumstances may become cultural symbols and / or be considered works of art. What type of thing is architecture? Architecture can be described as all of the following: * Academic discipline – focused study in one academic field or profession. A discipline incorporates expertise, people, projects, communities, challenges, studies, inquiry, and research areas that are strongly associated with the given discipline. * Buildings – buildings and similar structures, the product of architecture, are referred to as architecture. * One of the arts – as an art form, architecture is an outlet of human expression, that is usually influenced by culture and which in turn helps to change culture. Archit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columns And Entablature
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called '' piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lucie-Smith
John Edward McKenzie Lucie-Smith (born 27 February 1933), known as Edward Lucie-Smith, is a Jamaican-born English writer, poet, art critic, curator and broadcaster. He has been highly prolific in these fields, writing or editing over a hundred books, his subjects gradually shifting around the late 1960s from mostly literature to mostly art. Biography Lucie-Smith was born in Kingston, Jamaica, the son of Mary Frances (née Lushington) and John Dudley Lucie-Smith. He moved to the United Kingdom in 1946.BiographRetrieved 4 October 2018./ref> He was educated at The King's School, Canterbury, then spent time in Paris. In 1954, he received a Bachelor of Arts from Merton College, Oxford. After serving in the Royal Air Force as an education officer and working as a copywriter, Lucie-Smith became a full-time writer (as well as anthologist and photographer). He succeeded Philip Hobsbaum in organising The Group, a London-centred poets' group. At the beginning of the 1980s he conducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Mignon
Jean Mignon was a French artist in painting and printmaking in the 16th century, active from 1537 to the mid-1550s. He worked in etching, sometimes supplemented by engraving, and was one of the first group of artists in France to use etching for prints. He was part of the School_of_Fontainebleau#Printmaking_workshop, burst of activity in the 1540s associated with the First School of Fontainebleau. At least half of his prints, over thirty, use compositions by the Italian painter Luca Penni, who was also at the palace from 1537 through to the 1540s. Others use designs by Francesco Primaticcio, the leader of the school after the suicide of Rosso Fiorentino in 1540. Mignon's prints number around sixty, with some uncertainty over the authorship of a number. Nothing is known about his origins or early life. His first documentary appearance is in 1537 in the royal accounts, as a painter at the Palace of Fontainebleau, continuing until 1540; no painting identifiable as his is know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Fontainebleau
The School of Fontainbleau () () refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian Mannerist art in France. The "First School of Fontainebleau", much more important than the Second School at the end of the century, was based in the chateau from 1531 to 1547, after which some artists moved to Paris or elsewhere. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso killed himself in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antwerp Mannerism
Antwerp Mannerism refers to the style of a group of largely anonymous painters active in the southern Netherlands, principally in Antwerp, in roughly the first three decades of the 16th century. The movement marks the tail end of Early Netherlandish painting and an early phase within Dutch and Flemish Renaissance painting. The style bore no relation to Italian Mannerism, which it mostly predates by a few years, but the name suggests that it was a reaction to the "classic" style of the earlier Flemish painters, just as the Italian Mannerists were reacting to, or trying to go beyond, the classicism of High Renaissance art. The Antwerp Mannerists' style is certainly "mannered", and "characterized by an artificial elegance. Their paintings typically feature elongated figures posed in affected, twisting, postures, colorful ornate costumes, fluttering drapery, Italianate architecture decorated with grotesque ornament, and crowded groups of figures...". Joseph Koerner notes "a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
