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Tbal
The music of Mauritania comes predominantly from the country's largest ethnic group: the Moors. In Moorish society musicians occupy the lowest caste, iggawin. Musicians from this caste used song to praise successful warriors as well as their patrons. Iggawin also had the traditional role of messengers, spreading news between villages. In modern Mauritania, professional musicians are paid by anybody to perform; affluent patrons sometimes record the entertainment, rather than the musicians themselves, and are then considered to own the recording. Instruments Traditional instruments include an hourglass-shaped four-stringed lute called the tidinit and the woman's kora-like ardin. Percussion instruments include the tbal (a kettle drum) and daghumma (a rattle). Types of Mauritanian music There are three "ways" to play music in the Mauritanian tradition: * Al-bayda - the white way, associated with delicate and refined music, and the Bidan (Moors of North African stock) *Al-k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tunis
Tunis (, ') is the capital city, capital and largest city of Tunisia. The greater metropolitan area of Tunis, often referred to as "Grand Tunis", has about 2,700,000 inhabitants. , it is the third-largest city in the Maghreb region (after Casablanca and Algiers) and the List of largest cities in the Arab world, eleventh-largest in the Arab world. Situated on the Gulf of Tunis, behind the Lake of Tunis and the port of La Goulette (Ḥalq il-Wād), the city extends along the coastal plain and the hills that surround it. At its core lies the Medina of Tunis, Medina, a World Heritage Site. East of the Medina, through the Sea Gate (also known as the ''Bab el Bhar'' and the ''Porte de France''), begins the modern part of the city called "Ville Nouvelle", traversed by the grand Avenue Habib Bourguiba (often referred to by media and travel guides as "the Tunisian Champs-Élysées"), where the colonial-era buildings provide a clear contrast to smaller, older structures. Further east by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mauritania
Mauritania, officially the Islamic Republic of Mauritania, is a sovereign country in Maghreb, Northwest Africa. It is bordered by the Atlantic Ocean to the west, Western Sahara to Mauritania–Western Sahara border, the north and northwest, Algeria to Algeria–Mauritania border, the northeast, Mali to Mali–Mauritania border, the east and southeast, and Senegal to Mauritania–Senegal border, the southwest. By land area Mauritania is the 11th-largest country in Africa and 28th-largest in the world; 90% of its territory is in the Sahara. Most of its population of some 4.3 million lives in the temperate south of the country; roughly a third of the population is concentrated in the capital and largest city, Nouakchott, on the Atlantic coast. The country's name derives from Mauretania, the Latin name for a region in the ancient Maghreb. It extended from central present-day Algeria to the Atlantic. Berbers occupied what is now Mauritania by the beginning of the third centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tbal
The music of Mauritania comes predominantly from the country's largest ethnic group: the Moors. In Moorish society musicians occupy the lowest caste, iggawin. Musicians from this caste used song to praise successful warriors as well as their patrons. Iggawin also had the traditional role of messengers, spreading news between villages. In modern Mauritania, professional musicians are paid by anybody to perform; affluent patrons sometimes record the entertainment, rather than the musicians themselves, and are then considered to own the recording. Instruments Traditional instruments include an hourglass-shaped four-stringed lute called the tidinit and the woman's kora-like ardin. Percussion instruments include the tbal (a kettle drum) and daghumma (a rattle). Types of Mauritanian music There are three "ways" to play music in the Mauritanian tradition: * Al-bayda - the white way, associated with delicate and refined music, and the Bidan (Moors of North African stock) *Al-k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Kettle Drum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Music Of Mauritania
The music of Mauritania comes predominantly from the country's largest ethnic group: the Moors. In Moorish society musicians occupy the lowest caste, iggawin. Musicians from this caste used song to praise successful warriors as well as their patrons. Iggawin also had the traditional role of messengers, spreading news between villages. In modern Mauritania, professional musicians are paid by anybody to perform; affluent patrons sometimes record the entertainment, rather than the musicians themselves, and are then considered to own the recording. Instruments Traditional instruments include an hourglass-shaped four-stringed lute called the tidinit and the woman's kora-like ardin. Percussion instruments include the tbal (a kettle drum) and daghumma (a rattle). Types of Mauritanian music There are three "ways" to play music in the Mauritanian tradition: * Al-bayda - the white way, associated with delicate and refined music, and the Bidan (Moors of North African stock) *Al-k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tidinit
Xalam (in Serer, khalam in Wolof, and Mɔɣlo in Dagbanli) is a traditional lute from West Africa with 1 to 5 strings. The xalam is commonly played in Mali, Gambia, Senegal, Niger, Northern Nigeria, Northern Ghana, Burkina Faso, Mauritania, and Western Sahara. The xalam and its variants are known by various names in other languages, including bappe, diassare, hoddu (Pulaar), koliko ( Gurunsi), kologo ( Frafra), komsa, kontigi, gurmi, garaya (Hausa), koni, konting (Mandinka), molo ( Songhay/ Zarma), ndere, ngoni ( Bambara), and tidinit ( Hassaniyya and Berber). In Wolof, a person who plays the xalam is called a ''xalamkat'' (a word composed of the verbal form of xalam, meaning "to play the xalam", and the agentive suffix ''-kat'', thus meaning "one who xalams"). In Mande, this is ''ngonifola'' or ''konting fola''. In Hausa, this is ''mai gurmi'' or ''mai kontigi''. Construction and tuning The xalam, in its standard form, is a simple lute chordophone with one to five string ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Arabic Pop Music
Arabic pop music or Arab pop music is a subgenre of pop music and Arabic music. Arabic pop is mainly produced and originated in Cairo, Egypt; with Beirut, Lebanon, as a secondary center. It is an outgrowth of the Arabic film industry (mainly Egyptian movies), also predominantly located in Cairo. Since 2000, various locations in the Gulf countries have been producing Khaleeji pop music. The primary style is a genre that synthetically combines pop melodies with elements of different Arabic regional styles, called ''ughniyah'' () or in English "Arabic song". It uses mainly Western instruments, including electric guitars or electronic keyboards, as well as traditional Middle Eastern instruments like the oud or darbukka. Another characteristic aspect of Arabic pop is the overall tone and mood of the songs. The majority of the songs are in a minor key, and the lyrics tend to focus on longing, melancholy, strife, and generally love issues. Songwriting, recording and distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Noura Mint Seymali
Noura Mint Seymali is a Mauritanian griot, singer, songwriter, and instrumentalist. Early life Noura Mint Seymali was born in Mauritania to parents Dimi Mint Abba and Seymali Ould Ahmed Vall. Both parents were important musical figures in Mauritania. Her father, Seymali, is a Moorish composer who adapted Mauritania's national anthem. Her step-mother, Dimi, was one of her country's most famous singers, and was known as the "diva of the desert". At the age of 13, Noura began composing for her mother, as well as touring with her as a backup singer. Through the musical members of her family, she was able to master the ardin, a nine-stringed harp reserved for women, as well as get her feet wet in the world of performances. Following her marriage to her guitarist, Jeiche Ould Chighaly, Noura began playing weddings with him. With the help of her husband, they formed their first band in 2004. After the local release of two albums, they returned to the studio to create the band's first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Malouma
Malouma Mint El Mokhtar Ould El Meidah (), also simply Maalouma or Malouma (; born October 1, 1960), is a Mauritanian singer, songwriter and politician. Raised in the south-west of the country by parents versed in traditional Mauritanian music, she first performed when she was twelve, soon featuring in solo concerts. Her first song "Habibi Habeytou" harshly criticized the way in which women were treated by their husbands. Though an immediate success, it caused an outcry from the traditional ruling classes. After being forced into marriage while still a teenager, Malouma had to give up singing until 1986. She developed her own style combining traditional music with blues, jazz, and Electro (music), electro. Appearing on television with songs addressing highly controversial topics such as conjugal life, poverty and inequality, she was censored in Mauritania in the early 1990s but began to perform abroad by the end of the decade. After the ban was finally lifted, she relaunched her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Moors
The term Moor is an Endonym and exonym, exonym used in European languages to designate the Muslims, Muslim populations of North Africa (the Maghreb) and the Iberian Peninsula (particularly al-Andalus) during the Middle Ages. Moors are not a single, distinct or Ethnonym, self-defined people. Europeans of the Middle Ages and the early modern period variously applied the name to Arabs, Berbers, and Islam in Europe, Muslim Europeans. The term has been used in a broader sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in al-Andalus or North Africa. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." The word has racial connotations and it has fallen out of fashion among scholars since the mid-20th century. The word is also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Umm Kulthum
Umm Kulthum (; 31 December 1898 – 3 February 1975) was an Egyptians, Egyptian singer and film actress active from the 1920s to the 1970s. She was given the honorific title (). Immensely popular throughout the Middle East and beyond, Umm Kulthum is a Egyptian nationalism, national icon in her native Egypt; she has been dubbed "The Voice of Egypt" and "Egypt's Giza pyramid complex, Fourth Pyramid". In 2023, ''Rolling Stone'' ranked Umm Kulthum at number 61 on its list of the 200 Greatest Singers of All Time. Her funeral in 1975 drew a crowd of over 4 million people, the largest human gathering in Egypt's history, even surpassing that of president Gamal Abdel Nasser. Biography Early life Umm Kulthum was born in the village of Tamay El Zahayra within the Subdivisions of Egypt#Municipal Divisions, markaz of El Senbellawein, Senbellawein, Dakahlia Governorate, to a family of a religious background. Her father, Ibrahim El-Sayyid El-Beltagi, was a rural imam, while her mother, Fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
