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Tawil
''Ṭawīl'' (, literally 'long'), or ''al-Ṭawīl'' (), is a Meter (poetry), meter used in classical Arabic poetry. It comprises distichs (''bayt'') of two 'lines'—in Arabic usually written side by side, with a space dividing them, the first being called the ''sadr'' (صدر, literally "chest") and the other the ''ʿajuz'' (عجز, literally "belly"). Its basic form is as follows (the symbol ''–'' representing a long syllable, ''⏑'' representing a short syllable, and ''x'' representing a syllable that can be short or long):''Classical Arabic Literature: A Library of Arabic Literature Anthology'', trans. by Geert Jan van Gelder (New York: New York University Press, 2013), p. xxiii. : , ᴗ – x , ᴗ – – – , ᴗ – x , ᴗ – ᴗ – , (2×) This form can be exemplified through the traditional mnemonic ' (). The final syllable of every distich rhymes throughout the whole poem; a long poem might comprise a hundred distichs. In Classical verse, each di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metron (poetry)
A metron , (from ancient Greek "measure"), plural ''metra'', is a repeating section, 3 to 6 syllables long, of a poetic metre. The word is particularly used in reference to ancient Greek. According to a definition by Paul Maas (classical scholar), Paul Maas, usually a metron consists of two long elements and up to two other elements which can be short, ''anceps'' or ''Biceps (prosody), biceps''.Maas, Paul (translated by H. Lloyd-Jones) (1962) ''Greek Metre'', pp. 38–39. Thus an iambic metron is x – ᴗ – (where "x" represents an ''anceps'' element), a trochaic metron is – ᴗ – x, an ionic metron is ᴗ ᴗ – –, an anapaestic metron is ᴗᴗ – ᴗᴗ –, a cretic metron – ᴗ –, a baccheus is ᴗ – –, and a spondee is – –. This definition of the metron (i.e. as having two long elements) does not apply to the dactylic hexameter or to the dochmiac metre, but some scholars regard the dactyl (– ᴗᴗ) and the dochmiac (ᴗ – – ᴗ –) as metr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basit
() or (), is a metre used in classical Arabic poetry. The word literally means "extended" or "spread out" in Arabic. Along with the , , and , it is one of the four most common metres used in pre-Islamic and classical Arabic poetry. Form of the metre The metrical form of the is often as follows (where "–" is a long syllable, "u" is a short syllable, and "x" is , i.e., a syllable which can be either long or short): :, x – u – , x u – , – – u – , u u – , The mnemonic words () used by Arab prosodists to describe this metre are: ' (). The metre is usually used in couplets of eight feet each. Example An example is the by al-Mutanabbi (915–965): “The poet reproaches Sayf al-Dawla” (king of Aleppo), a poem of 38 couplets, from which come the following well-known verses: :, u – u – , u u – , – – u – , u u – , :, u – u – , – u – , – – u – , u u – , : : : : : : : : : : : : : : : :If you see the lion’s fan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ''ash-shi‘r al-‘arabīyy'') is one of the earliest forms of Arabic literature. Pre-Islamic Arabic poetry contains the bulk of the oldest poetic material in Arabic, but Old Arabic inscriptions reveal the art of poetry existed in Arabic writing in material as early as the 1st century BCE, with oral poetry likely being much older still. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse ('' bayt'') of the poem. The measuring procedure of a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distich
In poetry, a couplet ( ) or distich ( ) is a pair of successive Line (poetry), lines that rhyme and have the same Metre (poetry), metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of Verse (poetry), verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopaedia Of Islam
The ''Encyclopaedia of Islam'' (''EI'') is a reference work that facilitates the Islamic studies, academic study of Islam. It is published by Brill Publishers, Brill and provides information on various aspects of Islam and the Muslim world, Islamic world. It is considered to be the standard reference work in the field of Islamic studies. The first edition was published in 1913–1938, the second in 1954–2005, and the third was begun in 2007. Content According to Brill, the ''EI'' includes "articles on distinguished Muslims of every age and land, on tribes and dynasties, on the crafts and sciences, on political and religious institutions, on the geography, ethnography, flora and fauna of the various countries and on the history, topography and monuments of the major towns and cities. In its geographical and historical scope it encompasses the old Arabo-Islamic empire, the Islamic countries of Iran, Central Asia, the Indian sub-continent and Indonesia, the Ottoman Empire and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imru' Al-Qais
Imruʾ al-Qais Junduh bin Hujr al-Kindi () was a pre-Islamic Arabian poet from Najd in the late fifth and early sixth centuries, and the last King of Kinda. He is sometimes considered the father of Arabic poetry. His qaṣīda, or long poem, "Let us stop and weep" ( ''qifā nabki'') is one of the seven Mu'allaqat, poems prized as the best examples of pre-Islamic Arabian verse. His father was said to be Hujr bin al-Harith ( ''Ḥujr ibn al-Ḥārith''), the Kindan regent over the Arab tribes of Asad and Ghatafan, and it is believed that Imru' al-Qais was born in the territory of Asad. His mother was said to be Fatimah bint Rabi'ah al- Taghlibi ( / ''Fāṭimah bint Rabī‘ah al-Taghlibī''). Legend has it that Imru' al-Qais was the youngest of his father's sons, and began composing poetry while he was still a child. His father strongly disapproved of this habit in his son, believing poetry to be an unseemly pastime for the son of a king. His father also disapproved o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mu'allaqat
The Muʻallaqāt (, ) is a compilation of seven long pre-Islamic Arabic poems. The name means The Suspended Odes or The Hanging Poems, they were named so because these poems were hung in the Kaaba in Mecca. Some scholars have also suggested that the hanging is figurative, as if the poems "hang" in the reader's mind. Along with the '' Mufaddaliyat'', '' Jamharat Ash'ar al-Arab'', '' Asma'iyyat'', and the '' Hamasah'', the ''Mu'allaqāt'' are considered the primary source for early written Arabic poetry. Scholar Peter N. Stearns goes so far as to say that they represent "the most sophisticated poetic production in the history of Arabic letters." History Compilation The original compiler of the poems may have been Hammad al-Rawiya (8th century). The grammarian Ahmad ibn Muhammad al-Nahhas (d. 949 CE) says in his commentary on the ''Mu'allaqat'': "The true view of the matter is this: when Hammad al-Rawiya saw how little men cared for poetry, he collected these seven pieces, ur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabaṭī Poetry
Nabaṭī (), historically also known as Najdi, is a vernacular Arabic poetry that stems from the Arabic varieties of the Arabian Peninsula. It exists in contrast to the poetry written according to the classical rules of literary Arabic. Nabati poetry holds significant cultural value in Arabian society, offering insights into Bedouin life, values, and traditions. Unlike traditional Arabic poetry, which follows strict classical forms, Nabati is more accessible and informal, often composed in colloquial Arabic, allowing for a more intimate connection with its audience. History Also known as "the people's poetry" and "Bedouin poetry", nabati has a long heritage, with examples of the nabati form referenced by the medieval historian Ibn Khaldun in his '' Muqaddimah'' (Introduction), first published in 1377. Bedouin poets composed verse similar in structure, theme, metre and rhyme to the works of Imru' al-Qais and other pre-Islamic poets. These qasida set the classical standard for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927).) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32- syllable verse, derived from the Vedic '' anuṣṭubh'' metre, used in the '' Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four '' pādas'' or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic '' anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the '' Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed syllable, unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb (poetry), iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French language, French , adapted from Latin , originally from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (poetry)
An iamb ( ) or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and '' thriambus'', but H. S. Versnel rejects this etymology and suggests instead a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
