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Table Canon
A Table canon is a retrograde and inverse canon meant to be placed on a table in between two musicians, who both read the same line of music in opposite directions. As both parts are included in each single line, a second line is not needed. Bach's ''The Musical Offering'' contains a table canon. See also *Mirror canon *Crab canon A crab canon (also known by the Latin form of the name, ''canon cancrizans''; as well as ''retrograde canon'', ''canon per recte et retro'' or ''canon per rectus et inversus'')Kennedy, Michael (ed.). 1994. "Canon". The Oxford Dictionary of Musi ... References Polyphonic form {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retrograde Canon
A crab canon (also known by the Latin form of the name, ''canon cancrizans''; as well as ''retrograde canon'', ''canon per recte et retro'' or ''canon per rectus et inversus'')Kennedy, Michael (ed.). 1994. "Canon". The Oxford Dictionary of Music, associate editor, Joyce Bourne. Oxford and New York: Oxford University Press. . is an arrangement of two musical lines that are complementary and backward. If the two lines were placed next to each other (as opposed to stacked), the lines would form something conceptually similar to a palindrome. The name 'crab' refers to the fact that crabs are known to walk backward (although they can also walk forward and sideways). It originally referred to a kind of canon in which one line is played backward (e.g. FABACEAE played simultaneously with EAECABAF). An example is found in J. S. Bach's ''The Musical Offering'', which also contains a table canon ("Quaerendo invenietis"), which combines retrogression with inversion by having one player turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirror Canon
The mirror canon (also called a canon by contrary motion) is a type of canon which involves the leading voice being played alongside its own inversion (i.e. upside-down). The realisation from the 'closed' (unrealised) form can be effected by placing the page in front of a mirror, thus upside down, and beginning with the already progressing first voice. The Canon a 2 'Quaerendo invenietis' from J. S. Bach's '' The Musical Offering'', BWV 1079, is a fine example of the process. In its original closed form, the alto clef and an upside-down bass clef indicate both the mirror procedure and the appropriate pitches of the voices for the purpose of realisation. A spectacular example of contrapuntal ingenuity can be found in the double canon that forms the trio section of Mozart's Serenade for Wind Octet in C, K. 388. Here a pair of oboes and a pair of bassoons unfold two mirror canons at the same time. Erik Smith sees this as "a perfect example of Mozart's use of academic means, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Prot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Offering
''The Musical Offering'' (German: or ), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The ''Ricercar a 6'', a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the ''Prussian Fugue'', a name used by Bach himself. The composition is featured in the opening section of Douglas Hofstadter's Pulitzer Prize winning book '' Gödel, Escher, Bach'' (1979). History The collection has its roots in a meeting between Bach and Frederick II on May 7, 1747. The meeting, taking place at the king's residence in Potsdam, came about because Bach's son Carl Phili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crab Canon
A crab canon (also known by the Latin form of the name, ''canon cancrizans''; as well as ''retrograde canon'', ''canon per recte et retro'' or ''canon per rectus et inversus'')Kennedy, Michael (ed.). 1994. "Canon". The Oxford Dictionary of Music, associate editor, Joyce Bourne. Oxford and New York: Oxford University Press. . is an arrangement of two musical lines that are complementary and backward. If the two lines were placed next to each other (as opposed to stacked), the lines would form something conceptually similar to a palindrome. The name 'crab' refers to the fact that crabs are known to walk backward (although they can also walk forward and sideways). It originally referred to a kind of canon in which one line is played backward (e.g. FABACEAE played simultaneously with EAECABAF). An example is found in J. S. Bach's ''The Musical Offering'', which also contains a table canon ("Quaerendo invenietis"), which combines retrogression with inversion by having one player tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
