|
Synchromism
Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were among the first abstract paintings in American art. Though it was short-lived and did not attract many adherents, Synchromism became the first American avant-garde art movement to receive international attention. One of the difficulties inherent in describing Synchromism as a coherent style is connected to the fact that some Synchromist works are purely abstract while others include representational imagery. Theory and style Synchromism is based on the idea that color and sound are similar phenomena and that the colors in a painting can be orchestrated in the same harmonious way that a composer arranges notes in a symphony. Macdonald-Wright and Russell believed that, by painting in color scales, their visual work could evoke the same comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgan Russell
Morgan Russell (January 25, 1886 – May 29, 1953) was a modern American artist. With Stanton Macdonald-Wright, he was the founder of Synchromism, a provocative style of abstract painting that dates from 1912 to the 1920s. Russell's "synchromies," which analogized color to music, were an early American contribution to the rise of Modernism. Biography Russell was born and raised in New York City. He initially studied architecture and, after 1903, became friendly with the sculptor Arthur Lee, for whom he posed as a model and with whom he lived for a time. From 1903 to 1905, he studied sculpture at the Art Students League with Lee and James Earle Fraser; he also posed as a model for the sculpture class. With financial help from Gertrude Vanderbilt Whitney, whom he met at the League in January 1906, he traveled to Europe to study art in Paris and Rome. Mrs. Whitney was one of the earliest and staunchest believers in Russell's talent and provided him with a monthly stipend for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanton Macdonald-Wright
Stanton Macdonald-Wright (July 8, 1890 – August 22, 1973), was a modern American artist. He was a co-founder of Synchromism, an early abstract, color-based mode of painting, which was the first American avant-garde art movement to receive international attention. Early life Stanton Macdonald-Wright was born in Charlottesville, Virginia in 1890. His first name, Stanton, was chosen to honor the women's rights activist Elizabeth Cady Stanton; he later hyphenated his last name after repeatedly being asked if he were related to the famed architect Frank Lloyd Wright. He spent his adolescence in Santa Monica, California, where his father ran a seaside hotel. An amateur artist as well as a businessman, Macdonald-Wright's father encouraged his artistic development from a young age and secured him private painting lessons. Stanton's older brother, Willard Huntington Wright, was a writer and critic who gained international fame in the 1920s by writing the Philo Vance detective novels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and also the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphism (art)
Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism. The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. History The Orphists were rooted in Cubism but tended towards a pure lyrical abstraction. They saw art as the unification of sensation and color. More concerned with sensation, they began with recognizable subjects, depicted with abstract structures. Orphism aimed to vacate recognizable subject matter by concentrating exclusively on ''form'' and ''color''. The movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perception, perceptual property that allows sounds to be ordered on a frequency-related scale (music), scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melody, melodies. Pitch is a major auditory system, auditory attribute of musical tones, along with duration (music), duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective Psychoacoustics, psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their percep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonies
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionists
Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brightness
Brightness is an attribute of visual perception in which a source appears to be radiating/reflecting light. In other words, brightness is the perception dictated by the luminance of a visual target. The perception is not linear to luminance, and relies on the context of the viewing environment (for example, see White's illusion). Brightness is a subjective sensation of an object being observed and one of the color appearance parameters of many color appearance models, typically denoted as Q. Brightness refers to how much light ''appears to shine'' from something. This is a different perception than lightness, which is how light something appears ''compared to'' a similarly lit white object. The adjective '' bright'' derives from an Old English '' beorht'' with the same meaning via metathesis giving Middle English ''briht''. The word is from a Proto-Germanic ', ultimately from a PIE root with a closely related meaning, *' "white, bright". "Brightness" was formerly used as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
