|
Sursingar
The sursingar (IAST: ), sursringar or surshringar (Sringara: Pleasure in Sanskrit), is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically. In Dhrupad style, it was used as a solo instrument in the 19th and 20th centuries. It is regarded as a further development of the Dhrupad-Rabab that has more or less disappeared today. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes; the main box is made from a cut gourd, on which a wooden cover is attached. Construction and Playing style The main body is made of wood and not leather (the material used in earlier instruments). The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden neck. The neck is sometimes covered with a metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as '' meend'' (glissandi), which are important in Indian music. Origins The word sarod was introduced from Persian during the late Mughal Empire and is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rahmat Khan
The Khan squash family, sometimes referred to as the Khan squash dynasty, refers to a Pakistani family that has produced a succession of champion squash players. The dynasty's patriarch was Hashim Khan (1914-2014), whose win at the 1951 British Open began the era of his family's dominance in the sport. This family dominance continues with Ivy League star Anoush Khan. Members of the Khan family have combined for a total of 23 British Open, 16 North American Open, 19 US Professional Championships, and six World Championships wins. History The Khan family's beginnings in the sport of squash can be traced to the British Army's officer's club in Peshawar, where Hashim's father Abdullah worked as the head steward. Around 1922 when Hashim was eight years old, his father began bringing him to the club. The young Khan soon received a job as a ball boy, and after hours taught himself to play. When Hashim was 11 his father died in a car crash, and he subsequently left school to work fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meend
In Hindustani music, ''meend'' (Hindi: , ) refers to a glide from one note to another. It is an essential performance practice, and is used often in vocal and instrumental music. On the veena, sitar, sarangi and other plucked stringed instruments, it is usually done by pushing the strings across the frets to vary their effective length and tension; compare portamento and finger vibrato. This can be done on wind instruments like the bansuri by using the fingers to cover the holes in a manner that the changes between discrete pitches are imperceptible. It is considered a sort of '' alankar'', or ornament. ''Meend'' is an important part of any classical performance; however, it is a technique not possible on a hand-held harmonium often used in musical concerts (or on the santoor). For this reason, traditionalists singing khyal prefer an accompaniment on an instrument such as a sarangi The sārangī is a bowed, short-necked three-stringed instrument played in traditional musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English language, English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament of India#Building, Parliament House. The academy's List of Sangeet Natak Akademi fellows, Fellowship and Sangeet Natak Akademi Award, Award are considered very prestigious. Functions Sangeet Natak Akademi is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. The academy functions as the apex body of the performing arts in the country to preserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ustad Bismillah Khan Yuva Puraskar
Ustad Bismillah Khan Yuva Puraskar is an annual Indian award given by the Sangeet Natak Akademi to outstanding artists under 40 who have demonstrated talent in the fields of music, dance and drama. The award is intended to provide national recognition to the artists in the early years of their careers. Every year up to 33 artists are selected. Award winners receive a prize of . The award has been conferred since 2006. Recipients Other major traditions of Music *2013-14 - Yumnam Bhumeshwor Singh * Nata Sankirtana Pung Theatre Play writing *2016 - Manish Joshi * 2017 - Kuldeep Kunal Theatre direction * 2008 - Amitesh Grover * 2012 - Nalini Nihar Nayak *2018 - Dr. Chavan Pramod R. Acting *2018 - Namrata Sharma *2018 - Sunil Palwal *2018 - Preeti Jha Tiwari *2012 - Happy Ranajit Traditional theatre *2016 - Jayachandra Varma Rekandar Dance Bharatnatyam *2006 - Sheejith Krishna *2007 - C. Lavanya Ananth *2008 - Gayatri Balagurunathan *2009 - Ragini Chander S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joydeep Mukherjee (musician)
Joydeep Mukherjee (born 5 February 1967) is an Indian former first-class cricketer who played for Bengal. He took up various coaching roles after his playing career. Career Mukherjee was a right-handed batsman and occasional right-arm off break bowler. He appeared in 13 first-class and 6 List A matches, playing for Bengal and East Zone. He played for Bengal between 1987/88 and 1994/95 seasons. Mukherjee became the cricket manager of the Indian Premier League team Kolkata Knight Riders The Kolkata Knight Riders, also known as KKR, are a professional Twenty20 cricket team based in Kolkata, West Bengal, that competes in the Indian Premier League (IPL). The franchise is owned by actor Shah Rukh Khan, actress Juhi Chawla, and ... in 2008 and remains with the franchise as a coaching staff as of 2015. As of February 2016, Mukherjee was the fielding coach of Bengal, head coach of the Bengal u-25 team, has also served as the Asst Coach of the senior Bengal Team. Since, 2018 h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radhika Mohan Maitra
Radhika Mohan Maitra (1917–1981) was an Indian sarod player who created the Mohan Veena in 1948, and the guru of Narendra Nath Dhar, Kalyan Mukherjea, Buddhadev Das Gupta, Sanjoy Bandopadhyay, Abanindra Maitra, Pranab Kumar Naha, Samarendra Nath Sikdar, Michael Robbins, and many other musicians of this generation. Maitra was considered an influential figure in 20th century sarod playing and received the title Sangeetacharya. He was among those awarded the Sangeet Natak Akademi Award in 1971. Radhika Mohan Maitra came from a Bengali zamindar family that had a history of musicianship and of patronising that art. At present this is at Talando of Tanore upozila of Rajshahi district in Bangladesh. His grandfather, Lalit Mohan Maitra, was a player of the tabla, his father, Brajendra Mohan, played the sarod, and his mother learned the sitar. Among those who were patronised by his grandfather was Mohammed Amir Khan and it was he who acted as the guru and principal teacher of Radhika, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allauddin Khan
Ustad Allauddin Khan (8 October 1862 – 6 September 1972), was a Bengalis, Bengali sarod player and multi-instrumentalist, composer and one of the most notable music teachers of the 20th century in Indian classical music. For a generation many of his students, across different instruments like sitar and violin, dominated Hindustani classical music and became one of the most famous exponents of the form ever, including his son Ali Akbar Khan. Early life Khan was born to a Bengali Muslim family in Shibpur village in Brahmanbaria (in present-day Bangladesh). His father, Sabdar Hossain Khan, was a musician. Khan took his first music lessons from his elder brother, Fakir Aftabuddin Khan. At age ten, Khan ran away from home to join a jatra (theatre), jatra party where he was exposed to a variety of folk genres: jari, sari, baul, bhatiyali, kirtan, and panchali. Khan went to Kolkata, where he met a physician named Kedarnath, who helped him to become a disciple of Gopal Krishna Bhattac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music (for example in the Haveli Sangeet of Pushtimarg Sampradaya), and is also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text '' Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Alphabet Of Sanskrit Transliteration
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmony, harmonic or monophony, monophonic effect or accompaniment where a note (music), note or chord (music), chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone [pipe] of a bagpipes, bagpipe", the pedal point in an organ (music), organ, or the lowest course (music), course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it [a drone] is not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition (music), repetition of a note. It most often establishes a tonality upon which the rest of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
