|
Subcontrabass Saxophone
The subcontrabass saxophone is the largest of the family of saxophones that Adolphe Sax patented in 1846 and planned to build, but never constructed. Sax called this imagined instrument the ''saxophone bourdon'', named after the very low-pitched 32′ bourdon pedal stop on large pipe organs. It is a transposing instrument pitched in B♭ one octave below the bass saxophone, two octaves below the tenor, and three octaves and a major second below its written pitch. History Although described in Adolphe Sax's patent in 1846, a practical, playable subcontrabass saxophone did not exist until the 21st century. An oversized saxophone that might have qualified was built as a prop in the 1960s; it could produce tones, but its non-functional keywork required assistants to manually open and close the pads, and it was reportedly incapable of playing a simple scale. The tubax was developed in two sizes in 1999 by German instrument manufacturer Benedikt Eppelsheim, the lower of which, pit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Second
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophones
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay Easton
A jay is a member of a number of species of medium-sized, usually colorful and noisy, passerine birds in the Crow family, Corvidae. The evolutionary relationships between the jays and the magpies are rather complex. For example, the Eurasian magpie seems more closely related to the Eurasian jay than to the East Asian blue and green magpies, whereas the blue jay is not closely related to either. Systematics and species Jays are not a monophyletic group. Anatomical and molecular evidence indicates they can be divided into an American and an Old World lineage (the latter including the ground jays and the piapiac), while the grey jays of the genus ''Perisoreus'' form a group of their own.http://www.nrm.se/download/18.4e32c81078a8d9249800021299/Corvidae%5B1%5D.pdf PDF fulltext The black magpies, formerly believed to be related to jays, are classified as treepies. Old World ("brown") jays Grey jays American jays In culture Slang The word ''jay'' has an archaic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Hartley
Walter Sinclair Hartley (February 21, 1927 – June 30, 2016) was an American composer of contemporary ( classical) music. Biography and education He was born in Washington, D.C., began composing at age five and became seriously dedicated to it at sixteen. All his college degrees are from the Eastman School of Music of the University of Rochester. He received his Ph.D. in composition there in 1953. Some of his teachers were Burrill Phillips, Thomas Canning, Herbert Elwell, Bernard Rogers, Howard Hanson and Dante Fiorillo. He and the former Sandra Mount married June 17, 1960; the couple is survived by two daughters and five grandchildren. Appointments He was Professor Emeritus of Music at the State University of New York at Fredonia in Fredonia, New York. He also taught piano, theory and composition at the National Music Camp (now Interlochen Arts Camp) in Interlochen, Michigan from 1956 to 1964. He then became composer-in-residence at the University of North Carolina at Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubax
The tubax is a modified contrabass saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim. Although it has the same fingering as the saxophone, it has a narrower bore, smaller mouthpiece, and more compactly folded tubing. The tubax exists in E♭ contrabass and B♭ or C subcontrabass sizes. Its name is a portmanteau of the words "tuba" and "sax". History The first size of tubax to be developed was the E♭ tubax. It first appeared in 1998, and was intended as a more practical alternative to the somewhat unwieldy contrabass saxophone. The larger B♭ tubax appeared soon after and is equivalent to the subcontrabass saxophone, which although envisioned by Adolphe Sax in his 1846 patent, was only first built in 2010 by Brazilian manufacturer J'Élle Stainer. This subcontrabass size is also available in C, but only one model has been manufactured, sold to Thomas Mejer of Switzerland in July 2002. Construction The E♭ and B♭ tubax have the same lengt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bore (wind Instruments)
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or " bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass Saxophone
The contrabass saxophone is the second-lowest-pitched extant member of the saxophone family proper. It is extremely large (twice the length of tubing of the baritone saxophone, with a bore twice as wide, standing 1.9 meters tall, or 6 feet 4 inches) and heavy (approximately 20 kilograms, or 45 pounds), is pitched in the key of E, one octave below the baritone saxophone. History The contrabass saxophone was part of the original saxophone family as conceived by Adolphe Sax, and is included in his saxophone patent of 1846, as well as in Kastner's concurrently published ''Methode'' for saxophone. By 1849, Sax was displaying contrabass through sopranino saxophones at exhibitions. Patrick Gilmore's famous American band roster included a contrabass saxophone in 1892, and at least a dozen of these instruments were built by the Evette-Schaeffer company for the US military bands in the early 20th century. Saxophone ensembles were also popular at this time, and the contrabass saxophone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubax
The tubax is a modified contrabass saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim. Although it has the same fingering as the saxophone, it has a narrower bore, smaller mouthpiece, and more compactly folded tubing. The tubax exists in E♭ contrabass and B♭ or C subcontrabass sizes. Its name is a portmanteau of the words "tuba" and "sax". History The first size of tubax to be developed was the E♭ tubax. It first appeared in 1998, and was intended as a more practical alternative to the somewhat unwieldy contrabass saxophone. The larger B♭ tubax appeared soon after and is equivalent to the subcontrabass saxophone, which although envisioned by Adolphe Sax in his 1846 patent, was only first built in 2010 by Brazilian manufacturer J'Élle Stainer. This subcontrabass size is also available in C, but only one model has been manufactured, sold to Thomas Mejer of Switzerland in July 2002. Construction The E♭ and B♭ tubax have the same lengt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Jay Easton")
.jpg "Click for more on -> Tubax")
