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Stagehand
A stagehand is a person who works backstage or behind the scenes in theatres, film, television, or location performance. Their work includes setting up the scenery, lights, sound, props, rigging, and special effects for a production. General Stagehands are usually skilled in multiple disciplines, including rigging, carpentry, painting, stage electrics, stage lighting, audio, video/projection, and props. Stagehands are often responsible for operating the systems during shows or taping and also for the repair and maintenance of the equipment. Most stagehands have a general knowledge of all the phases of a production, but tend to develop specialties and focus on specific areas. Riggers are in charge of the things that hang. This may include building structures that are tens of stories high. They use safety gear similar to that used for mountain climbing. Carpenters construct and set up scenery. They may also move scenery on stage during a show. Electricians, or more commonly k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuroko
are stagehands in traditional Japanese theatre, who dress all in black. Lexical background 黒衣 is primarily read 'kurogo,' differentiating from the other readings kokui/kokue/kuroginu "black clothes" – the go/gi suffix underlining the 'wearing' intent. Another synonym for the stagehands was also 黒具 'kurogo' "black instrument" as they were meant to serve the performance. Over time, the unvoiced mispronounciation 'kuroko' also started to be used, and needed its own spelling that took the simple 子 ko character as an 'ateji' (sound only), making the 黒子 kuroko word. (Originally though 黒子 was read 'hokuro' and meant "beauty spot.") Hirofumi The two readings kuroko/kurogo are both available for the two spellings 黒衣/黒子. Description In kabuki, the ''kuroko'' serve many of the same purposes as running crew. They move scenery and props on stage, aiding in scene changes and costume changes. They will also often play the role of animals, will-o-the-wisps, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Alliance Of Theatrical Stage Employees
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada, known as simply the International Alliance of Theatrical Stage Employees (IATSE or IA for short), is a North American trade union, labor union representing over 168,000 technicians, artisans, and craftspersons in the entertainment industry, including live theatre, motion picture and television production, broadcast and trade shows in the United States, its territories, and Canada. It was awarded the Tony Honors for Excellence in Theatre in 1993. Overview IATSE was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each other's efforts to establish fair wages and working conditions for their members. IATSE has since evolved to embrace the development of new entertainment media, craft expansion, technological innovation and geographic growth. Today, IATSE me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Technician
A theatrical technician, also known as a theatrical tech, theatre technician, or theatre tech is a person who operates technical equipment and systems in the performing arts and entertainment industry. Technicians in contrast to Performing arts, performers, is the broad category that contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance. The role of theatrical technician should not be confused with the role of a Theater designer, designer, who's role is to not operate the system but work with the director to create the idea of the system that the tech will put into action, although it is common for the roles of designer and technician to be performed by the same person. The job of a technician may be Volunteering, volunteer or a paid position. It is not uncommon to receive Remuneration, compensation (such as comp/free tickets to the current or future productions or items used in the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpenter (theater)
In theatre, a carpenter is a stagehand who builds Set construction, sets and stage elements. They usually are hired by the Production_management_(theater), production manager, crew chief or technical director. In some less common cases, they may be hired by the theatre director, director, or theatrical producer, producer. They are usually paid by the hour. Carpenters receive Technical drawing, drafting from the technical director who uses the designers' renderings, models, and/or drafting of the set to create the technical drawings for the production. Working mainly with woods and metals, they use techniques that include woodworking and welding. They build set pieces, including some standard elements—Flats (theatre), flats, Platform (theatre), platforms and columns—as well as pieces of the Stage (theatre), stage. For example, a carpenter may be responsible for building stairs and ramps on and off of the performance area and for leveling the stage floor itself. Only c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light Board Operator
The light board operator (commonly referred to as the "Light Op" or "Board Op"), is the Electrician (theatre), electrician who operates and may even program the light board. They are considered part of the "Electrics" Department or LX Department. All non-design elements of lighting will be handled by the LX Department, i.e. electricians. Light board operators mainly are responsible for decoding the Lighting design, light designer's ideas from paper to opening night ready. In some cases, the light board operator is also the light designer. This position carry outs all the Cue (theatrical), cues for the production, essentially functioning as a "human light switch", from a Lighting control console, light board console. The scope of the cues can differ depending on the production needs; examples like cutting all lights so a spotlight can shine on a single actor or dimming lights at the start of a production or even a complex scene incorporating several rapid-fire lighting cues paired to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grip (job)
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a camera dolly, dolly, crane operators, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography. In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the Commonwealth of Nations, Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Occupations
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A2 (theater)
A2 is an abbreviation for "Production Audio Technician", Audio Assistant, Second Audio Assistant, or Second Assistant Audio Engineer. Any of these three terms, or any similar term such as Mic Wrangler, may be used to describe the same set of duties. An A2 is a stagehand who is responsible for the upkeep, acquisition, and use of microphones, backstage monitors, communication systems, and the audio system. There are typically one or two people with this job title associated with any major theatrical production making use of such audio elements. The term "A2" refers to the fact that this person is frequently the second in command on all matters relating to sound during the performance, reporting directly to the Production Audio Engineer, or A1. In addition to his or her own responsibilities, the A2 often acts as an understudy for the A1. In touring theatre, the A2 is often responsible for overseeing the load-in of all backstage audio elements. In musical theatre, the A2 may or m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electrician (theater)
In theatre, an electrician is a person who works with the various aspects of lighting. Some of the positions among electricians include the lighting supervisor, master electrician, deck electrician, light board operator, moving light programmer, followspot operator, as well as simply electricians. This group is generally known as the "Electrics" Department or LX Department. These people are responsible for receiving the light plot from the lighting designer and translating the design as it is on paper to the lighting that is seen by the audience in the final production. In small theatres, many of these roles may be filled by a single person, while in a large production such as those on Broadway or a large tour, there may be several people filling some of the roles. Duties Theatre electricians are responsible for all non-design aspects of the lighting in a theatrical production. They may also be responsible for special effects (such as fog) and powering other electric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lighting Technician
An electrical lighting technician, or simply lighting technician, is involved with rigging stage and location sets and controlling artificial, electric lights for art and entertainment venues (theatre or live music venues) or in video, television, or film production. In a theater production, lighting technicians work under the lighting designer and master electrician. In video, television, and film productions, lighting technicians work under the direction of the gaffer or chief lighting technician who takes their direction from the cinematographer. In live music, lighting technicians work under the lighting director. All heads of department report to the production manager. Lighting technicians are responsible for the movement and set up of various pieces of lighting equipment for separation of light and shadow or contrast, depth of field or visual effects. Lighting Technicians may also lay electrical cables, wire fixtures, install color effects or image patterns, focus the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Followspot Operator
The spotlight operator or followspot operator is a theatrical technician who operates a specialized stage lighting instrument known as a followspot. A followspot is any lighting instrument manually controlled by an operator during a performance. Generally a followspot will be a dedicated, large lighting instrument designed to pan and change size, beam width, and color easily by hand. Followspot controls *Choppers – Cuts or shutters the top and bottom part of the beam. *Douser – Controls intensity. *Iris – Controls beam size. *Trombone – Controls focal length. *Color frames – Changes the color of the light. May also known as a boomerang or a color magazine. Color magazines contain the color gels, which are counted from the rear of the follow spot forward. Cueing The way the lead follow-spotter will cue you is by saying "Spot(s) 2 (and 3) on ctor/actresss) in a frame 2 (sometimes it's more than one color at once) with a half douser." It may seem confusing at first, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
