Soundscape Composition
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Soundscape Composition
A soundscape is the acoustic environment as perceived by humans, in context. The term, originally coined by Michael Southworth, was popularized by R. Murray Schafer. There is a varied history of the use of soundscape depending on discipline, ranging from urban design to wildlife ecology to computer science. An important distinction is to separate soundscape from the broader acoustic environment. The acoustic environment is the combination of all the acoustic resources, natural and artificial, within a given area as modified by the environment. The International Organization for Standardization (ISO) standardized these definitions in 2014.ISO 12913-1:2014 A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology or soundscape ecology. The idea of soundscape refers to both the natural acoustic environment, consisting of natural sounds, including animal vocalizations, the collec ...
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Biophysical Environment
The natural environment or natural world encompasses all life, biotic and abiotic component, abiotic things occurring nature, naturally, meaning in this case not artificiality, artificial. The term is most often applied to Earth or some parts of Earth. This environment encompasses the interaction of all living species, climate, weather and natural resources that affect human survival and economic activity. The concept of the ''natural environment'' can be distinguished as components: * Complete ecological units that function as natural systems without massive civilized human intervention, including all vegetation, microorganisms, soil, rock (geology), rocks, plateaus, mountains, the atmosphere of Earth, atmosphere and list of natural phenomena, natural phenomena that occur within their boundaries and their nature. * Universal natural resources and phenomenon, physical phenomena that lack clear-cut boundaries, such as air, water and climate, as well as energy, radiation, electric ...
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Geophony
Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial. First appearing in the ''Handbook for Acoustic Ecology'' edited by Barry Truax, in 1978, the term has occasionally been used, sometimes interchangeably, with the term acoustic ecology. Soundscape ecologists also study the relationships between the three basic sources of sound that comprise the soundscape: those generated by organisms are referred to as the biophony; those from non-biological natural categories are classified as the geophony, and those produced by humans, the anthropophony. Increasingly, soundscapes are dominated by a sub-set of anthropophony (sometimes referred to in older, more archaic terminology as "anthropogenic noise"), or technophony, the overwhelming presence of electro-mechanical noise. This sub-class of noise pollution or disturbance may produce a negative effect on a wide rang ...
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Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ...
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Barry Truax
Barry Truax (born 1947) is a Canadian composer who specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He is credited with developing the first ever implementation of real-time granular synthesis in 1986, with being the first composer to explore the range between synchronic and asynchronic granular synthesis in ''Riverrun'' (1986), and being the first to use a sample as the source of a granular composition in ''Wings of Nike'' (1987). Truax is Professor Emeritus of Simon Fraser University, where he taught both electroacoustic music and acoustic communication. He was one of the original members of the World Soundscape Project. Selected compositions * ''The Blind Man'' (1979) * ''Riverrun'' (1986, Wergo WER 2017–50) * ''Wings of Nike'' (1987, Cambridge Street Records CSR CD-9401 and ''Perspectives of New Music'' CD PNM 28) * ''Tongues of Angels'' (1988, Centrediscs CMC CD-4793) * ''Beauty and the Beast'' (1989, Cambridg ...
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World Soundscape Project
The World Soundscape Project (WSP) was an international research project founded by Canadian composer R. Murray Schafer in the late 1960s at Simon Fraser University. The project initiated the modern study of acoustic ecology. Its ultimate goal is "to find solutions for an ecologically balanced soundscape where the relationship between the human community and its sonic environment is in harmony." The practical manifestations of this goal include education about the soundscape and noise pollution, in addition to the recording and cataloguing of international soundscapes with a focus on preservation of soundmarks and dying sounds and sound environments. Publications which emerged from the project include ''The Book of Noise'' (1968) and ''The Tuning of the World'' (1977), both by Schafer, as well as the ''Handbook for Acoustic Ecology'' (1978) by Barry Truax. The project has thus far resulted in two major tours, in Canada and Europe, the results of which comprise the World Soundscape ...
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Electronic Art Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices include the telharmonium, Ha ...
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World War II
World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the world's countries participated, with many nations mobilising all resources in pursuit of total war. Tanks in World War II, Tanks and Air warfare of World War II, aircraft played major roles, enabling the strategic bombing of cities and delivery of the Atomic bombings of Hiroshima and Nagasaki, first and only nuclear weapons ever used in war. World War II is the List of wars by death toll, deadliest conflict in history, causing World War II casualties, the death of 70 to 85 million people, more than half of whom were civilians. Millions died in genocides, including the Holocaust, and by massacres, starvation, and disease. After the Allied victory, Allied-occupied Germany, Germany, Allied-occupied Austria, Austria, Occupation of Japan, Japan, a ...
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Pauline Oliveros
Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident. Early life and education Oliveros was born in Houston, Texas in 1932. She was of Tejana descent. She started to play music as early as kindergarten, and at nine years of age she began to play the accordion, received from her mother, a pianist, because of its popularity in the 1940s.Baker, Alan"An interview ...
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Found Object (music)
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. Use in classical and experimental music The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen. However, it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also other bu ...
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Performance
A performance is an act or process of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Performance has evolved globally, from ancient rituals to modern artistic expressions. Expanding the article with historical and cultural perspectives would improve its scope. Ancient & Classical Theater: Rooted in rituals (Egyptian passion plays, Indigenous storytelling), early performances led to Greek tragedy, Sanskrit drama, and Chinese opera. Medieval & Early Modern Performance: Includes mystery plays in Europe, Commedia dell’arte in Italy, and Kabuki & Noh in Japan. Contemporary & Political Performance: Modern forms include agitprop theater, Forum Theater, and performance art as activism. By highlighting global traditions, the article would better reflect performance as a universal human expression shaped by history and culture. Management science In the ...
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Audio Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a larger loudspeaker diaphragm c ...
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Noise Pollution
Noise pollution, or sound pollution, is the propagation of noise or sound with potential harmful effects on humans and animals. The source of outdoor noise worldwide is mainly caused by machines, transport and propagation systems.Senate Public Works Committee. ''Noise Pollution and Abatement Act of 1972''. S. Rep. No. 1160, 92nd Congress. 2nd session Poor urban planning may give rise to noise disintegration or pollution, side-by-side industrial, and residential buildings can result in noise pollution in the residential areas. Some of the main sources of noise in residential areas include loud music, transportation (traffic, rail, airplanes, etc.), lawn care maintenance, construction, electrical generators, wind turbines, explosions, and people. Documented problems associated with noise in urban environments go back as far as ancient Rome. Research suggests that noise pollution in the United States is the highest in low-income and racial minority neighborhoods, and noise pollut ...
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