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Social Practice (art)
Social practice or socially engaged practice in the arts focuses on community engagement through a range of art media, human interaction and social discourse. While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, new genre public art,abreu, manuel arturoWe Need to Talk About Social Practice artpractical.com, 6 March 2019 socially engaged art,Kester, Grant, “Conversation Pieces: The Role of Dialogue in Socially Engaged Art,” ''Theory in Contemporary Art Since 1985'', 2005 dialogical art, participatory art, and ecosocial immersionism.The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront by Cisco Bradley, Duke University Press, 2023, p. 27 Social practice work focuses on the interaction between the audience, social systems, and the artist or artwork through aesthetics, ethics, colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Discourse
Discourse is a generalization of the notion of a conversation to any form of communication. Discourse is a major topic in social theory, with work spanning fields such as sociology, anthropology, continental philosophy, and discourse analysis. Following pioneering work by Michel Foucault, these fields view discourse as a system of thought, knowledge, or communication that constructs our experience of the world. Since control of discourse amounts to control of how the world is perceived, social theory often studies discourse as a window into power. Within theoretical linguistics, discourse is understood more narrowly as linguistic information exchange and was one of the major motivations for the framework of dynamic semantics, in which expressions' denotations are equated with their ability to update a discourse context. Social theory In the humanities and social sciences, discourse describes a formal way of thinking that can be expressed through language. Discourse is a social b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collaboration
Collaboration (from Latin ''com-'' "with" + ''laborare'' "to labor", "to work") is the process of two or more people, entities or organizations working together to complete a task or achieve a goal. Collaboration is similar to cooperation. Most collaboration requires leadership, although the form of leadership can be social within a decentralized and egalitarian group.Spence, Muneera U. ''"Graphic Design: Collaborative Processes = Understanding Self and Others."'' (lecture) Art 325: Collaborative Processes. Fairbanks Hall, Oregon State University, Corvallis, Oregon. 13 April 2006See also. Teams that work collaboratively often access greater resources, recognition and rewards when facing competition for finite resources. Caroline S. Wagner and Loet Leydesdorff. Globalisation in the network of science in 2005: The diffusion of international collaboration and the formation of a core group.'' Structured methods of collaboration encourage introspection of behavior and communication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Artistry
Social artistry is the attempt to address or recognize a particular social issue using art and creativity. Social artists are people who use creative skills to work with people or organizations in their community to affect change. While a traditional artist uses their creative skills to express their take on the world, a social artist puts their skills to use to help promote and improve communities. Thus, the main aim of a social artist is to improve society as a whole and to help other people find their own means of creative expression. Social artists may address issues such as youth alienation or the breakdown of communities. Most commonly, social artists will address these problems by helping people express themselves and find their voice, or by bringing people together and using art to help them to foster an understanding of each other. Social artistry can incorporate several different art forms including theatre, poetry, music and visual art. Findings from 2013 confirm the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relational Art
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space." The artist can be more accurately viewed as the "catalyst" in relational art, rather than being at the centre. Etymology One of the first attempts to analyze and categorize art from the 1990s, the idea of relational art was developed by Nicolas Bourriaud in 1998 in his book ''Esthétique relationnelle'' (''Relational Aesthetics''). The term was first used in 1996, in the catalogue for the exhibition ''Traffic'' curated by Bourriaud at CAPC musée d'art contemporain de Bordeaux. ''Traffic'' included the artists that Bourriaud would continue to refer to throughout the 1990s, such as Henry Bond, Vane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SubRosa
subRosa is a cyberfeminist organization led by artists Faith Wilding and Hyla Willis. In the late 1990s at Carnegie Mellon University, Faith Wilding organized an on-campus reading group that discussed digital culture and technologies, feminisms, postcolonial theory, body- and bio-politics, and reproductive health. It was from this reading group in 1998 that the cyberfeminist collective subRosa formed, with founding members María Fernández, Wilding, Hyla Willis, and Michelle M. Wright. As outlined by members of subRosa, challenging the utopian ideas associated with technology and the internet is the foundation of subRosa’s practice. subRosa’s work is connected to – but differs from – the broader cyberfeminist movement of the 1990s and Donna Haraway’s cyborg theory. Many of subRosa’s works are performance-based and participatory, and encourage members of the public to think deeply about technology and its role in their lives. As the group consisted of artists, activi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meaning Maker
''Meaning Maker'' is a conceptual, social practice art project by Kent Manske and Nanette Wylde. The project consists of ten questionnaires on a range of topics. It was initiated in 2006 by PreNeo Press. ''Meaning Maker'' has been exhibited in galleries, published in journals, is included in the RISD artists' book collection, and has been unofficially distributed and placed at numerous art events. Description ''Meaning Maker'' takes form as a series of fill-out-form pamphlets. Each pamphlet is an "edition" which focuses on a single subject. The ''Meaning Makers'' are: Academic Conference, American Citizenship, Art Viewing Experience, Control, Family Gathering, Food, Higher Education, Periodic Personal Evaluation, Relationship to Nature, and U.S. Presidential Elections. This project exists in the physical world and on the Internet. The pamphlets are distributed in public places, most often art galleries and museums, and at art or academic conferences. They are also distributed o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti Advertising Agency
Steve Lambert is an American artist (born 1976) who works with issues of advertising and the use of public space. He is a founder of the Anti-Advertising Agency, an artist-run initiative which critiques advertising through artistic interventions, and of the Budget Gallery (with Cynthia Burgess) which creates exhibitions by painting over outdoor advertisements and hanging submitted art in its place. Lambert's artistic practice includes drawing, performance, intervention, culture jamming, public art, video, and internet art. He has worked with the Graffiti Research Lab, Glowlab, and as a senior fellow at Eyebeam. Lambert is a member of the New York based artist group Free Art and Technology Lab. He has won several awards including from Turbulence, the Creative Work Fund, Rhizome/The New Museum, Adbusters Media Foundation, and the California Arts Council. Biography Steve Lambert was born in Los Angeles in 1976. He and his family moved to the San Francisco Bay Area four days la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lab (organization)
The Lab is a not-for-profit arts organization and performance space located in San Francisco's Redstone Building. Since 1984, The Lab has hosted performances and projects by artists including Nan Goldin, Barbara Kruger, David Wojnarowicz, Barry McGee, Kim Gordon and Kathleen Hanna. In 2018 the organization began paying fees of $25,000 to $75,000 to artists in residence. History It was founded in 1984 as Co-LAB by a group of five art students (Laura Brun, John DiStefano, Tami Logan, Alan Millar and Nomi Seidman) from San Francisco State University San Francisco State University (commonly referred to as San Francisco State, SF State and SFSU) is a public research university in San Francisco. As part of the 23-campus California State University system, the university offers 118 different b .... It changed its name from Co-Lab to The Lab in 1985. Its original site was at 1805 and 1807 Divisadero Street; in 1995 it moved to the Redstone Building. In 2019, in collaboration with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/ liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Installation Art
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap. History Installation art can be either temporary or permanent. Installation artworks have been constructed in exhibition spaces such as museums and galleries, as well as public and private spaces. The genre incorporates a broad range of everyday and natural materials, which are often chosen for their " evocative" qualities, as well as new media such as video, sound, performance, immersive virtual reality and the internet. Many installations are site-specific in that they are designed to exist only in the space for which they were created, appealing to qualities evident in a three-dimensional immersive medium. Artistic collectives such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
