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Significant Form
Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. In his 1914 Book ''Art,'' Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed "significant form." Bell's definition explicitly separated significant form from beauty Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, o ...; in order to possess significant form, an object need not be attractive as long as it elicits an emotional response. As Bell put it succinctly: "The important thing about a picture, however, is not how it is painted, but whether it provokes aesthetic emotion." Semir Zeki, the neurobiologist, has written that the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, Epistemology, knowledge, Ethics, values, Philosophy of mind, mind, and Philosophy of language, language. Such quest ... that deals with the nature of beauty and taste (sociology), taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clive Bell
Arthur Clive Heward Bell (16 September 1881 – 17 September 1964) was an English art critic, associated with formalism and the Bloomsbury Group. He developed the art theory known as significant form. Biography Origins Bell was born in East Shefford, Berkshire, in 1881, the third of four children of William Heward Bell (1849–1927) and Hannah Taylor Cory (1850–1942). He had an elder brother ( Cory), an elder sister (Lorna, Mrs Acton), and a younger sister (Dorothy, Mrs Hony). His father was a civil engineer who built his fortune in the family coal mines in Wiltshire in England and Merthyr Tydfil in Wales – "a family which drew its wealth from Welsh mines and expended it on the destruction of wild animals." They lived at Cleeve House, Seend, near Devizes, Wiltshire, where Squire Bell's many hunting trophies were displayed. Marriage and other liaisons Bell was educated at Marlborough College and at Trinity College, Cambridge, studying history. In 1902 he gained an Earl of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Of Art
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic Emotions
Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes only a part of the overall aesthetic experience, but may play a more or less definitive function for that state. Types Visual arts and film The relation between aesthetic emotions and other emotions is traditionally said to rely on the disinterestedness of the aesthetic experience (see Kant especially). Aesthetic emotions do not motivate practical behaviours in the way that other emotions do (such as fear motivating avoidance behaviours). The capacity of artworks to arouse emotions such as fear is a subject of philosophical and psychological research. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beauty
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with Unattractiveness, ugliness as its negative counterpart. Along with truth and Value (ethics), goodness it is one of the transcendentals, which are often considered the three fundamental concepts of human understanding. One difficulty in understanding beauty is because it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concepts In Aesthetics
The following outline is provided as an overview of and topical guide to aesthetics: Aesthetics – branch of philosophy and axiology concerned with the nature of beauty. What ''type'' of thing is an aesthetic? Aesthetics can be described as all of the following: * Branch of philosophy – ** Branch of axiology – Related academic areas * Aesthetics of music * Applied aesthetics * Architecture * Art * Arts criticism * Gastronomy * History of aesthetics (pre-20th-century) * History of painting * Painting * Philosophy of film * Philosophy of music * Poetry * Sculpture * Theory of painting History of aesthetics * History of aesthetics ** History of aesthetics before the 20th century Concepts in aesthetics * Aesthetic emotions * Art manifesto * Art object * Avant-garde * Beauty * Boring * Comedy * Camp * Creativity * Cute * Disgusting * Ecstasy * Elegance * Entertainment * Ephemerality * Eroticism * Fun * Gaze * Harmony * Humour * Interpretation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
