|
Sequence Dancing
Sequence dancing is a form of dance in which a preset pattern of movements is followed, usually to music which is also predetermined. Sequence dancing may include dances of many different styles. The term may include ballroom dances which move round the floor as well as line, square and circle dances. Sequence dancing in general is much older than modern ballroom dances. With the exception of the waltz, invented around 1800, all dances in ballrooms were sequence dances until the early 20th century. After modern ballroom dancing developed, in England, sequence dancing continued. It included so-called 'Old Time' dances and also adapted versions of the new ballroom dances, and then versions of Latin dances. Sequence dancing is a competitive sport as well as a social pastime. The British Sequence Championships is the most famous annual sequence dance competition and is part of the Blackpool Sequence Dance Festival. This is held in the Empress Ballroom, Winter Gardens, Blackpool, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrille Set Five Person Set Colonial Ball At The Albert Hall
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The quadrille also gave rise to Cape Breton Square Dancing via American square dancing in New England. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as ''kwadril'', and in Jamaica, quadrille is a traditional folk dance which is done in two styles i.e. ''ballroom'' and ''campstyle''. The dance is also still found in Madagascar as well as old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galop
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha) is a dance of Cuban origin. It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. When Orquesta América performed these new compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quickstep
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Its origins are in combination of slow foxtrot combined with the Charleston (dance), Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston (dance), Charleston, Collegiate shag (dance), shag, Peabody (dance), peabody, and One-Step, one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the lead and follow, leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the Candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in working-class districts of Buenos Aires and Montevideo. Tango music deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakewalk
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on black slave plantations before and after emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance performed with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country.. The fluid and graceful steps of the dance may have given rise to the colloquialism that something accomplished with ease is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian-era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (Spanish Wikipedia and ), Finland (), France, Italy, Norway (""), Portugal and Brazil (, '), Spain (), Sweden, Denmark (), Mexico (), and the United States, among other nations. The schottische is considered by '' The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European or Continental version (often pronounced "skoteesh"), is typically danced to faster music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The Mazurka ( Polish: ''mazurek'') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The Mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''Mazurk'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic '' kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill, dotted eighth note (quaver) pair, or an ordinary eighth note pair before two quarter notes ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two-step (dance Move)
Two-step or two step may refer to: Dance * Two-step (dance move), a dance move used in a wide range of dancing genres * Country-western two-step, also known as the Texas Two-step * Nightclub Two Step, also known as the California Two-step * 2-step (breakdance move), an acrobatic maneuver used in breakdancing * Two step, a style of moshing which creates a running–in–place motion Music * "Two Step" (song), a single released by Dave Matthews Band in 1996 * "2 Step" (song), a single released by Unk in 2007 * "2step" (song), a song released by Ed Sheeran in 2021 * 2-step garage, a subgenre of UK garage music * "2 Step", a bonus track by Destiny's Child from their 2004 album ''Destiny Fulfilled'' Other * Two Step Cliffs * Two Step Inn, a country music festival located in Georgetown, Texas * Two-Step (comics) * ''Two Step'' (film), a 2014 American thriller film * Euro step, also known as two-step, a basketball move * Many-banded krait, a species of venomous snake native to Sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
