|
Sentimentalism (literature)
As a literary mode, sentimentalism, the practice of being sentimental, and thus tending towards making emotions and feelings the basis of a person's actions and reactions, as opposed to reason,"sentimentalism, n.", ''Oxford English Dictionary'' has been a recurring aspect of world literature. Sentimentalism includes a variety of aspects in literature, such as sentimental poetry, the sentimental novel, and the German sentimentalist music movement, Empfindsamkeit. European literary sentimentalism arose during the Age of Enlightenment, partly as a response to sentimentalism in philosophy. In eighteenth-century England, the sentimental novel was a major literary genre. The genre developed in England between 1730 and 1780 at the time of high enlightenment from where it spread to other European literatures. Its philosophical basis primarily came from Anthony Ashley Cooper, 3rd Earl of Shaftesbury, a pupil of John Locke. Philosophical influences Sentimentalism in philosophy and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (literature)
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. History In his '' Poetics'', the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their ''medium'' of imitation, according to their ''objects'' of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Categorical Imperative
The categorical imperative () is the central philosophical concept in the deontological Kantian ethics, moral philosophy of Immanuel Kant. Introduced in Kant's 1785 ''Groundwork of the Metaphysics of Morals'', it is a way of evaluating motivations for action. It is best known in its original formulation: "Act only according to that maxim (philosophy), maxim whereby you can at the same time will that it should become a universal law."It is standard to also reference the ''Akademie Ausgabe'' of Kant's works. The ''Groundwork'' occurs in the fourth volume. Citations throughout this article follow the format 4:x. For example, the above citation is taken from 4:421. According to Kant, rational being (Kantian ethics), rational beings occupy a special place in creation, and morality can be summed up in an imperative, or ultimate commandment of reason, from which all duties and obligations derive. He defines an ''imperative'' as any proposition declaring a certain action (or inaction) t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensitive Style
Empfindsamkeit () or Empfindsamer Stil is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque ''Affektenlehre'' ( doctrine of the affections), in which a composition (or movement) would have the same affect (e.g., emotion or musical mood) throughout. Etymology The German noun "Empfindsamkeit" is usually translated as "sensibility" (in the sense used by Jane Austen in her novel '' Sense and Sensibility''), while the adjective ''empfindsam'' is sometimes rendered as "sentimental" or "ultrasensitive". "Empfindsamkeit" is also sometimes translated, and may even be derived from the English word ''sentimentality'', since it is related to the then-contemporary English literature sentimentality literary movement. History The ''empfindsamer Stil'' is similar to and often considered a dialect of the international '' galant'' style, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Sentimental Journey Through France And Italy
''A Sentimental Journey Through France and Italy'' (1768) is a novel by Laurence Sterne. It follows the Reverend Mr. Yorick on a Picaresque novel, picaresque journey through France, narrated from a Sentimental novel, sentimental point of view. Yorick is a character from Sterne's bestselling previous novel ''The Life and Opinions of Tristram Shandy, Gentleman, Tristram Shandy'' (1759–1767) who also serves as Sterne's author surrogate, alter ego. The novel was planned as a four-volume work, but Sterne died in 1768 with only the first two volumes published; Yorick never makes it to Italy. The book follows the genre conventions of a travel narrative, with a playful and fragmented writing style. A key theme is the interconnected nature of sympathy and sexual desire, which both inspire strong Prosocial behavior, pro-social feelings. Analysis of the book often seeks to answer whether its depictions of extreme emotion are meant to be serious, or whether Yorick is an unreliable narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamela, Or Virtue Rewarded
''Pamela; or, Virtue Rewarded'' is an epistolary novel first published in 1740 by the English writer Samuel Richardson. Considered one of the first true English novels, it serves as Richardson's version of conduct literature about marriage. ''Pamela'' tells the story of a fifteen-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later in the novel, journal entries all addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part, Pamela marries Mr. B and tries to acclimatise to her new position in upper-class society. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistolary Novel
An epistolary novel () is a novel written as a series of letters between the fictional characters of a narrative. The term is often extended to cover novels that intersperse other kinds of fictional document with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they do not include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word '' epistolary'' is derived from Latin from the Greek word (), meaning a letter . This type of fiction is also sometimes known by the German term ''Briefroman'' or more generally as epistolary fiction. The epistolary form can be seen as adding greater realism to a story, due to the text existing diegetically within the lives of the characters. It is in particular able to demonstrate differing points of view without recourse to the device of an omniscient narrator. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Richardson
Samuel Richardson (baptised 19 August 1689 – 4 July 1761) was an English writer and printer known for three epistolary novels: '' Pamela; or, Virtue Rewarded'' (1740), '' Clarissa: Or the History of a Young Lady'' (1748) and '' The History of Sir Charles Grandison'' (1753). He printed almost 500 works, including journals and magazines, working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer, whose daughter he eventually married. He lost her along with their six children, but remarried and had six more children, of whom four daughters reached adulthood, leaving no male heirs to continue the print shop. As it ran down, he wrote his first novel at the age of 51 and joined the admired writers of his day. Leading acquaintances included Samuel Johnson and Sarah Fielding, the physician and Behmenist George Cheyne, and the theologian and writer William Law, whose books he printed. At Law's request, Richardson printed some po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Jacques Rousseau
Jean-Jacques Rousseau (, ; ; 28 June 1712 – 2 July 1778) was a Genevan philosopher ('' philosophe''), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'', which argues that private property is the source of inequality, and ''The Social Contract'', which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (completed in 1770), which initiated the modern autobiography, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lesesucht
Die Lesewut (German for the ''reading craze'') or Die Lesesucht (''reading mania''), are terms that describe a period in German history beginning in the eighteenth century. Goethe's The Sorrows of Young Werther and the Sturm und Drang (, ; usually translated as "storm and stress") was a proto-Romanticism, Romantic movement in German literature and Music of Germany, music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity an ... movement are considered to have been the catalyst for this event. References German literature German words and phrases {{Germany-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. An opera seria had a historical or Biblical subject, whereas an opera buffa had a contemporary subject. Italian ''opera seria'' (invariably to Italian libretto, libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the Royal court, court operas based in Warsaw (since 1628), Bavarian State Opera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
