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Scherzi
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means "joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Church music, sacred music, and a pioneer in the Origins of opera, development of opera, he is considered a crucial Transition from Renaissance to Baroque in instrumental music, transitional figure between the Renaissance music, Renaissance and Baroque music, Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of St Mark's Basilica, San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of List of compositions by Claudio Monteverdi, Monteve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Brunelli
Antonio Brunelli (20 December 1577 in Pisa – 19 November 1630 in Pisa) was an Italian composer and theorist of the early Baroque period. He was a student of Giovanni Maria Nanino and served as the organist at San Miniato in Tuscany from 1604 to 1607, then moved to Prato where he served as ''maestro di capella'' at the Cathedral there. On 12 April 1612 he was appointed as ''maestro di capella'' to the Order of Saint Stephen at the Santo Stefano dei Cavalieri Church in Pisa in the service of the Grand Duke of Tuscany. His pupil, composer Giovanni Bettini, followed him to Pisa and was later appointed organist at the Santo Stefano dei Cavalieri in 1618, most likely by Brunelli. Between 1605 and 1621 he published works including motets, canzonette, Psalms, madrigals, Requiems, and other sacred works, some of which were included in Donfried's '' Promptuarium musicum'' (1623). Brunelli wrote and published several theoretical treatises, most notably the ''Regole utilissime per i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western World
The Western world, also known as the West, primarily refers to various nations and state (polity), states in Western Europe, Northern America, and Australasia; with some debate as to whether those in Eastern Europe and Latin America also constitute the West. The Western world likewise is called the Occident () in contrast to the Eastern world known as the Orient (). Definitions of the "Western world" vary according to context and perspectives; the West is an evolving concept made up of cultural, political, and economic synergy among diverse groups of people, and not a rigid region with fixed borders and members. Some historians contend that a linear development of the West can be traced from Greco-Roman world, Ancient Greece and Rome, while others argue that such a projection constructs a false genealogy. A geographical concept of the West started to take shape in the 4th century CE when Constantine the Great, Constantine, the first Christian Roman emperor, divided the Roman Em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Westrup
Sir Jack Westrup, (26 July 190421 April 1975) was an English musicologist, writer, teacher and occasional conductor and composer. Biography Jack Allan Westrup was the second of the three sons of George Westrup, insurance clerk, of Dulwich, and his wife, Harriet Sophia née Allan. He was educated at Dulwich College, London 1917–22, and at Balliol College, Oxford. He first read classics in which he gained first class honours in moderations (1924) and second class honours in ''literae humaniores'' (1926). He gained his B.Mus. degree in 1926, and a Master of Arts in 1929. He took an active part in music in the university as a keyboard and brass player. With an Italian expatriate Arundel del Re, he co-founded the Oxford University Opera Club while still an undergraduate, and was later its conductor. The club had a policy of producing works in English and used its funds to hire professional singers and conductors. In 1925, with William Henry Harris, he staged the first complete p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Binary Form
Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B. Binary form was popular during the Baroque music, Baroque period, often used to structure movements of keyboard instrument, keyboard sonata (music), sonatas. It was also used for short, one-movement works. Around the middle of the 18th century, the form largely fell from use as the principal design of entire movements as sonata form and organic musical development, development gained prominence. When it is found in later works, it usually takes the form of the theme in a set of variation form, variations, or the Minuet, Scherzo, or Trio sections of a "minuet and trio" or "scherzo and trio" movement in a sonata, symphony, etc. Many larger forms incorporate binary structures, and many more complicated forms (such as the 18th-century sonata form) share certain characteristics with binary form. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Meter
Triple is used in several contexts to mean "threefold" or a " treble": Sports * Triple (baseball), a three-base hit * A basketball three-point field goal * A figure skating jump with three rotations * In bowling terms, three strikes in a row * In cycling, a crankset with three chainrings Places * Triple Islands, an uninhabited island group in Nunavut, Canada * Triple Island, British Columbia, Canada * Triple Falls (other), four waterfalls in the United States & Canada * Triple Glaciers, in Grand Teton National Park, Wyoming * Triple Crossing, Richmond, Virginia, believed to be the only place in North America where three Class I railroads cross * Triple Bridge, a stone arch bridge in Ljubljana, Slovenia Transportation * Kawasaki triple, a Japanese motorcycle produced between 1969 and 1980 * Triumph Triple, a motorcycle engine from Triumph Motorcycles Ltd * A straight-three engine * A semi-truck with three trailers Science and technology * Triple (mathemat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet And Trio
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually written in Triple metre, time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a Movement (music), movement in the early classical symphony. While often stylized in instrumental forms, composers of the period would have been familiar with the popular dance. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Graupner
Christoph Graupner (10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School). In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Oper am Gänsemarkt in Hamburg under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany. In 1709, Graupner accepted a post at the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
